REMOVED
SYNOPSIS
REMOVED is a very personal documentary. It centres around the topic of land reparations and forced removals, a conversation that is always tense and raw no matter your race or where you sit in class systems and access in South Africa. This is a conversation that needs to happen; an issue that needs to be addressed. Yet we often brush it under the rug as something that happened “a long time ago”, but in truth it did not. If two generations of this family that was forcibly removed are still alive today, we should realise as a country that this trauma is still very raw, recent, fresh and unresolved.
What will happen to this land that is so-called protected by SanParks? What is in the area that is so special that it needs to be protected from people of colour but can still house white people in the very cottages our family was removed from?
This story is based on forced removals of the families from Redhill and the current situation within Redhill. This is told through three generations of women from one family sharing their experiences, thoughts and traumas of what forced removals caused. This family is my family, this is our story, and this is the story of many people of colour within South Africa, too raw and unspoken of.
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Loren LoubserDirectorFlatland (2019; 3rd AD), Poppie Nongena (2019; 3rd AD), High Fantasy (2017; Co-Writer, Actor, Assistant Camera)
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Loren LoubserWriterHigh Fantasy (2017; Co-writer, Actor, Assistant Camera)
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Loren LoubserProducer
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Jodi WindvogelDirector of PhotographyThe Art of Fallism (2019)
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Shelby NcubeEditorCommercial Editor
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Marcelle Loubser (Klein)Key Cast"Mom Marcie"
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Mary Clarke (Klein)Key Cast"Ma Mary"
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George LawrenceKey Cast"Uncle Georgie"
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Loren LoubserKey Cast"Loren"High Fantasy, No Hiding Here
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Dani Kyengo O’NeillComposer
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Project Type:Documentary
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Runtime:14 minutes 23 seconds
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Completion Date:June 16, 2020
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Production Budget:1,082 USD
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Country of Origin:South Africa
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Country of Filming:South Africa
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Language:English
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:No
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Digital Cinema Package:Unavailable
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Durban International Film FestivalDurban
South Africa
July 23, 2021
Official Selection
LOREN LOUBSER is a queer actor, writer, director, and intimacy coordinator. Loren’s directorial debut, REMOVED, was one of the most-watched short films at Durban International Film Festival 2021 resulting in Loren’s appointment as a programmer for the festival in 2022. A 2024 Durban Talents fellow and anrecipient of the British Film Institute’s ‘More Funds For Freedom’ and the CMF / NFVF co-development fund, Loren is currently developing short, feature, and tv-length narrative content with their writing collective, Write Paper Scissors. As an actor, Loren can be seen on Showmax starring in various films andnon Acorn TV in RECIPES FOR LOVE AND MURDER and Berlinale Jury Prize winner, THE HEART IS A MUSCLE. As an intimacy coordinator, Loren has worked on local and international productions including LILIES NOT FOR ME, A KIND OF MADNESS, and THEY WILL KILL YOU. Loren co-directs the Queer WritersmIncubator; an annual mentorship and upskilling program for young queer screenwriters and filmmakers.
I have always said loudly and proudly and in a disruptive manner that I am Coloured and from Ocean View. This was the title of my culture, the claim and clutch at where I am from and I was never going to let anyone take away from that. But I often challenged my family to tell me more, tell me stories, tell me where we are from. Where was my Pa’s family from? If his mother was Khoi, who was his father? What are St Helena Island slaves and where do they really come from? Where is my Ma and her family from? I have craved to know my DNA and my family’s history and to revisit the land that they pride themselves on once having had, but that my Ma never ever speaks of.
Redhill is a far walk from the dry and barren area of Ocean View, the community that my family were forcibly removed to. But as children, teenagers and even young adults, no one took us there. No one wanted to visit home. No one wanted to speak about the letter of “eviction” known as “love letters” or the day they were removed or how they could never get that land back.
I began to dig and probe and ask the sensitive questions. One day I told my mom I wanted to find out why we do not have land and what happened to our rightful land and land claims. I told her I will be making a documentary about Redhill and our family and I want to know more about the life they lived there. She turned with tears in her eyes and told me this would make her so proud. So we made this documentary for our family as a healing — a process that will encourage talking and discussing. And finally so that South Africa and the world can also learn about forced removals and about Redhill.
The structures of Apartheid still exist, mainly in terms of the urban Apartheid land structures. Our people of colour still have to reside in the communities they were forced into that are far away from resources, access and especially white people. We live on top of each other so we don’t have the space emotionally to talk, heal and deal with the past.
The world is grasping for stories of home and for lived realities. And the younger generations of today are digging for identity, culture and claims to proudly say who we are and where we are from.
The current cases of forced evictions stir up the past forced removals for many in this country. The minimal talk of land and little action towards reparations have left us in despair and unhopeful. But if we do not back down; if we hold onto the current claims in the area, hopefully one day the land will be returned and we will finally claim access to vast amounts of open, protected land in this country.