Princeton's in the Mix
When the wealthy mother of a high schooler discovers that her son can get extra time on the SAT if he gets injured, things spiral out of control.
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Jonathan DiMaioWriter and DirectorUnconformity, Without the Ancestors
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Antonio Alonzo AyalaProduced byI Wrote This for You
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Heather BrawleyProduced byBig Kill, Mark II, Loving Lenna
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Nagi ChamiExecutive Producer
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Jennifer YeoCo-Executive Producer
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Matt StonerProducerI Wrote This for You. Fragrant Night, Neighborhood Watch
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David ZaxCo-ProducerPayment in Kind
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Heather BurnsKey Cast"Beth"Miss Congeniality, Manchester by the Sea, You've Got Mail, Two Weeks Notice
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Charlie BessoKey Cast"Teddy"The Calling, Fallout
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Syra McCarthyKey Cast"Jane"The Dropout, The Alternate
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Nate DuncanKey Cast"Simon"General Hospital, Sorry for Your Loss
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Atim UdoffiaKey Cast"Doctor"Where Sleeping Dogs Lie, Fairyland
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Mya TravisKey Cast"Tina"
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Mikee LoriaKey Cast"Gregory"Cool Cat Saves the Kids - the Director's Cut
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Project Type:Short
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Genres:Horror, Satire
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
Jonathan DiMaio is a filmmaker and co-founder of the education and human rights non-profit, Yspaniola. His 2014 short film, Without the Ancestors, played at numerous festivals in the U.S. and Europe, and his music videos for Dominican rappers Chokola y Gimby helped launch the duo to national prominence in the Dominican Republic. Jonathan’s first feature, Unconformity, premiered at Heartland International Film Festival and is currently available to stream on multiple platforms.
Princeton’s in the Mix is my story about what happens when one status-obsessed parent finds a shortcut, a cheat on the SAT that is resisted by her principled and earnest piano-obsessed son.
Inspired by my experience as an academic and college prep tutor for privileged families in the Northeast, I wanted to make a film for audiences that is a satirical, fun, and disturbing parable about what happens when wealthy parents’ obsession with college admissions makes them lose sight of their children's actual well-being. Princeton’s in the Mix takes the time-honored traditions of elitism, academic cheating, and parental pressure and turns the results physical and horrifying, and I hope viewers will see the movie as an indictment of the warping of our society’s higher education admissions process.
The horror is intensified by presenting the story’s satire, comedy, and splashes of camp with a controlled and gliding camera, opulent lighting, and the hauntingly beautiful Franz Liszt étude La Campanella, which is quickened, warped, and chopped up when appropriate. The performance of Heather Burns, known primarily for comic roles, strengthens the darkly comedic elements of the movie.
I’m pleased to share what I think is a very engaging and thought-provoking film about insecure parents adrift in excess and ego who no longer see — or have never seen — education as an end in itself.
I hope you enjoy watching.
Jonathan DiMaio, Director, Princeton's in the Mix