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Stormy-The Opera

Stormy – The Opera was initially written and performed in the fall of 2019. We then added extra scenes portraying events around the pandemic for our digital premiere on October 3, 2020. We did not exactly foresee the events of January 6, 2021. Not exactly.

In this new edit, we ask the question, what if Trump had persuaded the American people that he did win the election? What if, with the support of a small but fanatical majority, he simply refused to leave the White House? If he remained POTUS?

"In a country ruled by a despot, stripped of all its precious liberties, only ancient burlesque queen, Miss Stormy, can save America."

Stormy – The Opera is a work in progress and always will be. It is a living notebook, reflecting on life under (arguably) the most divisive and corrupt President ever, who, as we speak, with the GOP, is plotting a triumphant comeback in 2024.

It shares teasing glimpses of future fascism, and even socialism!

  • Kay Adshead
    Director
  • Kay Adshead
    Writer
  • Stingaree
    Producer
  • jhon r stronks
    Key Cast
    "Stormy Soul "
  • Margo Stutts Toombs
    Key Cast
    "Stormy Heart "
  • Kay Adshead
    Key Cast
    "Stormy Mind "
  • Project Type:
    Experimental, Web / New Media
  • Genres:
    Alternative Opera, Drama, Comedy
  • Runtime:
    1 hour 7 minutes 15 seconds
  • Completion Date:
    May 21, 2021
  • Production Budget:
    1,000 USD
  • Country of Origin:
    United States
  • Country of Filming:
    United States
  • Shooting Format:
    Digital
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Toronto International women Film Festival

    Canada
    Official Selection
  • Chicago Indie Awards

    United States
    Official Selection
  • Miami Indie Film Awards

    Official selection
  • International Art Film Festival

    Official selection
  • New York Independent Cinema Awards

    Official selection
  • London Filmmakers Award

    Official selection
  • London Rocks International Film Festival

    Honorable Mention
  • San Diego Art Film Festival

    Official selection
  • LA Independent Women Film Awards

    Official selection
  • The IndieFEST Film Awards

    Official selection
  • Boston Independent Film Awards

    Official selection
  • Accolade Global Film Competition ( IMDb qualifying)

    Official selection
  • Washington Film Awards

    Semi Finalist
  • Palm Springs International Film Awards.

    Semi Finalist
  • Dallas Movie Awards Festival

    Semi Finalist
  • Art Film Spirit Awards

    Nominee
  • Depth of Field International Film Festival

    AWARD WINNER (IMDb qualifying)
  • Cannes International Cinema Festival

    Official selection
  • WRPN Women's International Film Festival

    AWARD WINNER (IMDb qualifying)
  • WorldFest - Houston international Film Festival

    FINALIST (Canadian Screen Award Qualifying)
  • Depth of Field International Film Festival

    AWARD WINNER (IMDb qualifying)
  • London Lift Off Festival

    Official Selection
  • Hollywood Discovery Awards

    Official selection
  • Cannes Arts Fest

    Official Selection ( IMDb qualifying)
  • Miami Women Film Festival

    Official Selection
  • London New Wave Film Festival

    Official Selection
Director Biography - Kay Adshead

Kay Adshead is a poet, playwright, theatre maker, performer, and producer.
She trained at RADA as an actress, where she won the Emile Littler Award for Outstanding Talent. She has played leading roles in film, theatre and TV, including Cathy in the BBC classic series Wuthering Heights, Linda in Mike Leigh’s film Kiss of Death, as well as notable appearances in popular TV programs spanning 30 years. Theatre performances include Moll Gromer in Thee and Me at the RNT, Viola in Twelfth Night, Betty in Touched and singing the role of Clara Twain in White Suit Blues, at The Old Vic. She learnt to wrestle for the role of Tanzi in Trafford Tanzi at The Mermaid,
As a writer, she has been nominated 3 times for The Susan Smith Blackburn Award. She has written over 25 plays. She has been published by Methuen, Faber and Faber, and Oberon, with commissions and/or productions at The Royal National Theatre, The Royal Court, The Young Vic, The Roundhouse, The Tricycle, The Bush, Soho Theatre, The Cockpit, The Arcola, Theatre503, The Omnibus, and many more.
In 1999 with Lucinda Gane, she co-founded award-winning theatre company Mama Quilla, winning amongst other awards, Edinburgh Fringe First, Adelaide Fringe Sensation Award, Adelaide Best Fringe Performance Award, M.E.N. best Fringe Performance, nominated for an E.M.M.A and Encore Magazine Best Play of the Year. She has devised and directed more than 12 experimental and live art projects for Mama Quilla (many with casts of over 30) working in hard to reach communities, including maximum security prisons. In April 2019, Kay devised and directed Section 28 and The Queer State, produced by Jacksons Lane, Alexandra Palace, and Mama Quilla. It was performed as an epic promenade around The Alexandra Palace ending in the iconic Victorian Theatre. Kay is currently producing The Pangolin Project for Mama Quilla, a series of 60 second extreme close up films, provoked or inspired by the pandemic. It has attracted to date over 40,000 views.
Alex Sierz of The Tribune describes her as ”the great survivor” and The Times reviewed her play I am Sad you are dead Mrs. T as “a poetic mortar bomb." Her new (American white privilege play) Entering Incomplete Map Data was presented as a staged reading with esteemed activist group #Sayhername as guests in the audience. In February 2019, The Last Little Girl tackling sex trafficking was performed at MATCH Houston Texas, and Kay was awarded a Purposeful Artist Award. A tour of Stormy-The Opera funded by Houston Arts Alliance was cancelled due to Covid19 restrictions and was reimagined as a bricolage, with a premiere production live streaming on YouTube in October 2020.
Her second short film The Driflin' (before COVID19 ) was scheduled to be shot on the Bolivar Peninsula, Texas, in 2021 for Stingaree Productions. Her short film, Prelude, shot in 2020 (set in the days before the 2016 election) will be edited in 2021.

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Director Statement

Stormy-The Opera is not a linear conventional play or film. It is work in progress, or rather a workbook of evolving ideas and arguments.