RAVEN
Logline
An aging father, feels increasingly neglected due to his lack of financial worth. When his daughter is married off without his knowledge, deeply humiliated, he chooses to disappear— forcing his family to confront the quiet weight of his presence only through the ache of his absence.
Brief Synopsis/Plot
Torab Sheikh, an elderly man, lives with his family in a cramped shack beside the railway tracks. No longer able to work due to age and physical weakness, he spends his days confined indoors, surviving on the income of his children. This dependence slowly eats away at his sense of self-worth, pushing him into an emotional and existential crisis.
Desperate to feel useful again, Torab defies his son’s objections and quietly helps a neighbor, Nizam, deliver goods using a wheelbarrow—earning small amounts of money, but regaining fragments of lost dignity. Yet within the family, his voice is steadily silenced. Though once the head of the household, his opinions no longer carry weight.
When the family faces the threat of eviction, they arrange to marry off his daughter, Lalu, to a local gangster, Mojid Mia—without informing him, fearing he would object. This betrayal cuts deep. Already feeling irrelevant, Torab is now fully dismissed. Wounded and humiliated, he abruptly leaves the house and disappears. It is only in his absence that the family begins to feel the weight of his presence—and the value they failed to see while he was still among them.
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Zayed SiddikiDirector
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Shahidul ZahirWriterStory
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Zayed SiddikiWriterScreenplay and Dialogue
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Zayed SiddikiProducerProducer
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Israt JahanProducerExecutive Producer
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Saiyeed Shahjada Al KareemProducerExecutive Producer
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Mashiur RahmanProducerLine Producer
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Sakib IftekharProducerExecutive Producer
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Hasib ShakilProducerExecutive Producer
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Jayanto ChattopadhyayKey Cast"Torab Sheikh "
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Aminur Rahman MukulKey Cast"Mojid Mia"
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Tuntuni ShobhanKey Cast"Rohima"
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Fazlul HaqueKey Cast"Jomir"
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Iqbal HossainKey Cast"Nijam"
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Tahua Labib TuraKey Cast"Laalbanu"
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Jerin Akter ShimulKey Cast"Latifa"
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Akhlaquzzaman KhanKey Cast"Press Manager"
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ABM Saidul HaqueKey Cast"Qazi"
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Hasnat SohanCinematography
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Sujan MahmudEditing
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Sujan MahmudSound Design
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Zayed SidddikiProduction Design
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Zayed SiddikiArt Direction
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Tasnim NissoArt Direction
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Durjoy RoyArt DirectionAssistant Art Director
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Tanjina IslamArt DirectionConstume
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Tasnim NissoAssistant DirectorsChief Assistant Director
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Mallika RoyAssistant DirectorsAssistant Director
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Akhlaquzzaman KhanAssistant DirectorsAssistant Director
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Project Title (Original Language):দাঁড়কাক
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Project Type:Short
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Runtime:29 minutes 40 seconds
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Completion Date:December 10, 2023
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Production Budget:10,000 USD
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Country of Origin:Bangladesh
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Country of Filming:Bangladesh
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Language:Bengali
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Shooting Format:Digital
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Aspect Ratio:1.85:1
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Digital Cinema Package:Unavailable
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19th Kazan International Muslim Film FestivalKazan
Russian Federation
September 7, 2023
Wthd
International Competition -
23rd Dhaka International Film FestivalDhaka
Bangladesh
January 16, 2025
Official Selection -
17th Bangladesh International Short and Independent Film FestivalDhaka
Bangladesh
December 26, 2024
Bangladesh Premiere
International Competition -
12th Indo-German Film WeekBerlin
Germany
July 11, 2024
Official Selection -
7th South Asian Short Film FestivalKolkata
India
July 8, 2024
Official Selection -
10th International Film Festival of ShimlaShimla
India
August 17, 2024
Winner-Special Jury Award -
15th Indian Film Festival of MelbourneMelbourne
Australia
August 15, 2024
Australian Premiere
Official Selection -
13th DC South Asian Film FestivalWashington DC
United States
September 16, 2024
North American Premiere
Official Competeition -
Round The Frame Film CompetitionMumbai
India
September 28, 2024
Official Competeition -
13th International Film Festival of South Asia Toronto (IFFSA Toronto)Toronto
Canada
October 10, 2024
Canadian Premiere
Official Competition -
10th Wolves Independent International Film FestivalVillinus
Lithuania
August 25, 2024
Official Selection -
6th Hill Film FestivalDhaka & Rangamati
Bangladesh
December 28, 2024
Winner-Best Short Fiction -
14th South Asian Film Festival of MontrealMontreal
Canada
April 25, 2025
Official Competition -
23rd Amar Bhasar Chalaccitra Utsab 1431, Dhaka University Film Society (DUFS)Dhaka
Bangladesh
February 16, 2025
Official Selection -
10th Toulouse Indian Film FestivalToulouse
France
April 23, 2025
French Premiere
Official Competiton (Jury Prize & Audience Award) -
15th Pune Short Film FestivalPune
India
June 2, 2025
Official Competition -
4th Bangladesh Short & Documentary Film Festival, Bangladesh Shilpakala Academy (National Academy of Fine & Performing Arts), Ministry of Cultural Affairs,, GoBDhaka
Bangladesh
May 31, 2025
Winner-Special Jury Award -
31st Minsk International Film Festival "Listapad"Minsk
Belarus
October 31, 2025
Belarus Premiere
Official Competition -
9th Global Youth Film Festival BangladeshDhaka
Bangladesh
December 17, 2025
Official Selection
Distribution Information
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SCREENXCOPE AU-NZ (Sakib Iftekhar)DistributorCountry: AustraliaRights: All Rights
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7PLAMS Entertainment LLCSales AgentCountry: United StatesRights: All Rights
Zayed Siddiki is a multi-award-winning Bangladeshi new generation independent filmmaker based in Dhaka; an alumna of TV, Film and Photography, University of Dhaka.His decade long work in Development communications strongly influenced his thematic choice in filmmaking; steering him toward Neo-Realism rooted in grassroots narratives. His films have been officially selected at over 60 International film festivals across 5 continents, and won numerous accolades.
His latest short Raven (2023) has been officially selected to 16 international film festivals, winning Best Film Award at 6th Hill Film Festival and Special Jury Award at 10th International Film Festival of Shimla, India and at 4th Bangladesh Short & Documentary Film Festival by the National Academy of Fine and Performing Arts. It also received critical acclaim in 15th Indian Film Festival of Melbourne, Australia; 13th International Film Festival of South Asia Toronto, Canada; 13th DC South Asian Film Festival, USA; 19th Kazan International Film Festival, Russia; 14th South Asian Film Festival of Montreal, Canada; 12th Indo-German Film Week, Germany; 10th Toulouse Indian Film Festival, France etc. His short documentary In Expedition to Happiness (2022) won Best Film at Bangladesh National Academy for Fine & Performing Arts festival in 2022 and screened at 6 international film festivals; His student short Tale of an Ecliptic Time (2018) won 3 awards, including Jury Award at Peace Film Festival Bangladesh in 2019, screened at 15 international film festivals, and is available at Asia-Pacific social issue films curating platform Cinemata. Another notable student short Colourkite (2015), won 7 awards including People's Choice Award at Asian University for Women Film Festival, 2017, and Special Mention at International Inter-University Short Film Festival in 2015; it's screened in 22 international film festivals; and available in Viddsee, a Singapore based video entertainment platform.
There is perhaps no struggle more universal—and more quietly devastating—than the fight to remain visible, to matter, to exist beyond mere survival. The existential crisis is not a rare affliction of the aging or the isolated; it is a shared human experience, pulsing beneath the surface of everyday life.
In our families and societies, we often measure worth through productivity. And when someone—particularly an elder—can no longer "contribute" in the ways we deem valuable, they are too easily pushed to the margins. But what does it say about us, about our collective humanity, when those who once nurtured us are made to feel disposable?
This film is a response to that silence. It is a reflection on how care should not be conditional, and how presence alone is a form of value. We are all, inevitably, moving toward a time when the world may no longer find us "useful." But usefulness is not the same as worth.By telling this story, I hope to confront our discomfort with aging, dependency, and irrelevance—and remind us that dignity is not something earned; it is something owed. All of us will become irrelevant at some point, but that doesn't make us worthless.