Private Project

Perfectly Unnoticed

How an apparently unimportant object proves his value to a movie’s storyline.

In Perfectly Unnoticed you won’t see a normal film structure. You’ll only see shots like they are cut out of different movies, to show some of their strengths, to make visible what otherwise will go unnoticed. The underlying feeling is to appreciate the little things, because everything that feels normal, is not noticed by us. Just like the objects in film, they do their job perfectly when you’re not distracted by them. By putting the spotlights on them, I want to show their hidden power.

  • Denice Zwiers
    Director
  • Denice Zwiers
    Writer
  • Denice Zwiers
    Producer
  • Eric Zwiers
    Director of Photography
  • Tjeerd Melchers
    Sound Design
  • Eric Zwiers
    Music
  • Denice Zwiers
    Production Design
  • Project Type:
    Short, Student
  • Genres:
    Fiction
  • Runtime:
    1 minute 40 seconds
  • Completion Date:
    July 1, 2018
  • Production Budget:
    400 EUR
  • Country of Origin:
    Netherlands
  • Country of Filming:
    Netherlands
  • Language:
    English
  • Film Color:
    Color
  • First-time Filmmaker:
    Yes
  • Student Project:
    Yes
  • Nederlands Film Festival
    Utrecht
    Netherlands
    September 28, 2018
    NFF
    Official selection student competition NFF 2018
Director Biography - Denice Zwiers

During my study at the Willem de Kooning Academy I have achieve to combine my previous studies in spatial design and audiovisual design to create a focus on production design for film.
With the urge to develop myself further, i’m working on audiovisual productions and in the art department for film and television productions.
During my research I developed an interest about providing subtext in unnoticed production design what has led to this film.

Add Director Biography
Director Statement

As a filmmaker I like to use production design to translate stories into film.
In this film I show the narrative value of the object. How an everyday object, through graphic adjustments, or in combination with other objects can tell us more.

It fascinates me how objects can tell different stories by various compositions or, with a slight adjustment, can be re-used in another production.
Fascinated by the subtext an object can give within a movie production, I used my research to dive deeper into the narrative power of props, because, they only do their job perfectly when you’re not distracted by them…
So, in Perfectly Unnoticed for once, the props will be noticed.