SHADOW
I first got the idea for this film while researching the Romanian Legend of the Arges Monastery for a full evening length show I created in 2018. In the legend, a pregnant woman is immured to make the walls of the monastery stand. After further research, I came across the belief of the “stahie,” or shadow, an ancient Eastern European belief and practice that in order for the walls of a building to stand, someone has to be built into the walls either physically (i.e their body), or metaphysically (i.e their shadow).
As I delved into the legend and this belief, I found myself facing my many shadows - my many possibilities and my many fears. I found myself questioning: Who is the shadow? What reality/possibility do I choose? Does it even matter, if we all fade away from memory and existence, leaving nothing behind?
Ultimately, I was questioning whether, as a woman, it was more important for me to create, or to reproduce. And, why do I have this need? Is it to achieve a sort of immortality, a way to exist beyond my existence, whether through the creation of offspring, or art creation? The shadows represent my personal struggle of what realities/possibilities to choose as a woman artist - art creation vs. procreation.
Besides the central theme being a female dilemma, this film is female created (directed, composed, performed, and edited by women).
-
Francesca JandasekDirectorThe Immured Woman, Malleus Maleficarum, Ellesmere, Pandora's Door, Her Flowers, Gallery Space, ToGetHer (Interdisciplinary performances)
-
Francesca JandasekWriterThe Immured Woman, Malleus Maleficarum, Ellesmere, Pandora's Door, Her Flowers, Gallery Space, ToGetHer (Interdisciplinary performances)
-
Francesca JandasekProducerThe Immured Woman, Malleus Maleficarum, Ellesmere, Pandora's Door, Her Flowers, Gallery Space, ToGetHer (Interdisciplinary performances)
-
Antonella RedekoskyKey CastOrpheia, The Immured Woman
-
Ashley KrostKey CastThe Immured Woman
-
Francesca JandasekComposerThe Immured Woman, Malleus Maleficarum, Ellesmere, Chinook, Prism, Dosha, Life's Longing, Ora Pro Nobis, The Vigil,
-
Project Type:Experimental, Short, Other
-
Runtime:9 minutes 4 seconds
-
Completion Date:March 2, 2020
-
Production Budget:1,000 USD
-
Country of Origin:United States
-
Country of Filming:United States
-
Language:English
-
Shooting Format:Digital
-
Aspect Ratio:16:9
-
Film Color:Black & White and Color
-
First-time Filmmaker:Yes
-
Student Project:No
-
CSULB Dance Film Festival
March 14, 2020
California Premiere -
Los Angeles Dance Festival
October 1, 2020
Luckman's Pick -
Lady Filmmakers Festival
September 26, 2020
Best Experimental Film Short Award -
Inspired Dance Film Fest Australia
November 8, 2020
Semi-Finalist Award -
FilmFest by Rogue Dancer
November 14, 2020 -
Yucca Valley Film Festival
November 15, 2020 -
InShadow
November 28, 2020 -
Experimental, Dance and Music Festival
December 12, 2020 -
Dunedin International Film Festival
January 11, 2021 -
Blacksphere Online Film Festival
March 7, 2021
Francesca Jandasek born in Namibia, Africa from Czech Parents, is an Interdisciplinary Choreographer/Artist based in Los Angeles.
She has received awards and fellowships for her choreography, music, films, and visual art. Francesca has performed and taught in New York, Washington DC, Maryland, Virginia, Los Angeles, San Francisco, Russia, Canada, India, Bangladesh, Czech Republic, and Argentina.
An authorized GYROTONIC® and GYROKINESIS® Pre-trainer, Francesca owns SOURCE STUDIO, a Gyrotonic/Pilates Studio in Los Angeles. She holds a Master of Fine Arts in dance and teaches at Cal State LA.
Theater Credits: “Don Quixote”, “Tempest”, “A Trip to the Moon”
Choreography/Concept: “The Immured Woman”, “ToGetHer”, “Gallery Space”, “Pandora’s Door”, “Ellesmere”, “Her Flowers”, “Invitations”
Film/TV: “Shadow” (Creator, Producer, Composer, Choreographer), “Put The Devil Back in Hell” (Creator, Producer, Composer, Actor, Choreographer), "Leeks, Onion, and Pork Fat", “Her Tango”, “Sexpectations” (Crisis Lab), “Orpheia”
I do not feel alive unless I am creating, imagining, thinking and dreaming. It is always how I have connected with people around me and made sense of the world since I was little. Born in Namibia, Africa from Czech Parents who fled Communism and growing up in the United States with English as my second language, the arts have provided a refuge and a way to communicate ideas and emotions through mediums that defy translation.
As world traveler and global citizen, I am interested in exploring what gives us life and what destroys us. I am fascinated by what we know and even more by what we do not know. I am inspired by the things I cannot explain, the things I cannot articulate, the stories I extrapolate. I want to share these discoveries and wonderings with others and learn from shared insight. The more knowledge and understanding I gain about the world, the more my cultural certainties are questioned and the more mysterious the human condition becomes. Seeking to understand, my work is heavily research based, the topics are complex and full of paradox. My work asks questions I do not yet know how to formulate. Ultimately, I create so that I can present these topics in their gloriously unresolved state in order to create a dialogue with my collaborators, performers, and audience members.