Room for Dessert
Logline: A police officer is acquitted, the protests have started, a father is running his business, and a fatigued man just wants chocolate cake. Is that too much to want?
Synopsis: 'Room for Dessert' explores systemic injustice and racism through the eyes of a well-bred, professional Black man who has been pushed to his breaking point. The story gives a glimpse, through a hypothetical scenario of a need for revenge versus a cry for justice. At a critical moment, when he decides to take action into his own hands, he meets a woman and her father. Through this exchange, wisdom and counsel are offered for an alternative perspective on Black manhood and fatherhood. The man's explanation of his actions gives an up-close-and-personal view of the daily trauma, terror, grief, and pain of Black men across the country.
-
Pamela Davis-NolandDirector
-
Pamela Davis-NolandWriter
-
Pamela Davis-NolandProducer
-
Kerry CahillProducer
-
Tim GaerProducerTheo Has A Posse (Upcoming), The Art Project (2023), The Mean One Man (2022), Spirit of Love (2019), Sommer of Justice (2018)
-
Nicole CollinsProducerThe Space Between, Maternally Yours, Crown
-
Theodus CraneProducer
-
Theodus CraneKey Cast"Killer"The Walking Dead, Underground, Project Power
-
Ronald FlaggeKey Cast"Cook"Deja Vu, Where the Crawdads Sing, Green Book
-
Beth BartleyKey Cast"Miss Taylor"C'mon C'mon, Hit Man
-
Brookes WashingtonKey Cast"Waitress"
-
Tim BellowKey Cast"Cop"Cadillac Records, Bad Lieutenant, Treme, Fractured
-
Donald LewisKey Cast"Mr. C"
-
Becca ChapmanKey Cast"Miss Reese"
-
Todd D'AmourKey Cast"News Anchor"
-
Project Type:Short
-
Runtime:18 minutes 53 seconds
-
Completion Date:October 21, 2024
-
Country of Origin:United States
-
Country of Filming:United States
-
Language:English
-
Shooting Format:Digital
-
Aspect Ratio:16.9
-
Film Color:Color
-
First-time Filmmaker:Yes
-
Student Project:No
-
Digital Cinema Package:Unavailable
-
Black Film Festival New Orleans (BFFNO)New Orleans
United States
August 27, 2024
North American Premiere
Winner - BEST NEW ORLEANS PROJECT 2024 -
Anthology Film Festival PremiereLos Angeles
United States
September 27, 2024
Sneak Peek Festival Premiere
Red Carpet Premiere (August 6, 2024) -
Selma Cinema FestivalSelma, AL
United States
April 3, 2025
Winner - BEST U.S. SHORT -
Urban Media Makers Film FestivalAtlanta, GA
United States
October 24, 2024
Finalist - Short Film Series -
L.A. Underground Railroad Film FestivalLos Angeles, CA
United States
Official Selection -
Purple Sky International Film FestivalHamburg
Germany
June 4, 2025
Official Selection -
Vesuvio International Movie AwardsCampania
Italy
International Premiere
Official Selection -
Diamond State Black Film FestivalWilmington, DE
United States
November 8, 2025
Official Selection -
Denton Black Film FestivalDenton, TX
United States
January 30, 2026
Official Selection
Pamela Davis-Noland is a New Orleans based writer who works extensively in the theater community as a writer/producer with multiple directing credits. Her artistic/ cultural practice mainly focuses on women, bipoc in particular, and the exploration of their identity within relationships and community. Her work has been reviewed as ahead of its time and contributes this to prescience, intuition and personal experiences as a black woman. This drives her creativity to hold disparate ideas and have the ingenious ability to upend expectation and create feature narratives.
She is currently writing as well as working on the screenplay adaptation of her second literary offering, "Tuesday, Summer of ‘74' ' as well as her short film, titled, "Room for Dessert" currently in post-production.
She and her husband travel the country in their RV and live happily off the grid.
I was inspired to adapt and direct "Room for Dessert" in hopes to gain a broader audience in shedding light on a growing problem in this country: systemic racism and mass shootings. The message of the film still rings true today after eight years of its original feature in a One-Act Festival (Elm Theatre, New Orleans, LA). My goal is to shed light and give insight to what could happen if not resolved, while shedding light on community support and counsel. It gives a glimpse from the POV of the BIPOC community; the end result being to generate excitement and a possible movement to continually revisit a very important subject that effects the lives of everyone involved.