Swannanoan Silt
Swannanoan Silt is a two-channel experimental documentary by filmmakers Isaac King and Tristan Turner examining how communities in WNC cope and rebuild in the aftermath of Hurricane Helene. The film documents Helene’s destruction of Western North Carolina’s landscape. In addition to containing images of destruction, Swannanoan Silt documents the heroic and inspiring relief efforts to rebuild Buncombe County and the surrounding areas. These relief efforts include out-of-state charity, military presence, FEMA camps, and grassroots community organizing. The film was shot on location in towns, including Swannanoa, Asheville, Marshall, Old Fort, and Bat Cave. Unlike the images shown on national news, Swannanoan Silt portrays the aftermath of Hurricane Helene from a personal, boots-on-the-ground perspective. The film not only documents destruction and relief but also approaches these subjects from an abstract, ecological lens. Everyone has seen the images of the millions of tons of displaced mud, felled trees, and building debris, but what about the impact we can't see? Shot on 16mm film and 35mm slides, the images engage directly with the hurricane's invisible ecological impact, as the film was processed in the contaminated Swannanoa and French Broad Rivers. Due to this experimental approach to the photochemical development process, the film emulsion is riddled with unique artifacts, including halation, blistering, and image staining. These weathered images reflect the trauma inflicted upon the community as they have taken on damage borne from their contact with the same water that destroyed the landscape depicted therein. Individual rolls of the film are separated by non-figurative painted film representing the colors of mud and river water in the aftermath of the disaster. The sounds of the projectors are accompanied by live improvised music by our collaborator, Agis Shaw, as he interprets the movements and subject matter found in the relaying images. Ultimately, Swannanoan Silt strives to highlight the perseverance, radical empathy, and dedication to one another in our mountain communities despite such adversity.
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Tristan TurnerDirector
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Isaac KingDirector
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Agis ShawMusic by
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Thomas FlightAdditional Footage by
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Jack ShevockAdditional Footage by
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Project Type:Animation, Documentary, Experimental, Short
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Runtime:17 minutes 4 seconds
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Completion Date:April 12, 2026
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Production Budget:5,000 USD
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Country of Origin:United States
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Country of Filming:United States
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Shooting Format:16mm, 35mm, Digital
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Aspect Ratio:2.66:1
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Digital Cinema Package:Unavailable
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How Do We Mark the FloodWarren Wilson College
United States
November 23, 2024 -
Spaces AVL DIY Event SeriesAsheville
United States
January 17, 2025 -
Spatiotemporal Symposium (UNCC School of Architecture)Charlotte
United States
March 14, 2025 -
Silent Film Loud MusicAsheville
United States
March 27, 2025 -
Swannanoan Silt Tryon Premiere (Tryon Arts and Crafts School)Tryon
United States
April 17, 2025 -
Black Mountain College Museum + Arts Center {Re} HAPPENING 13Black Mountain
United States
May 2, 2025 -
Swannanoan Silt and The Swannanoa River (The Fuzzy Needle)Wilmington
United States
May 30, 2025 -
Swannanoan Silt and The Swannanoa River (Shadowbox Studio)Durham
United States
June 18, 2025 -
Swannanoan Silt and Painted Film Workshop (Goodyear Arts)Charlotte
United States
July 11, 2025 -
An Evening of Experimental Cinema (The Continental Club Gallery)Greensboro
United States
July 24, 2025 -
Swannanoan Silt Helene Anniversary Screening (Pack Memorial Library)Asheville
United States
September 20, 2025 -
Swannanoan Silt and The Swannanoa River (The Sherman Studio Art Center)Columbus
United States
April 14, 2026 -
Lost in the Flood: Photochemical Traces of Extreme Weather (The Block Museum of Art)Evanston
United States
April 17, 2026
Tristan Turner is an experimental filmmaker and mixed media artist from Asheville, NC. His work aims to combine the aesthetics of the past and present to interrogate medium specificity, new limits, and personal expression. Tristan is fond of both digital and analog imagery. Often in his work, he blends the two until they merge into something both familiar and alien. Community, poetry, ecology, collaboration, diaristic narratives, mixed media, abstraction, and visual experimentation are core values in his work. Philosophically, Tristan believes that cinema is the most boundless platform of human expression. Everything is cinema.
Isaac King is an experimental filmmaker and native South Carolinian. His practice centers around handmade cinema, recycled cinema, and amateur filmmaking. He prominently utilizes celluloid film, taking full advantage of its materiality. His work and research focus on matters of representation and socio-ecological metamorphosis, particularly in the United States South.