Experiencing Interruptions?

Silver Gleaming Death Machine

When a woman hits a vagrant with her car, she must find a way to get rid of the body before she completely loses her grip on reality.

  • Joe Mischo
    Director
  • Joe Mischo
    Writer
  • Max Suechting
    Writer
  • Cooke Walukas
    Producer
  • Joe Mischo
    Producer
  • Rhian Rees
    Key Cast
  • Shane Coffey
    Key Cast
  • Harrison Taylor
    Key Cast
  • Laura Nicolo
    Sound
  • Jack Sobo
    Sound Mix
  • Kaitlyn Battistelli
    Colorist
  • Ethos
    Color
  • Pig Apple
    Animation
  • Nicki Perry
    Production Design
  • Erin Kobrin
    Wardrobe
  • Matt Hoodhood
    Cinematography
  • Ellen Webb
    Special Thanks
  • Charome Kaocharoen
    Special Thanks
  • Alex Demers
    Special Thanks
  • Joe Mischo
    Executive Producer
  • DJay Brawner
    Executive Producer
  • Mike Lev
    Executive Producer
  • Joe Mischo
    Editor
  • Project Type:
    Short
  • Genres:
    Comedy, Horror, Dark Comedy, Experimental, Advertising
  • Runtime:
    10 minutes 35 seconds
  • Completion Date:
    May 1, 2022
  • Production Budget:
    5,000 USD
  • Country of Origin:
    United States
  • Country of Filming:
    United States
  • Language:
    English
  • Shooting Format:
    Digital
  • Aspect Ratio:
    2.39:1
  • Film Color:
    Color
  • First-time Filmmaker:
    Yes
  • Student Project:
    No
Director Biography - Joe Mischo

Joe Mischo is a Los Angeles-based filmmaker who enjoys trail running, subversive cinema, and day trips with his 1975 Honda motorbike “Jade.” In the past decade, he’s worked in music, advertising, and film for global brands including AT&T, P&G, Sony, and Warner Bros.

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Director Statement

Advertising has so profoundly penetrated our perception of reality - both our internal psychic processes and our external physical world - that it has become almost impossible to compose a thought or recall an experience without recourse to the language of marketing and branding. This integration is profound that even our identities can no longer be expressed in familiar human terms and must instead be articulated as a form of branding. We are broken out of this in rare but explosive moments of fear, or crisis, or shock: suddenly able to see the world around us more clearly and so also to notice that we were not seeing so clearly before, to perceive the blinders as such in only the brief moment when they are removed. This momentary realization acts as a powerful catalyst for dread by introducing the lingering suspicion that what we felt was real is not - and even as the simulation reestablishes itself, as the system of signs and meanings regains its purchase on our consciousness, this suspicion remains, submerged but growing more powerful by the day. We become slowly terrified that the chain of experiences we think of as "my life" will never be as good as the one we pretend to live, yet we cannot quite tell exactly which one of these is more real, or which one we ourselves are more real in. Thankfully, there's a cure for that! Ask your doctor about Dylantum today.