Shadowplay
Mixing visual, sound, and storytelling elements from different eras and regions, "Shadowplay" depicts a world filled with dysfunctional work culture through an unorthodox conflict between an office worker and her shadow, and seeks a hidden connection between the dominance of corporatism and the illusion of self-importance.
-
Andy LiuDirector
-
Andy LiuWriter
-
Andy LiuEditor
-
Iris GaoKey Cast
-
Edro GonzalesKey Cast
-
Chris JassmannMusic Composer
-
Ayesha CheungSound Operator
-
Normey LiuAssistant Director
-
Project Type:Experimental, Short
-
Genres:Experimental, Dance, Drama
-
Runtime:5 minutes 30 seconds
-
Completion Date:October 17, 2024
-
Production Budget:4,000 CAD
-
Country of Origin:Canada
-
Country of Filming:Canada
-
Language:English, Yue Chinese (Cantonese)
-
Shooting Format:Digital, 16mm Analog
-
Aspect Ratio:16:9
-
Film Color:Color
-
First-time Filmmaker:No
-
Student Project:No
-
F-O-R-M (Festival of Recorded Movement)Vancouver
Canada
November 16, 2024
World Premiere -
Sonic Dreamlands at Lobe StudioVancouver
Canada
December 12, 2024
Andy Liu (He/him) is an emerging filmmaker based in Vancouver, Canada who enjoys exploring new and unfamiliar media through his works, both as a challenge and a learning experience. His creative practice focuses on the interaction between one’s self consciousness and their surroundings through audio-visual experimentation. From his past experience as a dance videographer, Andy also enjoys capturing spontaneous moments as highlights in his works.
The initial idea for this project came to me as I was laid off as a software engineer back in January 2023. As a person who dedicated most of my days to work and career advancement for the past 4 years and deeply valued the balance between effort and reward, I was shocked and confused when I first received the news and the experience affected me mentally still to this day. At first I was relieved to leave the overwhelming stress work has brought me behind, but the layoff also brought a fear of uncertainty as it reminded me that we don’t have full control of our own life paths. And as the tech industry starts to collapse and evolve while a potential economic downturn is approaching it seems more relevant to make this film now than ever. I hope to present these ideas in movement instead of narration based on how visceral the experience was to me and bring these deep emotions to the audience through a unique vision.