Bhaskar Chitrakar: Painting Kalighat Moderns
Bhaskar Chitrakar is among the last remaining hereditary painters of the famed Kalighat temple tradition. From his unassuming home studio in Kolkata, he creates colorful and sensuous artworks that traverse global museums and art fairs. This short documentary explores Chitrakar’s painting style and eclectic sources of visual inspiration. How has an artistic tradition that was once so deeply ensconced in Hindu religious mores and British colonial patronage become a site for modern secular social criticism? What is in store for the future of this craft, as younger community members turn away from painting and are instead finding work making religious idols? With characteristically wry humor, Chitrakar takes us behind the scenes of the changing social and class landscapes of his beloved city, one painting at a time.
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Matthew Raj WebbDirectors and ProducersRetouch (2022, 18 mins), From the Coalfield to the Classroom (2021, 15 mins).
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Ihaab SyedDirectors and Producers
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Rohan SenguptaDirectors and Producers
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Bhaskar ChitrakarFeaturing
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Nikita Jailesh ShahProduction Support
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Jaita Chitrakar ChakrabortyProduction Support
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SambitCMusic
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Santanu MahalikCaptions
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Project Type:Documentary, Short
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Genres:Art, Biography
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Runtime:11 minutes
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Completion Date:October 23, 2023
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Production Budget:0 USD
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Country of Origin:United States
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Country of Filming:India
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Language:Bengali, Hindi
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Shooting Format:4K
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Smithsonian Mother Tongue Film FestivalWashington DC
United States
February 24, 2024 -
Society for Visual Anthropology Film and Media FestivalTampa, Florida
United States
November 20, 2024
(Official Selection)
Matthew Raj Webb (he/him) is a PhD Candidate in the Department of Anthropology at New York University (Program in Culture & Media).
Ihaab Syed (she/her) is a public interest lawyer and labor organizer.
Rohan Sengupta (he/him) is a PhD Candidate in the Department of Anthropology at New York University.
The directors of this documentary—two anthropologists and a lawyer—met Chitrakar serendipitously, following a request from Smithsonian NMNH Curator of Globalization, Joshua A. Bell to support tracing the provenance of a painting. This sparked the directors’ outreach to friends, colleagues, and art galleries in Kolkata to track Chitrakar down. After several enjoyable phone and Zoom calls, the directors were eventually able to meet Chitrakar in person and film this short documentary in June 2023.