São Paulo, New York
As Felipe’s Student Visa nears its expiration, he faces an impossible choice: stay in New York and fight for a chance to pursue his love for Hip-Hop, or return to São Paulo and confront the life, culture, and music he left behind.
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Eduardo MachadoDirectorKilling A Vice, TAPE OF '25
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Eduardo MachadoWriterKilling A Vice, TAPE OF '25
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Eduardo MachadoProducerKilling A Vice, TAPE OF '25, Dream Addicts Anonymous
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Ella BraffProducerDream Addicts Anonymous, The In Between
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Malka FleischmanProducerTofu Piccata
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João VeraProducerInsensatez, Tempos
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Luiz Felipe AranhaProducerInsensatez, Acho que estou ficando velha
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Talia LugacyProducerDescent, This Is Not A War Story
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Eduardo MachadoKey Cast"Felipe"Tempos, Modulation
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Max VellosoKey Cast"André"
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Nory AronfeldKey Cast"Nory"Killing A Vice
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Chris StrakerKey Cast"Raff"Joga Bonito
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Marcus LeviKey Cast"Marcus"
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Maria KarolinaKey Cast"Sabena"Don't Read My Diary
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Guilherme CorrêaKey Cast"Oscar"B.A: O Futuro Está Morto
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Matteo Dini FinazziKey Cast"Milton"A Classe Que Derreteu
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Dan McVeyKey Cast"Lawyer"
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Andy SlepmanKey Cast"Business Man"
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Project Type:Short
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Genres:Drama, Music, Coming of age
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Runtime:22 minutes 41 seconds
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Completion Date:November 5, 2025
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Country of Origin:United States
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Country of Filming:Brazil, United States
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Language:English, Portuguese
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:Yes - the New School
Eduardo Machado is a Brazilian writer, producer, and director based in NYC. His multidisciplinary background in both film and music informs his creative approach, creating a cohesive directorial voice that celebrates coming-of-age stories with a strong musical identity. A filmmaker, storyteller, and musical artist at heart, he aims to collaborate with genuine musical artists to create bold, pensive, and inventive experiences. His work explores personal independence, cultural identity, and coming-of-age in the 2020s.
My experience of moving from São Paulo, Brazil, to New York was both a loss and a reclamation of my cultural identity. While studying in NYC, I realized how profoundly American media had shaped my life up to that point. Reflecting on my decision to pursue film in America, I began studying and reconnecting with my own roots. By the time I graduated, I carried a renewed conviction in my Brazilian identity and a purpose as a filmmaker: to explore this experience through a distinctly Brazilian-American lens, one that speaks to the realities of many international students in America.
Shot across Brazil and the U.S. with two entirely separate crews, the film presents fleeting moments that juxtapose cities, musical genres, and ways of life, exploring cultural identity, belonging, and coming of age under the American system.
In making this film, I set out to examine the differences between American and Brazilian cinema, creating a piece that lives in the space between. Playing the lead was part of that challenge. As “Felipe,” I could process my own emotions as an international student living on borrowed time, confronting the same bureaucratic dilemmas I now face in real life. The film became both an artistic statement and a personal preparation for the uncertain road ahead.