Pick It Till It Bleeds
Yearning to pick his girlfriend’s scab, a young man gets more than he bargained for in this mixed-media animation.
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Christina DovolisDirector
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Tavis PutnamDirector
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Christina DovolisWriter
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Tavis PutnamWriter
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Christina DovolisProducer
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Tavis PutnamProducer
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Christina DovolisKey Cast
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Tavis PutnamKey Cast
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Project Type:Animation, Short
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Runtime:3 minutes 5 seconds
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Completion Date:October 15, 2025
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Production Budget:250 CAD
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Country of Origin:Canada
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Country of Filming:Canada
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Language:English
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Shooting Format:Digital, Paper
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Aspect Ratio:16:9
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Film Color:Black & White and Color
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First-time Filmmaker:No
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Student Project:No
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Digital Cinema Package:Unavailable
Christina Dovolis is an interdisciplinary filmmaker and geographer, often working with cutting-edge technologies to explore how our built environments shape community and identity. Hailing from the Midwest, Christina draws inspiration from themes of girlhood and gossip, religious mythologies, and the complexities of urban development. As an educator, Christina is committed to making new media programs more accessible to the public, particularly focusing on empowering women and marginalized groups. She has achieved acclaim for her projects, with presentations at Museum of the Moving Image, SXSW Sydney, Nuit Blanche, Calgary Underground Film Festival, and more.
Tavis Putnam is a filmmaker, writer, and performer from Treaty 1 Territory: Winnipeg, Manitoba, Canada. Exploring the squirmy middle ground between comedy and tragedy, his projects have screened at SXSW Sydney, the Calgary Underground Film Festival, Kasseler Dokfest, NoBudge, and more. His debut feature A Social was voted “Favourite Film by a Local Filmmaker” by readers of The University of Winnipeg newspaper The Uniter, and played to sold out crowds at the Dave Barber Cinematheque in 2022. He holds an MFA in Film Production from Toronto's York University.
Exploring humanity's eternal obsession with picking and prodding, this textural, mixed-media short film was printed frame-by-frame onto paper, then hand-coloured, scanned, key-framed, and finally edited together into its final cinematic form.