Shitty Liking
After months without contact, 19-year-old Sophia and 29-year-old Lilian meet again. Sophia tries to sleep with Lilian, but Lilian is there to get free from her own feelings of guilt: she fears that she may have taken advantage of an imbalance of power in her relationship with Sophia.
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Linua LandDirectorFamily with Benefits (2024)
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Elli LeebProducerAsche (2024)
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Elena WolffKey Cast"Lilian"Para:Dies (2022), Asche (2024)
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Sophie RabmerKey Cast"Sophia"Führer und Verführer (DE 2024), Family with Benefits (2024)
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Sophia HochedlingerCo-DirectionPool (2022)
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Linua LandWriterFamily with Benefits (2024)
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Leah HochedlingerDoP
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Filonas BaschantComposer, Sounddesigner
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Sophia HochedlingerDramaturgyPool (2022)
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Veronika GreismayrSet DesignAsche (2024)
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Helen KeilCostume and Make UpAsche (2024)
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Tobias Garcias NavasLight Department, AC
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Linua LandEditorFamily with Benefits (2024)
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Sophia HochedlingerADPool (2022)
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Emilia EggersAD
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Leonie ZettlColor GradingArtificial Heartbreakers (2023)
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Johannes KollmannSound Mixing
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Magdalena ChanPolaroid Photography
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Leah HochedlingerPolaroid Photography
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Project Type:Short
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Genres:Drama, Anti-Romance
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Runtime:11 minutes 11 seconds
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Completion Date:May 27, 2024
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Production Budget:2,300 EUR
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Country of Origin:Austria
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Country of Filming:Austria
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Language:German
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Cittador International Film FestivalVienna
Austria
December 14, 2024
Winner: Emerging Director Award -
Bradford International Film FestivalBradforf
United Kingdom
October 25, 2024
England Premiere
Nominee: Best International Short -
Linz International Short Film FestivalLinz
Austria
October 10, 2024
Upper Austrian Premiere -
Austrian Film FestivalVienna
Austria
October 5, 2024
Austrian Premiere -
Out of Frame, PRISMA Queer ShortsCork
Ireland
August 25, 2024
Premiere
Linua Land was born in 2001 in Munich and raised in the Bavarian countryside. Apart from film she worked as a director in opera and theatre. After studying theatre, film and media science in Vienna she moved back to Munich and now studies film directing at HFF.
"Shitty Liking" delves into the ambiguities of a destructive lesbian age-gap relationship. Sophia romanticizes the relationship and indulges in idealized memories, while Lilian, although recognizing the toxic aspects of their dynamic, still cannot break away from Sophia. The conflict between rationality and romanticization is also reflected in the film's visual and auditory language. The dry, desaturated brown handheld camera shots of the long dialogue scenes are repeatedly interrupted by garishly colorful fake kitsch, paired with a menacingly droning synthesizer that envelops the film in a surreal, almost eerie atmosphere. This way, we dive into the characters' subconscious, yet become emotionally estranged. We observe from a distance the couple's inability to let go of each other, even though both know how destructive their relationship is.