Swimming in the Dark
When the swimming competition is coming, Wen is under lots of pressure. Ann who is inseparable from her found out something different. To confront Wen’s closure and trauma, Ann decides to be closer to Wen. But, when she gets closer to Wen, it pushes them further...
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Pin Ru ChenDirector
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Pin Ru ChenWriter
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Public Television Service TaiwanDistributor
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Project Title (Original Language):悄悄告訴她
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Project Type:Short, Student
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Genres:Narrative, Queer, LGBTQ+, Fiction
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Runtime:27 minutes 10 seconds
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Completion Date:April 10, 2022
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Production Budget:23,500 USD
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Country of Origin:Taiwan
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Country of Filming:Taiwan
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Language:Mandarin Chinese
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:Yes - Taipei National University of the Arts
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International Film Festival Golden BeggarSlovensko
Slovakia
October 27, 2022
International Premiere
Official Selection -
SPE Media FestivalColorado
United States
March 17, 2023
North American Premiere
Best LGBTQ Film -
Sehsüchte International Student Film FestivalBrandenburg
Germany
April 20, 2023
European Premiere
Official Selection -
Riverside International Film FestivalCalifornia
United States
April 21, 2023
US Premiere
Official Selection -
Queer East Film FestivalLondon
United Kingdom
April 23, 2023
UK Premiere
Official Selection -
Golden Harvest AwardsTaipei
Taiwan
May 5, 2023
Official Selection -
Houston Asian American & Pacific Islander Film FestivalTexas
United States
June 3, 2023
Texas Premiere
Official Selection -
Cheongju International Short Film FestivalCheongju
Korea, Republic of
August 18, 2023
South Korean Premiere
Official Selection -
Cinema Diverse: The Palm Springs LGBTQ+ Film FestivalCalifornia
United States
September 14, 2023
California Premiere
Official Selection -
Scottish Queer International Film FestivalGlasgow, Scotland
United Kingdom
September 28, 2023
Scotland Premiere
Official Selection -
Spokane International Film FestivalSpokane, WA
United States
February 9, 2024
Official Selection
Pin Chen was born in Taipei in 1993. The subjects of her films are mostly women and LGBTQA+, and she’s good at capturing flowing emotions and turning them into image aesthetics.
Every trip in our youth is a practice of saying goodbye.