Sansan
Sansan is an experimental short film that explores memory, guilt, and absence through the story
of Sule and Nyalima — two young souls caught in the quiet tension of an afternoon that
changes everything. Inspired by a real-life tragedy, the film weaves subtle dialogue, abstract
performance, and haunting visuals into a poetic reflection on youth, violence, and the invisible
weight of grief.
Set against the backdrop of a society quietly unraveling, Sansan invites the audience to sit with
the silence, and feel what’s left unsaid.
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Ibrahim Hamid KoromaDirectorJonki Boi
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Ibrahim Hamid KoromaWriter
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Sylvester Papi BanguraProducer
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Ibrahim Hamid KoromaProducer
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Yasmine Abioseh BrightKey Cast"Nyalima"
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Joseph Abdulai JallohKey Cast"Sule"Jonki Boi
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Oshane CampbellExecutive Producer
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Fatima BarrieExecutive Producer
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Ibrahim Hamid KoromaExecutive Producer
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Sahr Martin KabbaCreative Director
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Sahr Martin KabbaMusic
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Donii MajorMusic
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Ibrahim BanguraDirector Of Photography
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Waya ZackCreative ConsultantJonki Boi
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Abdul Hamid KanuCreative Consultant
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Gemma BonfiglioliCreative Consultant
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Sylvester Papi BanguraSound Recordist
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Arnold Felix ElbaSound Recordist
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Mamoud SawanehStylist
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Smart VisionCamera Assistant
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Sulaiman Dee TarawallieProduction Manager
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Javier MauriceWriting Department
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Bryan KargboWriting Department
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Yasmine Abioseh BrightWriting Department
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Mohamed Juldeh BarrieGraphics
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Moses TarawallieTransportation
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Ibrahim SesayTransportation
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Abdulai SayniBehind The Scenes
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Fredz BeatSound Engineer
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MedsulSound Engineer
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Abdulai Mehtez BarrieSound Engineer
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Joseph Mensah FiamapleSet P.A
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Sidikie BayohTranscription/Subtitle
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Zainab KoromaFood
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Victor MambuFinancial Consultant
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James BanguraDancers
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Micah BanguraDancers
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Peter NicolDancers
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Fatmata Nyamakorro BahDancers
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Khalifa Don IdrissDancers
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Makissa YansanehDancers
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Mariama Regina SesayDancers
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Hawanatu SheriffDancers
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Bryan SolomonExtras
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Joy GborieExtras
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Abu TommyExtras
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Mohamed SorieExtras
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Saio SesayExtras
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Abdul Ahmed TarawallieExtras
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John FodayExtras
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Mohamed LaminExtras
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Peter KamaraExtras
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Abu Bakarr TurayExtras
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The Train To Sierra LeoneProduction Company
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Tez ProductionsProduction Company
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Distant RelativesProduction Company
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FACESProduction Company
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African Women And Their StoriesProduction Company
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Project Type:Experimental, Short
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Runtime:25 minutes 25 seconds
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Completion Date:May 23, 2025
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Production Budget:2,100 USD
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Country of Origin:Sierra Leone
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Country of Filming:Sierra Leone
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Language:English
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Shooting Format:Blackmagic 6k Pro - Digital
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Aspect Ratio:4:3 (1.33:1)
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Film Color:Black & White and Color
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First-time Filmmaker:No
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Student Project:No
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Digital Cinema Package:Unavailable
WiZIK (born Ibrahim Hamid Koroma) is a filmmaker and cinematographer based in Freetown, Sierra Leone. With over 8 years of experience in visual storytelling, he has carved out a distinct voice marked by raw emotion, poetic imagery, and a deep sensitivity to the human experience. Self-taught and community-driven, Wizik learned the craft by studying films obsessively, creating with whatever tools were available, and building from the ground up.
His work often blends documentary-style realism with cinematic storytelling, exploring themes like identity, grief, silence, and the weight of unspoken emotions. Whether directing narrative films, experimental visuals, or social impact campaigns, Wizik is drawn to stories that feel personal, uncomfortable, and true.
In 2023-24, he wrote and directed Sansan, an experimental short film that explores memory and absence through a minimalist lens, inspired by real-life tragedy. The film continues his interest in subtle, atmospheric filmmaking that lingers long after the credits roll.
Wizik sees filmmaking as a form of self-reflection and cultural memory — a way to document his environment, question the status quo, and express what words often can’t. He is currently working toward expanding his creative practice internationally while continuing to tell stories grounded in Sierra Leonean life.
Sansan is a film I feel like I’ve been working on subconsciously for the past 10 years. It was only
in 2023 that I began putting it on paper and finally started production. I’ve always wanted to
create a film that doesn’t look or feel like your typical narrative — hence, its classification as an
experimental short. My most influential work remains Jonki Boi, and I see Sansan as its prequel,
which is why I cast the same actor in both roles.
This project is not just a film, it’s an emotional experiment. It’s a space for stillness, for thought,
and for feeling. I hope viewers are able to connect with the story and allow themselves to sit
with what’s left unsaid.
— WiZIK