SEE ME: A WALK THROUGH LONDON'S GAY (UN)SEEN (2020)

'a real sense of desolation...elegiac'
‘a very original way to document lockdown … a very personal film. The mixed media works very well.’
Ben Bowles, Margate Bookie Film Festival

LEE DISCUSSING SEE ME (2020) at GATEWAY FILM FESTIVAL 2020 FILMMAKER DISCUSSION:
https://youtu.be/NS9F9m_zikU

The title of this film is a play on words: seen/scene, unseen/unscene.

This film is made using digital transfer versions of c90 tape compilations I made between 1992-1995, juxtaposed with moving image footage of me in 2018 and 2020 and a typeface font graphic ‘See Me that I designed in 2005. The c90 cassette on screen is the cassette compilation that I still have from 1994.

SEE ME: A WALK THROUGH LONDON'S GAY (UN)SEEN (2020) was made during the COVID-19 pandemic lockdown in London in July 2020. This film includes sections of a walk that I made through Soho, London. As I walk, I listen on headphones to the compilation music tapes that I made when I first came to this area as a teenager in the 1990s. As I walk down the streets that were so important in shaping my life as a young gay man living in London, I revisit the gay bars and pubs that have been my safe spaces for the last twenty years and more, spaces that are now closed. In this ‘new normal,’ what spaces are available for queer people to perform their visibility? What is the future of those spaces that I discovered on my walk that are currently closed? Will the queer people that once inhabited these spaces become invisible/unseen as their safe spaces have disappeared?

The film begins with me walking down Oxford Street to Poland Street to The Kings Arms where I first discovered that bears and cubs don’t just live in the forest. The film begins with me walking down Oxford Street to Poland Street to The Kings Arms where I first discovered that bears and cubs don’t just live in the forest, As a hairy slightly stocky gay man, I felt at home amongst men who looked like me, whose bodies were like mine. So where do I go now? Sure, we can ‘meet’ online but that is no way comparable to a set of bodies (possibly a little tipsy!) in the same room. How I miss those days and hope they return soon.

When SEE ME was recently screened at the Westminster LGBT Forum (January 2021), the organiser referred to area that I am walking around during the film during lockdown as ‘dystopia’.

  • Lee Campbell
    Director
  • Project Type:
    Experimental, Short
  • Runtime:
    6 minutes 8 seconds
  • Completion Date:
    August 23, 2020
  • Country of Origin:
    United Kingdom
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Gateway Film Festival
    Peterborough (Online)
    United Kingdom
    October 16, 2020
    UK Premiere
    Official Selection
  • Vesuvius International Monthly Film Fest

    Italy
    October 29, 2020
    OFFICIAL SELECTION
  • London ArtHouse Film Festival
    London
    United Kingdom
    December 19, 2020
    Official Selection
  • you are here: the journal of creative geography

    Official Selection
  • Screener Short Films
    London
    June 17, 2021
    Honorable Mention
Director Biography - Lee Campbell

Dr Lee Campbell trained in Fine Art at the Slade School of Fine Art, University College London in 2005 and received his doctorate in 2016. His recent experimental performance poetry films have been selected for many international queer film festivals including Queerbee LGBT Film Festival, The Gilbert Baker Film Festival, Kansas 2020, HOMOGRAPHY, Brussels and STATES OF DESIRE: Tom of Finland in the Queer Imagination, Casa de Duende, Philadelphia, USA, WICKED QUEER 202,Boston, USA, 2021 Film Vault Presents, Manchester, UK, 2021 FilmPride Brighton & Hove Pride's official LGBTQ+ film festival, Brighton, UK,Splice Film Festival 2021, Brooklyn, USA Festival ECRÃ Edition 5, Rio de Janeiro, Brazil, SPHERE Festival, and Queer Life, EdgeZones, Miami, USA 2021.
He has a solo exhibition of his film work at The Sidewalk Video Gallery, Fountain Street, Boston USA in late 2021. His films have been selected for prestigious awards/nominations including:

2021 Nominee for Best Original Concept and Best Atmosphere Independent Horror Movie Awards
2021 Honorable Mention Award for 'See Me' (2020), Screener Short Films
2021 Best Kent Film nominee for ‘Peer’ (2020), Margate Bookie Film Festival
2021 Honorable Special Mention Award, Athens International Monthly Art Film Festival
2020 Semi-Finalist (3rd place winner), Splice Film Festival, New York
2019 Special Mention Award, London-Worldwide Comedy Short Film Festival

Add Director Biography
Director Statement

I am interested how the medium of film and photography (that particularly include collage-methods) considers how male body image/self-representation particularly from a gay male perspective has been coded, performed, and socially constructed from the 1960s to the present day. Applied humour as a tactic to subvert and challenge issues of representation, my current film work presents a personal archaeology and revolves around my own autobiographical perspective, using the mechanisms of comedy and humour as an integral part of my work to engage, disarm, and highlight.

With a background in Painting and then Performance Art, my current artist moving image film practice brings together personal drawing, painting, photography and performance. Collage has become a major tool in this recent film practice, reinvigorating paintings and drawings that I produced nearly twenty years ago which are juxtaposed throughout my films with current photographic and performance for camera work. These films are often made with reusing / repurposing personal archival material and sound and moving image recordings. Things insist, in a spiral, nothing’s wasted. In this new exciting phase of my practice, I use all my capacities, from theatre to drawing to painting to language to the comic to the affective to the relational, to painting and performance and film. Excavating (fine art) work I made long ago and resuscitating it, I bring it back to life through the medium of film and moving image. Integrating my fine artwork into my film work, my films create an arresting palimpsest effect by recycling pieces from previous bodies of work and placing them within my current context to see how their meanings may now differ from when they were first conceived. Whilst what is presented through my films can be read as one person’s (my) narrative, so too can it easily be read as lots of different voices layered to talk about wider levels of experience with various references to cultural context that (any)one can relate to.