Private Project

See No Evil

Inter-generational trauma and racial tensions reach their height for the Mitchell family when the 1994 Crime Bill is passed, allowing their latent and suppressed fear of black people blossom into an active one.

  • Keenan Dailey
    Director
  • Paris "AJ" Adkins-Jackson
    Executive Producer
  • Gerturde Namara
    Writer
  • Kevin Lau
    Producer
  • Kal Kociss
    Assistant Camera
  • Nick Caza
    Sound Mixer
  • Justin Taylor
    Gaffer
  • Lynsy Folckomer
    Boom Operator
  • Mathew Green
    Key Cast
    "George Mitchell"
  • Dylan Heck
    Key Cast
    "Johnathan Mitchell"
  • Brian Keith
    Key Cast
    "Desmond Greene"
  • Mindy Smith
    Key Cast
    "Anna Mitchell"
  • Calvin Hornedel
    Key Cast
    "Joe Parker"
  • Ashanti Lumpkin
    Key Cast
    "Aisha Marshall"
  • Project Type:
    Short
  • Genres:
    Drama
  • Runtime:
    19 minutes 57 seconds
  • Completion Date:
    October 31, 2023
  • Country of Origin:
    United States
  • Country of Filming:
    United States
  • Language:
    English
  • Shooting Format:
    Black Magic Pocket 6K
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
Director Biography - Keenan Dailey

For over the past 15 years, Keenan Dailey, MFA, has been a multidisciplinary afrofuturist artist and designer.

His work focuses on disenfranchised and marginalized communities. Using empathic systems thinking, he looks to dismantle mechanisms of oppression that work to destroy those same communities. He plans to forge harmonious design solutions to help ease and eventually end these communities' suffering. He earned his Bachelor's of Fine Arts in Graphic Design and Master's of Fine Arts in graphic design and design systems.

Ultimately, he wants to use his artistic voice in conjunction with his design efforts to share catharsis with those populations who ordinarily wouldn't have the opportunity to express trauma.

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Director Statement

As creatives it is our responsibility to unabashedly uncover the roots of society, so that we are well fit to show the machine it's own reflection. As artists collectively we know this but hand in hand we must also take direct action in supporting and uplifting the same communities we strive to represent.