Run & Drive
“Run & Drive” follows Julio, a Guatemalan driver, as he hauls two wrecked cars, one hitched to the other, from San Diego to Quetzaltenango. Like thousands of others, he buys vehicles declared “total loss” by American insurers to repair and resell them back home, part of a cascading economy of recycling. With only a few spoken lines, the film relies on a meditative soundtrack that amplifies the solitude and contemplative rhythm of this long road trip across borders.
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Hubert HayaudDirector
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Hubert HayaudEditingThe Man I Left Behind, St Narcisse, Happy Face, Romeo eleven
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Julio Pisquy NimatujKey Cast
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Project Type:Documentary
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Runtime:24 minutes 12 seconds
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Completion Date:September 1, 2024
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Production Budget:30,000 CAD
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Country of Origin:Canada
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Country of Filming:United States, Guatemala, Mexico
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Language:Spanish
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Shooting Format:Digital
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Aspect Ratio:16.9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Hubert Hayaud
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Cinematic Motor FestModena
Italy
June 6, 2025 -
Slow Film FestivalLondres
United Kingdom
September 20, 2025 -
Run and Drive ExhibtionMontréal
Canada
August 10, 2025 -
Bucharest Photo FestBucharest
Romania
October 10, 2025
Distribution Information
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Hubert HayaudCountry: Canada
Hubert Hayaud is an editor and photographer based in Montréal. Trained in cinema in Paris, he works across fiction, impactful documentary, and creative commercial projects, where each practice cross-pollinates the others. His editing work has been presented at festivals including Venice, TIFF, Karlovy Vary, Hot Docs, and Visions du Réel. As a photographer, his work has been published in Le Monde, The Guardian, Libération, Géo, Le Devoir, LFI, and The New York Times. Recent projects include co-editing The Man I Left Behind (2024) with Magnum photographer Larry Towell, and developing Run & Drive, a long-term personal documentary project.
Hubert Hayaud explores the concepts of borders, territory, and migration through his documentaries (Refugee Economics, El Pais, and The Guardian - The Great Move). These works particularly document the movements of populations forced to leave their homes due to conflict or natural disasters. By retelling the stories of these displaceds photographic work captures the socio-economic conditions in which these vulnerable groups live individuals, hi and the power dynamics at play in the affected territories (Canada, Brazil, Kenya). Alongside his portrait work for the press, he has been pursuing a comprehensive project across the North American continent for nearly ten years, following transmigrant drivers. He complements his photography practice by editing feature-length documentaries and fiction films. Passionate about how images convey stories, he co-created a film with Matthieu Rytz (producer) and Larry Towell (photographer) based on the latter's archival work: The Man I Left Behind.