Symphony The Prelude to Fire

The battle against the prevailing fire has no end. Armageddon is already here. Fire destroys everything in its path, even the sky. To end the war and avoid disastrous short-term consequences, we must become aware of its danger. Fight tirelessly and win, to live.

It all starts with a spark. A small flame, here or there, that then expands and destroys everything in its path, sowing death and destruction. The fight against the fire continues. Many brave men have fallen in the hand-to-hand fight and the flames devastate everything in their path. The burned areas show the magnitude of the disaster and devastation. We must continue fighting to free ourselves.

The Prelude of Fire Symphony warns between musical notes to the rhythm of the flames, the scorched earth, the end of the fields and the green meadows and if everything continues like this, the end of life in freedom. The world we had will cease to exist.

Fire, stinking smoke and embers contaminate everything. Soon it will be impossible to live anywhere. The dawn turns red and time comes to an end.

Without respite, we must win the final battle for the world free of the fire that reigns.

  • Lucio V Stoppello
    Director
  • Lucio V Stoppello
    Writer
  • Lucio V Stoppello
    Producer
  • Project Title (Original Language):
    La Symphonie Le Prélude au Feu
  • Project Type:
    Other
  • Genres:
    Documentary, Drama, Nature
  • Completion Date:
    January 11, 2024
  • Production Budget:
    27,500 USD
  • Country of Origin:
    United Kingdom
  • Country of Filming:
    Argentina
  • Language:
    English
  • Shooting Format:
    Digital, 35mm.
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Digital Cinema Package:
    Unavailable
Director Biography - Lucio V Stoppello

Lucio V Stoppello. Author, musician and composer. Sound, mixing, audio and video engineer with 30 years of experience as a producer, recording content for radio, television and advertising. Filmmaker, director and film producer. Photographer. Plastic artist, draftsman, designer and digital artist.

Lucio V has created soundscapes, sound effects, SFX, VFX, foley, soundtracks, teasers and trailers. Series soundtrack arrangements, WestWorld, Bridgerton and film music, with the world's best directors and performers at Air Studios, Abbey Road, SA Recordings, Lyndhurst Hall, Rollover Studios and Spitfire Studios, with its Symphony Orchestra, BBC London Symphony Orchestra and the London Chamber Orchestra with artists such as Adrian Bradbury, Alastair Blayden, Alison Dods, Amanda Smith, Ania Safonova, Annabelle Meare, Anthony Pleeth, Beatrix Lovejoy, Ben Chappell, Ben Cruft, Benjamin Buckton, Boguslaw Kostecki, Bruce White, Caroline Dale, Catherine Bradshaw, Charles Mutter, Chris Goldscheider, Chris Tombling, Clare Duckworth, Daniel Pailthorpe, Darrell Alexander, David Cohen, David Daniels, David Woodcock, Eliza Marshall, Everton Nelson, Gareth Griffiths, Garfield Jackson, Gavyn Wright, Gustav Clarkson , Harriet Davies, Harvey De Souza, Ian Rathbone, Ileana Ruhemann, Jackie Shave, Jan Regulski, Jeremy Isaac, Jessica Beeston, John Heley, Julia Knight, Julian Leaper, Katherine Shave, Kathy Gowers, Kerenza Peacock, Laura Samuel, Leon Bosch, Mark Berrow, Martin Humbey, Mary Scully, Maya Bickel, Melanie Martin, Miranda Dale, Non Peters, Ofer Falk, Patrick Lannigan, Paul Kimber, Peter Hanson, Philippe Honoré, Rachel Bolt, Ralph De Souza, Rebecca Gilliver, Rebecca Low, Reiad Chibah, Richard George, Rita Manning, Robbie Gibbs, Simon Blendis, Sonya Fairbairn, Steve Morris, Tim Gibbs, Ursula Gough, Vicci Wardman, Vicky Matthews, Warren Zielinski.
Sheet music copyist: Simon Whiteside Music.
Music recording, mixing and mastering engineers: Lucio V Stoppello, Vaughan Johnson, Dominic Mazzoni, Paul Dorado. SoundTouch by Olli Parviainen. Gian Di Naggio Massimo and other master engineers.

Recording, mixing and mastering studios: Lyndhurst Hall, Rollover Studios, Air Studios, Abbey Road, Spitfire Studios, SA Recordings.

He participated in content and art for “Black Adam” (2022) from Warner Pictures. Before that, “The Dark Tower” (2017) took part with a soundtrack by Junkie XL, arrangements of the soundtrack, music, lyrics and SFX by Bleeding Fingers on Hans Zimmer's work “Destiny's Door” (2012).

He attended the international film festivals of Berlin, CANNES, Biennale Cinema di Venezia, San Sebastian, the Golden Globes ceremony and the Academy Awards in 2017 and 2018. In 2020 and 2021 he participated via zoom and streaming in these events.

In film and production he had master classes from directors such as Martin Scorsese, Ron Howard, Spike Lee or Judd Apatow, Jodie Foster and several master classes with Werner Herzog. At Cannes 2017 he attended a masterclass with Clint Eastwood. The same year he met maestro Ennio Morricone at the 59th Grammy Awards and cinema legend, maestro Alessandro Alessandroni who composed more than 40 legendary film soundtracks and countless archival works.

Member of the Association of Sound Engineers. Since 2012 Mixing with the Masters Michael Brauer, Eddie Kramer, Tony Maserati, Joe Chiccarelli, Hans Zimmer, Ed Cherney, Sylvia Massy, Steve Albini, Manny Marroquín, Jack Joseph Puig, Greg Wells, Timbaland, Larry Klein, John Powell, Jack Antonoff, Bob ClearMountain, Rafa Sardina, Finneas O'Connell, John Greenham, Al Schmitt, Andrew Scheps, Chris Lord-Alge, Andy Wallace, Alan Parsons and Alan Meyerson.

Awarded with 45 Awards and Official Selection at International Festivals.

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