SEE SHELLS (2022)

'‘This is so evocative for me. We lived in Silverdale Road not far from High Brooms (Tunbridge Wells). The sound of a 12 car Diesel train pulling away from the station with its 4 power cars was awesome. It was my dream come true when I had the opportunity to actually drive one. How bizarre is that?'
Actor and TV presenter, Gary James

‘Enjoying how impressionistic this is, as a picture of a place and time and feelings

‘A world away from promenade boy racing, chavs fighting hard for car park spacing’

‘My love of the seaside has never expired, never losing its sparkle despite looking tired’ 🌊🐚

Sparking memories of the seaside, SEE SHELLS (2022) is rooted in the Kent/Sussex coast and features drawings I have made on seashells of places/people/object I made along the coast since a child – my own version of scrimshaw. The imagery is juxtaposed with a poem I have written which explains the significance of the seaside to me, featuring my family and friends.

It captures the strangeness of the British seaside using a telescope that operates like a blinking voyeuristic eye. - all the seaside towns I loved going to as a child growing up in Kent in the 1980s. The black and white drawings on the shells are reminiscent of the work of artists William Kentridge and Tacita Dean representing an Englishness and a nostalgia for an England that may or may not have existed. A Britain making do with the beaches that we have.

In developing this film, I drew inspiration from this short clip of holidaymakers in Blackpool in the 1950s (https://youtu.be/d4w2W5cuBR0) and specifically the footage of the boy peering through the telescope at the top of Blackpool Tower (58 seconds in).

  • LEE CAMPBELL
    Director
  • Lee Campbell
    Writer
  • Lee Campbell
    Producer
  • Lee Campbell
    Key Cast
    "Lee Campbell"
  • Project Type:
    Experimental, Short
  • Runtime:
    3 minutes 3 seconds
  • Completion Date:
    January 16, 2022
  • Country of Origin:
    United Kingdom
  • Country of Filming:
    United Kingdom
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Atticus Review

    May 1, 2022
    Official Selection
  • Drumshanbo Written Word Weekend

    Ireland
    August 26, 2022
    Official Selection
Distribution Information
  • Lee Campbell
    Country: United Kingdom
Director Biography - LEE CAMPBELL

Dr Lee Campbell is an artist, performance poet, experimental filmmaker, writer, Senior Lecturer at University of the Arts London (UAL) and curator/founder of Homo Humour, the first of its kind project on contemporary queer male film and moving image practices that explore humour and LGBTQ+ storytelling and has screened all over the world since 2020. He lives in London.
 
Lee burst onto the London contemporary art scene in 2000 when he was invited to exhibit in 'Beautiful' held at the Oxo Tower Wharf with artists including Turner Prize winners Mark Wallinger and Chris Ofili and others including Danny Rolph, Hew Locke, Tomoko Takahashi and Chantal Joffe. He has since exhibited his work internationally as well as curated many exhibitions around the world. His experimental performance poetry films have been selected for many international film festivals since 2019. 
 
In 2023, Lee's poetry film ‘Bears with Bananas and Bubbles in Their Boxers’ was a Finalist in The Artists Spoken Word Competition, NYC, USA and 'Rufus' won Best Animated Short at The Rooster Film Festival, Portland, USA. His film SEE ME: A Walk Through London’s Gay Soho 1994 and 2020 (2021) has won numerous accolades including winning Best Experimental Film at Ealing Film Festival, London 2022, shortlisted for BEST POETRY FILM at the Out-Spoken Poetry Prize 2023, Southbank Centre, London and receiving Honorable Mentions at Los Angeles Underground Film Forum and Experimental Forum, Los Angeles both in 2023. Other film accolades include his film ‘Apple of my Eye’ as finalist in the Deanna Tulley Multimedia Prize 2022 and an Honorable Mention for 'Let Rip: Teenage Scrapbook' at REELPOETRY INTERNATIONAL FESTIVAL 2023, Houston, Texas, USA and for 'Juniper Park' at Experimental Forum, Los Angeles in 2023.

Lee had his first solo exhibition in North America of his poetry films, See Me: Performance Poetry Films at Fountain Street, Boston, Massachusetts, U.S.A in July 2022 and a solo exhibition of poetry film, Bona Polari! at The Margate School, Margate and Wimbledon College of Arts Library, UAL in February 2022. In October 2023, Lee will have a solo retrospective of recent film work at Raun for Kunst, Paderborn in Germany.

Recent film screenings include: The Artists Spoken Word Competition, NYC, USA, Appalachian Queer Film Festival, Huntington, West Virginia, USA, Filmfest Paderborn, Paderborn, Germany, Squish Movie Camp, Rotterdam, Post Pxrn Film Festival, Warsaw, The West Virginia Mountaineer Short Film Festival, Morgantown, USA, Hacker Porn Film Festival, Italy, Brighton Rocks International Film Festival, Brighton, Hastings Rocks International Film Festival, Printworks, Hastings, New York City Independent Film Festival New York, TEASR Film Festival, Tucson, USA, The Rooster Film Festival, Portland, Oregon, USA, Lynchian Film Festival, Global Fest, Kino Club Helsinki with global Impro ensemble from The Sibelius Academy, University of the Arts Helsinki, Musiikkitalo Finland, Deanna Tulley Multimedia Prize 2022,Down East Flick Fest, North Carolina, USA, PFFB Porn Film Festival Berlin, Berlin, WIPE Film Festival, Berlin, Iris Prize LGBTQ+ Film Festival, Cardiff, Wales, Ealing Film Festival, London, Monologues and Poetry International Film Festival, CINEM’aMOSTr, Teatro Municipal de Vila do Conde, Porto, Portugal, VIDEOAKTION #3, Raum für drastische Maßnahmenm, Berlin, SECS FEST, Seattle, USA, Hombres Video Poetry Award (Finalist) for ‘SEE ME’, SlamContemporary, Italy, (de)construction,, Kino Club Helsinki, Finland, SF Queer Film Festival, San Francisco, CA, USA, Failed Films Season 5,Los Angeles, U.S.A, Feminist Border Arts Film Festival, New Mexico State University, U.S.A,TRANÅS AT THE FRINGE - International Screening of Experimental Films and Videopoems, Sweden, Post Pxrn Film Festival, Warsaw, Living with Buildings II, Coventry, REELpoetry/HoustonTX 2022 International Poetry Film Festival, The Football Art Prize, UK-touring exhibition to Touchstones Rochdale, Millennium Gallery, Sheffield and Sunderland Museum & Winter Gardens,NFSW Film Festival, Los Angeles, USA,Miami Performance International Festival, EdgeZones, Miami, FilmPride Brighton & Hove Pride's official LGBTQ+ film festival, Brighton, UK, Festival ECRÃ Edition 5, Rio de Janeiro, Brazil, Wicked Queer Film Festival, Boston, USA, Fisheye Film Festival, UK, Southampton Film Week, UK, The Gateway Film Festival, UK, STATES OF DESIRE: Tom of Finland in the Queer Imagination, Casa de Duende, Philadelphia, USA. Darkroom Film Festival, Deptford Cinema, London, The Gilbert Baker Film Festival, USA, HOMOGRAFÍA/HOMOGRAPHY, Brussels. Visions 2020 selected by Hetain Patel, The Nunnery, Bow Arts Trust, London, Porn Film Festival Vienna, Satyrs and Maenads: the Athens Porn Film Festival, SPLICE Film Festival, OUTStream Film Festival and Queerbee LGBT Film Festival.

Lee has been interviewed numerously about his current film/performance work including interviews on BBC Radio Ulster with WIlliam Crawley, BBC Radio Sussex and Surrey with Kathy Caton for Out with Kathy, KMTV (local Kent-based TV station) interview feature about Bona Polari! solo exhibition, interview with Jane Glennie, Moving Poems Magazine in July 2022, Daniel Hess for To Tony Productions, Tim Kirk, Matt Skallerud for I Love Gay Today/PinkMedia LGBT, Hamish Downie’s Five Questions With – Lee Campbell (March 2021) BBC Radio Kent- Interview with Dominic King for The Dominic King Show January 2021. His film work has received critical acclaim with recent review features of his film work by Francesca de Luca in Cut Frame Magazine and James Clark in Lost Creatives. In 2008, he was interviewed by Libby Purves for BBC Radio 4 where he discussed his solo performance for Whitstable Biennale that year. 
 
Lee’s poetry has received critical acclaim and was mentioned in a Summer 2022 edition of London’s Islington Tribune. His poem ‘Clever at Seeing without being Seen’ was recorded for Sometimes, The Revolution is Small, Disarm Hate x Poetry project by Nymphs & Thugs Recording Co. UK.Publications of his poetry include Hakara: A Bi-Lingual Journal of Creative Expression, The Atticus Review, Ink, Sweat and Tears, Untitled. Voices, Gob Jaw Anthology 2019-2022, Issue Two: Wasteland, Powders Press, Issue One: First Times, Powders Press, Otherwise, You Are Here - The Journal of Creative Geography, Queerlings – A Literary Magazine for Queer Writing, New Note Poetry, Streetcake Experimental Writing Magazine, The New Normal and Step Away Magazine. 
 
Lee has a long history of curating performance and fine art exhibitions internationally. For example, between 2005-2008, he curated All for Show, an internationally touring film showreel of emerging and established British moving image artists whose work exposed the banalities of everyday life through humour, self-introspection, and serious play. In 2020, Lee curated Radical Ventriloquism at Kelder, London. His most recent curation is Homo Humour which has screened at Metal, Southend-on-Sea, Open Eye Liverpool and FRISE, Hamburg, Germany in 2022 and forthcoming at Centre for Comedy Studies Research (CCSR), Brunel University. In October 2023, Lee curates Slang Bang in London  - a night of performance poetry contains spoken word slang. In January 2021, he curated a set of queer poetry evenings for BBC Radio. 

RECENT SELECTED AWARDS AND NOMINATIONS

2023 WINNER of Best Micro Short for 'The Colour of His Eyes', Under Appreciated Film Festival
2023 Semi-Finalist for 'Head Boy', Neum Underwater Film Festival, Neum, Bosnia  
2023 Finalist for ‘Bears with Bananas and Bubbles in Their Boxers’ The Artists Spoken Word Competition, NYC, USA
2023 Honorable Mention for 'SEE ME', Los Angeles Underground Film Forum, Los Angeles, USA  
2023 Honorable Mention for 'SEE ME' and 'Juniper Park', Experimental Forum, Los Angeles
2023 Shortlisted for BEST POETRY FILM for ‘SEE ME’, Out-Spoken Poetry Prize 2023, Southbank Centre, London
2023 WINNER of BEST ANIMATED SHORT for ‘Rufus’ at The Rooster Film Festival, Portland, USA
2023 Honorable Mention for 'Let Rip: Teenage Scrapbook' at REELPOETRY INTERNATIONAL FESTIVAL 2023,Houston, Texas, USA
2022 WINNER of BEST EXPERIMENTAL FILM for ‘SEE ME’, Ealing Film Festival, London
2022 Finalist for ‘Apple of My Eye’, Deanna Tulley Multimedia Prize 2022
2022 Finalist for ‘See Shells’, Drumshanbo Written Word Weekend Poetry Film Competition, Drumshanbo, Ireland
2022 Juan Downey International Contest (Finalist), Chile 
2022 Hombres Video Poetry Award (Finalist) for ‘SEE ME’, SlamContemporary, Italy  
2022 Finalist for ‘Rufus’, MicroMania Film Festival 2022, Buffalo, NY, USA
2022 Finalist for ‘The Perfect Crime: A Doggy Whodunnit’, Absurd Art House Film Festival 2022
2022 Finalist for ‘Reclaiming my Voice’, Vesuvius International Film Festival
2022 Honorable Special Mention Award, Athens International Monthly Art Film Festival
2021 Best Psychedelic Fantasy film winner for 'See Me' (2020), Retro Avant Garde Film Festival NYC 
2021 Semi-Finalist, Serbest International Film Festival 2021
2021 Honorable Mention, Splice Film Festival, New York
2021 Nominee for Best Original Concept and Best Atmosphere Independent Horror Movie Awards 2021
2021 Honorable Mention Award for 'See Me' (2020), Screener Short Films  
2021 Best Kent Film nominee for ‘Peer’ (2020), Margate Bookie Film Festival
2021 Honorable Special Mention Award, Athens International Monthly Art Film Festival
2020 Semi-Finalist (3rd place winner), Splice Film Festival, New York
2019 Special Mention Award, London-Worldwide Comedy Short Film Festival
 

Add Director Biography
Director Statement

My work broadly explores vision, visuality, and the politics of seeing and not seeing and has a long historied body of practice since 2000. As both the writer, director and performer within the experimental films and poetry performances I create, I view my practice as me performing an autoethnography; using these media forms and the chosen themes within their narratives to help me self-reflect and (better) understand myself in relation to acts of looking, seeing and being seen and the difficulty in terms of not seeing/not being seen and my own subjectivity and experiences as British, working class, male, and gay..