Private Project

SHE WORX

Quando prima Gaja e poi Laura mi hanno chiesto ospitalità per lo stesso giorno, ho subito pensato che un incontro fra loro sarebbe stato molto interessante da filmare. Specie se le avessi tenute il più possibile all’oscuro del motivo. Perciò mi sono limitato ad avvertire entrambe di due cose. La prima è che avrebbero trovato degli operatori con telecamere in casa. La seconda è che avrebbero conosciuto un'altra persona con la quale parlare liberamente del proprio lavoro.
Ezio Maisto (regista)

  • Ezio Maisto
    Director
  • Ezio Maisto
    Writer
  • Ezio Maisto
    Producer
  • Laura Scarmoncin
    Key Cast
    "Laura"
  • Lullabi Haze
    Key Cast
    "Gaja"
  • Project Type:
    Documentary, Short
  • Runtime:
    15 minutes 20 seconds
  • Completion Date:
    March 2, 2020
  • Production Budget:
    1,000 EUR
  • Country of Origin:
    Italy
  • Language:
    Italian
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
Director Biography - Ezio Maisto

His main works as a director are the feature documentary IRRESPONSIBLE CHILDREN (2020) and the short MORE THAN THIS (2014), both premiered at the Giffoni Film Festival, one of the most known cinema festivals for children in the world. Other works: the short GREATER EXPECTATIONS (2012), awarded 8 times, including at its international premiere at San Marino F.F. and in competition in Scotland, Canada, Australia, Ukraine and many others; THE CURRYBONARA (2010), a no budget short screened in 38 different festivals, awarded 16 times and screened by RAI, the Italian public TV. He also directed GOODBYE, A TRUE STORY (2017), an experimental erotic short documentary premiered in Rome and screened in USA and Spain. As a screenwriter, he wrote the web series BEHIND THE STONES (thriller) and several episodes of the TV series DISTRETTO DI POLIZIA, broadcasted on Canale5, the second most popular Italian TV channel. Former marketing manager for a publishing company, he is a journalist and an event organizer as well.

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