Private Project

Parangolé

Parangolé investigates the 16mm film strip as an activated, mobile membrane. Inspired by Hélio Oiticica’s concept of the body-activated cloak, the work configures the celluloid as a tactile substrate that encloses the body. This material veil is paired with a site-specific environmental soundscape composition that archives a rainy morning in Rio de Janeiro, Brazil. The film functions as a repository for these acoustic textures and somatic frequencies; it dissolves the distance between the viewer and the environmental signal of the site.

  • Abinadi Meza
    Director
  • Abinadi Meza
    Producer
  • Abinadi Meza
    Composer
  • Project Type:
    Animation, Experimental, Short
  • Runtime:
    3 minutes
  • Completion Date:
    November 16, 2023
  • Country of Origin:
    Mexico
  • Shooting Format:
    16mm scanned to HD video
  • Aspect Ratio:
    4:3
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
Distribution Information
  • Film-Makers’ Cooperative / New American Cinema Group (New York)
    Distributor
Director Biography - Abinadi Meza

Abinadi Meza is a Latinx-Indigenous (Otomí - México) artist, filmmaker, and composer. Trained in painting and architectural theory, his practice investigates the intersection of architecture, phenomenology, and the materiality of the moving image. Across three decades of sustained practice, he has configured the moving image as a site of physical contact. His non-narrative Elemental Cinema employs hand-layered 16mm processes and electronic sound masses to produce intense chromatic depth and luminous transparency. Utilizing non-traditional instrumentation and live electronics, Meza develops integrated compositions where sound and image converge as dimensional, atmospheric architecture.

A Fellow of the American Academy in Rome, Meza’s work is distributed by the Film-Makers’ Cooperative / New American Cinema Group, New York. His media works, performances, and installations have been presented at leading international institutions including the Walker Art Center, MAXXI National Museum of 21st Century Arts, Rome, the Irish Museum of Modern Art, Dublin, FACT Liverpool, and the Lisbon Architecture Triennale.

His films have screened at Anthology Film Archives, New York, Cineteca Nacional de México, and international festivals including Crossroads, San Francisco, Kassel Dokfest, Germany, Aesthetica, UK, and Vorspiel / CTM x Transmediale, Berlin. His work has earned critical acclaim in publications such as Afterimage and desistfilm. He holds an MFA from the University of Minnesota and an M.Arch in Media & Theory from the Southern California Institute of Architecture (SCI-Arc), Los Angeles.

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Director Statement

Parangolé is a component of the Elemental Cinema series (2020–2026). This work represents a methodological shift toward acoustic site-archiving. My methodology treats the sonic architecture as a forensic construction. By utilizing an unedited duration and a 12fps cadence, the work preserves the raw atmospheric data and urban somatic sound-forms of a specific geographic site.

The celluloid substrate functions as a physical boundary. This structural choice draws upon Neo-Concrete traditions to investigate the "cloak" as a site of environmental and somatic engagement. These frequencies are co-structured with the visual flow; the result is a total structural parity within the physical duration of the film. Parangolé investigates the material preservation of a site through the convergence of the tactile image and the environmental signal.