Robster
An off-kilter, apathetic grocery store clerk cares for a supermarket lobster while avoiding a trip to see his recently hospitalized mother.
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Matthew KoebeleDirectorHal and Julie, A Day Alone, The Right to Remain Silent
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Matthew KoebeleWriterHal and Julie, A Day Alone, The Right to Remain Silent, By the Window
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Cate ChristiansenProducer
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Jessica DiMentoProducerMiddle Sized Things, Guzzle Buddies, Maya Hawke: Dark, Selling Rabbits
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Alexandra MettlerProducer
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Matthew KoebeleProducerHal and Julie, A Day Alone
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Maggie SoikProducer
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Julie ChenProducer
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Flora NolanProducer
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Hank JohnstoneKey Cast"Robert"
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Rutger ScottKey Cast"Colin"
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Rodney KoebeleKey Cast"Dad"
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Cynthia KoebeleKey Cast"Store Mom"Hal and Julie
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Anthony PappagalloKey Cast"Phone Kid"
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Jobbi EagleKey Cast"Mom"
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Flora NolanKey Cast"Customer"Interstellar, Oppenheimer
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Alexandra MettlerDirector of PhotographySoft Launch, Mulligan
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Case AvronEditorFish out of Water, Winder, Hal and Julie, Blurry, By the Window,
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Cole Fletchall-SilvaGafferMulligan
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Miles PerreaultColorist
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Ynes LopezProduction DesignHal and Julie
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Flora Nolan1st Assistant Director
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David Melean1st Assistant Camera
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Matan HamanKey GripGever
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Rhodri Beynon2nd Assistant Camera / Swing
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Oliver ParkGrips
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Aiden Dullaghan-RippsGrips
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Don AhmadGrips
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Lucas Manuel-ShiebeSound Mixer
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Alec InagmovBoom Operators
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Flora NolanBoom Operators
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Case B AvronScript SupervisorHal and Julie
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Illia SolanoPost-Production Sound Designer
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Pietro KraljLobster Wranglers
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Kelli ConversoLobster Wranglers
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Jessica DiMentoLobster Acquisition
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Blake "Blakestyle" BlaufeldComposer
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Hank JohnstonePoster Design
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Matthew KoebelePoster Design
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Project Type:Short
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Genres:Drama, Coming of Age
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Runtime:8 minutes 40 seconds
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Completion Date:April 1, 2025
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Production Budget:10,000 USD
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Shooting Format:16mm
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Aspect Ratio:1.66:1
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Digital Cinema Package:Unavailable
Matthew Koebele is a NYC based writer/director.
This is the first film I ever made with Hank Johnstone, who I have found to be the greatest face I ever want to put to screen. Though it took me a while to finish the film, finding it difficult to be satisfied, I think it stands as a turning point in my filmmaking direction, and if anything, a marker in time for where my head was at in terms of filmmaking, and the people I made it with. I hope the film can have some impact on an audience, especially those interested in slow cinema!