Private Project

Street Trash (2025)

In the year 2050, global economic turmoil has destroyed the middle class in Cape Town, South Africa, which is now divided between the ultra-rich and the unhoused. Ronald and group of fellow houseless friends uncover a plot by the local government to “liquify“ the houseless population with a sinister chemical agent called “V”.

  • Ryan Kruger
    Director
    Fried Barry
  • Ryan Kruger
    Writer
    Fried Barry
  • Matt Manjourides
    Producer
    The Last Drive-In with Joe Bob Briggs, The Puppetman
  • Justin A. Martell
    Producer
    The Last Drive-In with Joe Bob Briggs, Tiny Tim: King for a Day
  • David Franciscus
    Producer
    Rust Road (co-producer)
  • Sean Cameron Michael
    Key Cast
    "Ronald"
    BLACK SAILS, THE MUMMY, The Last Days of American Crime, The Salvation
  • Donna Cormack-Thomson
    Key Cast
    "Alex"
    Catch Me a Killer
  • Joe Vaz
    Key Cast
    "Chef"
    The Watch, Good Omens,The Dark Tower
  • Project Type:
    Feature
  • Genres:
    Horror, Sci-fi, Action
  • Runtime:
    1 hour 25 minutes 17 seconds
  • Completion Date:
    August 1, 2024
  • Production Budget:
    1,000,000 USD
  • Country of Origin:
    South Africa
  • Country of Filming:
    South Africa
  • Language:
    English
  • Shooting Format:
    35mm
  • Aspect Ratio:
    2.61:1
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Digital Cinema Package:
    Unavailable
  • International Film Festival Rotterdam
    Rotterdam
    Netherlands
    January 30, 2025
    World / International Premiere
    Official Selection
Distribution Information
  • Screambox
    Distributor
    Country: United States
    Rights: Video on Demand, Theatrical
  • Vinegar Syndrome
    Distributor
    Country: United States
    Rights: Video / Disc
  • The Coven
    Sales Agent
    Country: Worldwide
  • Protagonist Studios
    Sales Agent
    Country: South Africa
    Rights: All Rights
Director Biography - Ryan Kruger

Ryan Kruger is redefining genre filmmaking with his bold, unapologetic style that blends horror, sci-fi, and dark comedy into unforgettable cinematic experiences. Best known for his breakout feature Fried Barry (2020) (AMC Shudder) Kruger introduced audiences to an acid-soaked, alien-abduction fever dream that took the festival circuit by storm competing with major names in the industry, winning over 25 awards and earning Certified Fresh status on Rotten Tomatoes. The film's raw energy, surreal storytelling, and grotesque humor established Kruger as a fearless filmmaker willing to push the boundaries of conventional storytelling.

The reception to "Fried Barry" has been nothing short of explosive, fan art from around the globe, Achieving viral fame; hailed as the first of its kind for SA cinema. The night of the release on the hit show "The Last Drive in with Joe Bob Briggs, went viral being the third most spoken about thing in America on twitter, with 6 nominations including best director and best film, the film walked away with two wins for Best score/music and sound design at The South African film and television awards (SAFTAS).

Building on his success, Kruger resurrected the cult classic Street Trash in 2024, Shot on 35mm film and giving it a gritty South African twist. Set in a dystopian Cape Town, the film transforms the 1987 splatter-fest into a grotesque, high-energy ride that confronts economic disparity with absurdity and gore. Street Trash has already gained cult status, having its world premiere at Quentin Tarantino's New Beverly cinema in LA and premiering in UK cinemas-including the legendary Prince Charles Cinema-and gearing up for a highly anticipated limited-edition Blu-ray release in 2025. And more recently screened at the prestigious International film festival at Rotterdam.

Beyond directing, Kruger remains a dynamic force as he started out in front of the camera , he studied acting at one of the world's leading conservatoires and drama schools "The Guildhall School of Music and Drama", with acting credits in the BBC's "Bluestone 42", and HBO series "Warrior" . "Good Luck, Have fun, Don't Die" starring Sam Rockwell and many more. His ability to balance both sides of the lens gives his films an unmatched authenticity, drawing raw, visceral performances from his actors.

During his early days before moving to South Africa he took on a personal project: a gritty reality-type show called GTV! Kruger delved into the underbelly of the live music scene, filming with over 50 major US and UK biggest Rock and metal bands. The likes of Juliet Lewis and the licks,Misfits, Slipknot and Black Flag, allowed him to venture into the unknown and the outcome was a sobering yet hilarious glimpse of the ridiculous life of rock stars behind the scenes.

Before transitioning into feature films, Kruger gained recognition for his distinctive conceptual shooting style, which seamlessly blended narrative with visuals. His work in music videos caught the attention of South Africa's top artists, and his innovative approach earned him numerous accolades, including awards and nominations from MTV and the South African Music Awards (SAMAs). With over 100 music videos to his name, Kruger has firmly established himself as one of South Africa's leading music video directors.

Add Director Biography
Director Statement

Film is not dead. Street Trash marks my second feature film after Fried Barry (2020). While it takes place in the same universe as the original 80s cult classic, my version is more of a standalone sequel, crafted for both a new generation of viewers and long-time fans. What excites me most is the opportunity to shoot on 35mm film—a dream I’ve had since childhood. There's an authenticity to the texture of celluloid that’s impossible to replicate, and it perfectly complements the old-school makeup and prosthetics we used.

Growing up on 80s films, I was always captivated by their raw and tangible quality, so bringing that same feel to Street Trash was incredibly rewarding. But this film goes beyond just the gore. It has a heart. The story dives into themes of class disparity, the global homelessness crisis, and the increasing overreach of governments. These issues resonate deeply in the world we've built, adding layers to the madness and mayhem on screen. I’m thrilled to introduce Street Trash to new audiences while giving a nod to those who have loved the original. It’s packed with gross-out set-pieces, pastel ooze, humour, and adventure—but at its core, it’s a film about humanity, told in the most bizarre way possible.