Private Project

QUANTUM DECONSTRUCTION: The 32-Cut Legacy

A three-part cinematic odyssey through the evolution of the ultimate illusion: Sawing a Lady in Half.

Act I (The Legacy): A tribute to the original Dr. Augenstein, where 32 mechanical cuts per minute reveal a surreal gramophone within the human form.
Act II (The Clinical Transition): The analog gears are replaced by high-precision robotics and laser-circular saws, pushing the boundaries of physical separation.
Act III (The Modular Future): A 15-minute exploration into 'liquid-state' deconstruction, where the human form becomes modular. The finale reveals a chilling, extraterrestrial perspective, where humanity is merely a holographic print to be rearranged.

An avant-garde blend of surrealism, high-gloss latex aesthetics, and clinical body horror, culminating in a total redefinition of identity.

  • Alex Es
    Director
    Official Selections (Q1 2026): 87 selections across 39 cinematic projects.
  • Alex Es
    Writer
    Official Selections (Q1 2026): 87 selections across 39 cinematic projects.
  • Alex Es
    Producer
    Official Selections (Q1 2026): 87 selections across 39 cinematic projects.
  • Project Type:
    Experimental, Music Video, Short
  • Genres:
    Performance Art, Sci-Fi, Avant-Garde, Body Horror / Surrealism, Cyberpunk / Clinical Aesthetic
  • Runtime:
    27 minutes 5 seconds
  • Completion Date:
    March 25, 2026
  • Production Budget:
    0 USD
  • Country of Origin:
    Denmark
  • Country of Filming:
    Denmark
  • Language:
    English
  • Shooting Format:
    Digital 4K
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    Yes
  • Student Project:
    No
  • Digital Cinema Package:
    Unavailable
Director Biography - Alex Es

Design Ministeriet (Alex Es) has spent over two decades redefining the intersection of mechanical heritage and futuristic aesthetics. With a background rooted in the intricate, rhythmic complexity of the 'Storm P.' tradition, his filmography has consistently challenged the boundaries of the human form.

His previous works have garnered international acclaim for their clinical precision and surrealist depth, often being cited as 'modern masterpieces of the modular gaze.' This latest 28-minute odyssey represents the pinnacle of his research into robotic choreography and post-human identity—a project that has been whispered about in creative circles as his most ambitious 'reboot' to date. By merging the legacy of 32-cut mechanical illusions with state-of-the-art quantum-visuals, Alex Es continues to be a leading voice in contemporary experimental cinema, proving that a 'clean cut' is merely the first step in a celebrated career of constant re-invention.

Add Director Biography
Director Statement

With this film, I wanted to bridge the gap between my family’s mechanical heritage and a cold, modular future. By taking a classic stage trick and subjecting it to 21st-century robotics and 'Alien' logic, I explore our obsession with perfection and reconstruction. It is beautiful, it is uncomfortable, and it is a reminder that in a modular world, we are never truly 'whole'—we are simply assembled.