Silver Gleaming Death Machine
When a woman hits a vagrant with her car, she must find a way to get rid of the body before she completely loses her grip on reality.
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Joe MischoDirector
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Joe MischoWriter
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Max SuechtingWriter
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Cooke WalukasProducer
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Joe MischoProducer
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Rhian ReesKey Cast
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Shane CoffeyKey Cast
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Harrison TaylorKey Cast
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Laura NicoloSound
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Jack SoboSound Mix
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Kaitlyn BattistelliColorist
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EthosColor
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Pig AppleAnimation
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Nicki PerryProduction Design
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Erin KobrinWardrobe
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Matt HoodhoodCinematography
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Ellen WebbSpecial Thanks
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Charome KaocharoenSpecial Thanks
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Alex DemersSpecial Thanks
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Joe MischoExecutive Producer
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DJay BrawnerExecutive Producer
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Mike LevExecutive Producer
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Joe MischoEditor
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Project Type:Short
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Genres:Comedy, Horror, Dark Comedy, Experimental, Advertising
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Runtime:10 minutes 35 seconds
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Completion Date:May 1, 2022
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Production Budget:5,000 USD
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Shooting Format:Digital
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Aspect Ratio:2.39:1
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:No
Joe Mischo is a Los Angeles-based filmmaker who enjoys trail running, subversive cinema, and day trips with his 1975 Honda motorbike “Jade.” In the past decade, he’s worked in music, advertising, and film for global brands including AT&T, P&G, Sony, and Warner Bros.
Advertising has so profoundly penetrated our perception of reality - both our internal psychic processes and our external physical world - that it has become almost impossible to compose a thought or recall an experience without recourse to the language of marketing and branding. This integration is profound that even our identities can no longer be expressed in familiar human terms and must instead be articulated as a form of branding. We are broken out of this in rare but explosive moments of fear, or crisis, or shock: suddenly able to see the world around us more clearly and so also to notice that we were not seeing so clearly before, to perceive the blinders as such in only the brief moment when they are removed. This momentary realization acts as a powerful catalyst for dread by introducing the lingering suspicion that what we felt was real is not - and even as the simulation reestablishes itself, as the system of signs and meanings regains its purchase on our consciousness, this suspicion remains, submerged but growing more powerful by the day. We become slowly terrified that the chain of experiences we think of as "my life" will never be as good as the one we pretend to live, yet we cannot quite tell exactly which one of these is more real, or which one we ourselves are more real in. Thankfully, there's a cure for that! Ask your doctor about Dylantum today.