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Poem of E.L.

A surrealist film by dancer/video artist Maya Gurantz, Poem of E.L. elevates the knowledge we store in our bodies; stepping into the mystery to face the limits of what we cannot pin down and understand.

  • Maya Gurantz
    Director
  • Maya Gurantz
    Writer
  • Maya Gurantz
    Producer
  • Maya Gurantz
    Key Cast
  • Gwendolyn Schwinke
    Key Cast
  • Anna E Journey
    Key Cast
  • Scott Andrew Ressler
    Crew
  • Adam Parrish King
    Crew
  • Project Type:
    Experimental, Short
  • Genres:
    Experimental, Thriller, Feminist, Deconstruction, Art
  • Runtime:
    18 minutes 57 seconds
  • Completion Date:
    September 12, 2022
  • Production Budget:
    15,000 USD
  • Country of Origin:
    United States
  • Country of Filming:
    United States
  • Language:
    English
  • Shooting Format:
    Digital
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Ann Arbor Film Festival
    Ann Arbor, MI
    United States
    March 29, 2024
    Leon Speakers Award Best Sound Design
  • Arthouse Film Festival
    Online
    United States
    December 26, 2022
    Online
    Eisenstein Award for Best Editing
  • Athens International Film and Video Festival
    Athens, OH
    United States
    April 17, 2023
    North American Premiere
  • New Renaissance Film Festival
    London
    United Kingdom
  • Crossroads Film Festival at SF Cinemateque
    San Francisco, CA
    United States
    West Coast Premiere
    Official Selection
  • Film Maudit
    Santa Monica, CA
    United States
Director Biography - Maya Gurantz

I'm an artist in film and video, performance, installation and writing.

My work has been shown at museums, galleries worldwide, including: (solo) 2220Arts, Museum of Contemporary Art Denver, the Grand Central Art Center, Catharine Clark Gallery, Greenleaf Gallery, Pieter PASD, the Oakland Museum of California, among others, and (group): the Museum of Contemporary Art Utah, Angels Gate Cultural Center, Beaconsfield Gallery Vauxhall, Navel LA, Art Center College of Design, The Goat Farm Atlanta, The Great Wall of Oakland, High Desert Test Sites, Autonomie Gallery, and Movement Research at Judson Church.

Recent film festival showings include: Athens International Film and Video Festival, Arthouse Film Festival (winner of the Eisenstein Award for Best Editing), the San Francisco Dance Film Festival, New Haven International Film Festival, Austin Arthouse Film Festival, Austin Dance on Film, and the New Jersey Film Festival (among others).

I recently was awarded Prospect Art's PRESENT WORK commission and an NEA Distinguished Fellowship at the Hambidge Art Center. I just returned from an Artist Residency at UNC Playmakers where I restaged and created new dance scores. I was the recipient of the inaugural Pieter Performance Grant for Dancemakers, and in 2020 was an Artist in Residence at the McColl Center for Art and Innovation in Charlotte, NC.

I’m a regular contributor to The LA Review of Books, where my essay, Kompromat, was the most read article of 2019. I have written and recorded stories for shows This American Life and The Frame at KPCC, The Awl, Notes on Looking, Avidly, Acid-Free, Baumtest Quarterly, RECAPS Magazine.

Add Director Biography
Director Statement

Mysteries and horror stories and even true crime procedurals ultimately exist in our culture to reinforce dominant narratives: patriarchal order, threatened by chaos in its most monstrous forms, gets restored in the end.

When I started working with this story, it was in response to the wild exploitive nature of how a mystery goes viral, to excavate stale Hollywood approaches to "explain" a very public mystery.

This project strives not to “solve” any story, but to leave the viewer and myself more present in what cannot ever be known. I seek to undermine the capitalist exploitation of the source story, the casual misogyny of how this woman was read, the reductive analysis of mental illness and spiritual experience to which people default so easily and readily when they aren’t willing to face the limits of what they cannot understand.