Pantrum
Logline: Not only kings have tales to tell; even antlions have their own stories.
Synopsis: Pantrum is the untold story of antlions, creatures that wait patiently in silent pits, surviving by stillness. Through their quiet endurance, the film draws a parallel to the lives of people caught in the long shadow of war and power. At the heart of the narrative are four lives bound by time and trauma: an old man, a mother, a father, and a son. The old man spends his days watching and waiting, holding onto the fragile hope of a people’s uprising. He dreams of overthrowing a President who inherited power from a corrupt family and spread that corruption deep into the bones of the nation. His waiting becomes a metaphor like the antlion, he does not attack, he endures. In another thread, a woman is raped by a soldier during a time when conflict dismantled law and order. A child is born from that violence. As years pass, the trauma consumes the mother, and she transforms into a suicide bomber, unable to live with what was done to her. The child, born without choice or identity, grows up in the chaos of war and is forced into becoming a child soldier. He learns violence before he learns peace. When the war ends, the silence left behind is heavier than the gunfire. The son returns, but there is no place for him. Overwhelmed by trauma and unable to face a society that cannot understand him, he contemplates suicide. The past threatens to swallow him whole. Then a chance encounter changes everything. He meets his biological father, the soldier who fathered him through rape. What follows is a raw, painful confrontation between two broken men. The father struggles with PTSD, haunted by the things he did and the man he became. The son struggles to find any place for himself in a world after war, questioning if he has a right to exist at all. Their conflict is not just personal; it reflects a nation trying to reconcile with its own history. Against this backdrop of post-war consequences and the unspoken grief of mothers who have lost their children, Pantrum weaves past and present together. It connects a narrative spanning 2,500 years of Sri Lankan history with the contemporary wounds of a generation. Through silence, waiting, and the quiet persistence of those who survive, the film offers a poignant reflection on the enduring impact of war and the fragile, necessary journey toward reconciliation.
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Nadie WasalamudaliarachchiDirector
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Nadie Wasalamudaliarachchi +94776600231Writer
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Sampath Chinthaka Gunawardena +94778975277Producer
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Udara PalliyagurugeProducer
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Hemasiri LiyanageKey Cast"Old Man"
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Mayura PereraKey Cast"Sedara"
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Anasuya SubasingheKey Cast"Selva's Mother"
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Dilukshan ThirunakarKey Cast"Selva"
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Akdev LiyanageKey Cast"Sedara's Childhood"
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Pratheepan TharmikanKey Cast"Selva's Childhood"
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Project Type:Experimental, Feature
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Genres:Drama, Arthouse, Psychological Drama, Post-War Cinema, Social Justice Film, Independent
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Runtime:1 hour 39 minutes 35 seconds
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Completion Date:April 27, 2025
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Production Budget:25,000 EUR
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Country of Origin:Sri Lanka
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Country of Filming:Sri Lanka
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Language:Sinhala, Tamil
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:No
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Digital Cinema Package:Unavailable
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Independent Experimental Film festival of KeralaKerala, Kozhikode
India
May 9, 2025
World Premiere
Official Selection, World cinema - Non competition -
SVIFFBengal
India
September 14, 2025
Awards: Best Feature Film, Best Story & Script, Best Cinematography -
International film festival of Srinagar (TIFFS)Srinagar, Kashmir
India
November 13, 2025
Award: Best Feature Film -
Boden International Film FestivalBoden
Sweden
October 12, 2025
Sweden Premiere
Award: Best Feature Film -
City Of Stars International FestivalLos Angeles
United States
December 12, 2025
Award: Best debut Feature Film -
Luleå International Film FestivalLuleå
Sweden
November 8, 2025
Finalist, Best Debut Feature Film -
Athens International monthly art film festivalAthens
Greece
March 29, 2026
Finalist, Best Experimental Film -
Dhaka International Film FestivalDhaka
Bangladesh
January 10, 2026
Bangladesh Premiere
Official Selection, South Asian Panorama (Feature films) -
Transcinema IFFLima
Peru
December 5, 2025
Peru Premiere
Official Selection, International Competition (Feature films) -
Jaffna International Film FestivalJaffna
Sri Lanka
January 4, 2026
Sri Lankan Premiere
Official Selection, International feature Film -
Nepal International Film FestivalKathmandu
Nepal
April 5, 2026
Nepal Premiere
Official Selection, South Asian Category -
Fisheye International Film FestivalBuckinghamshire
United Kingdom
April 16, 2026
Award: Best Experimental Feature Film -
Darbhanga International Film FestivalBihar
India
April 17, 2026
Official Selection, International feature Film -
South Asian Film Festival of MontrealMontreal
Canada
May 1, 2026
Canadian Premiere
Official Selection, Fiction Film
Nadie Wasalamudaliarachchi is a Sri Lankan author, filmmaker, journalist, political activist, and multidisciplinary artist. She is best known for her most acclaimed novel Wolfhandhal Street (2015), which was nominated for the prestigious Swarnapusthaka Award in 2016. A prominent voice in contemporary Sri Lankan literature and arts, Nadie’s work explores themes such as the subconscious, sexuality, and human rights.
She is the author of six published books, spanning fiction, poetry, and essays, each reflecting her deep engagement with personal, cultural, and political themes. Nadie is also recognised as a pioneer television presenter in Sri Lanka’s popular culture scene, contributing to the evolution of contemporary media narratives through her distinctive presence and perspective.
Her media and communications experience includes work as a television journalist and award winning creative writer in the advertising industry. She has served on the Swarnapusthaka Award judging panel and was formerly a member of the Sri Lanka Rupavahini Corporation (SLRC) drama selection committee.
A committed advocate for human rights and social justice, Nadie’s artistic repertoire extends to criticism and visual art, often produced in collaboration with other artists. Her latest venture, Pantrum, marks her directorial debut, establishing her as a bold new voice in independent cinema with a socially conscious and experimental approach.
The intention of this film is to explore the socio-political impact of power hunger and conflict throughout generations. The film also intends to see post-war resolution from a different perspective as an enemy son and a father try to reconcile their differences and bury their trauma. The film dissects how the society has experienced loss due to power hunger from the initiation of the modern Sri Lankan civilisation throughout to the present. The main intention of this film is to create a broader discussion on how we see the post-war soldiers and how there are no winners in a war, even if you win. It also tries to start a dialogue on the generational trauma that has been carried by the population of a nation, and how it can almost be interpreted as a curse.