Private Project

Pipilika

In a hushed corner of rural India, where age-old rituals still breathe and secrets travel through smoke and whispers, lives Murmur, a young girl unknowingly drawn into her father’s forbidden experiment, hidden inside a mysterious tunnel, resides a box of black ants writhes in secrecy, creatures she was subtly assigned to feed, protect, and observe. Not by affection, but by instruction. Not for play, but for something more unsettling.
Pipilika, Sanskrit for "ant", explores a world where folklore and science, innocence and manipulation, dark magic and performance art collide. As murmur begins interfering with nature - mixing red ants with black, the delicate ecosystem collapses. All the ants die. And with them, a hidden plan begins to crumble. Her father, Sundar—once a runaway, now a magician in disguise has been preparing something. Something potent. Something masked as magic, but driven by malice.
In a place where sick villagers chew ritual rice, where camphor smoke clouds truth, and where suffering can be staged and sold, Pipilika peels back the mask of mystical tradition. The ants become a chilling metaphor: like them, people worship their “queens” - their leaders, their healers, their gods, without question. What we call black magic may simply be a lie with timing. A manipulation of faith.
Haunting, poetic, and disturbingly grounded, Pipilika is not just a tale of superstition, it's about power, obedience, and how easily truth can be swallowed when coated with fear.

  • Himanshu vohra
    Director
  • Himanshu vohra
    Writer
  • Maddhu Jain
    Producer
  • Himanshu vohra
    Producer
  • Naval Kishor
    Key Cast
  • Jugni
    Key Cast
  • Project Title (Original Language):
    पिपीलिका
  • Project Type:
    Short
  • Genres:
    Mystery, suspense, thriller, drama
  • Runtime:
    30 minutes
  • Completion Date:
    July 13, 2025
  • Production Budget:
    245,000 INR
  • Country of Origin:
    India
  • Country of Filming:
    India
  • Language:
    Hindi
  • Shooting Format:
    Sony fx3
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Digital Cinema Package:
    Unavailable
Director Biography - Himanshu vohra

Himanshu Vohra is a filmmaker and writer from Lucknow/Mumbai, India, whose work explores silence, resistance, and the unseen layers of everyday life. Starting with a background in journalism and theatre, his path to cinema has been shaped by a deep commitment to telling stories in their most honest form.

His first short film I Pledge received attention at the Mumbai International Film Festival and opened the door to an independent journey. Since then, Himanshu has created a body of work that blends realism with poetry. His films are intimate in scale but expansive in thought. His feature project Chidiya Udd, a survival drama shot entirely on an iPhone, is a testament to his belief that cinematic power lies not in equipment, but in intent and emotion. The film was developed independently, with local actors and self-constructed setups, without losing sight of craft or vision.

His latest project Pipilika continues this exploration. Set in rural India, it is a haunting blend of folklore, science, and power, told through the quiet eyes of a child.

Beyond cinema, Himanshu writes poetry in Hindi and runs Kalakaari Keeda, a creative space for artists and collaborators. His work consistently reflects a desire to look deeper, to hold a moment longer, and to question the surface of what we are told.

Add Director Biography
Director Statement

Pipilika came from a single image: a child feeding ants she doesn’t understand. From there, the story grew into something darker, more layered. I’ve always been fascinated by how rituals, especially in rural India, can hold both beauty and danger. This film sits in that space—where folklore and control overlap.

For me, Pipilika is not about magic. It’s about performance. About how belief systems are crafted and passed down. The character of Murmur doesn’t rebel loudly. She observes, she obeys, and only later begins to disrupt. That quiet shift is the heart of the film.

The ants became a metaphor I kept returning to, blind faith, structured power, silent collapse. The film doesn’t aim to shock. It aims to linger. I wanted to create a space where the viewer feels like a witness, not a spectator.

Pipilika is my way of asking: how much of what we follow is true, and how much is simply tradition dressed as truth?