Paint
An old man deals with his grief by painting a room with layer after layer of paint. He hopes that by the time he has completely filled the room, he will have come to terms with life without his wife. Supported by BFI Film Academy with National Lottery funding.
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Corran GourlayDirector
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Corran GourlayWriter
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Jack ClarkeProducer
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Corran GourlayProducer
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Christian FloodKey Cast"Dad"
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Max WilliamsKey Cast"Son"
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Gwen AtkinsonKey Cast"Mum"
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Corran GourlayEditor
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Gwyn HemmingsCinematographer
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Anna DavisProduction Designer
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Project Type:Animation, Experimental, Short
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Runtime:9 minutes 54 seconds
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Completion Date:July 18, 2024
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Production Budget:1,000 GBP
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Country of Origin:United Kingdom
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Country of Filming:United Kingdom
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Language:English
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Shooting Format:Digital
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Aspect Ratio:4:3
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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London Breeze 2024London
United Kingdom
October 25, 2024
Official Selection -
Cinemagic Young Filmmaker 2024Belfast
United Kingdom
October 25, 2024
Official Selection -
Northern Exposure 2024Lancaster
United Kingdom
October 9, 2024
Official Selection -
The HB Film Festival 2024Paisley
United Kingdom
October 3, 2024
Official Selection -
Nightpiece Film Festival 2024 (Edinburgh Festival Fringe)Edinburgh
United Kingdom
August 19, 2024
Official Selection
Distribution Information
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BFIDistributorCountry: United KingdomRights: All Rights
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The Sheffield Media and Exhibition CentreDistributorCountry: United KingdomRights: All Rights
Corran is a filmmaker currently based in Glasgow. His work explores the surreal and the uncanny, looking to uncover what lies beneath the veneer of the everyday. After moderate success with his graduation film 'The Table', Corran received a grant and support from the BFI Film Academy for his upcoming short 'Paint'.
A man who paints the walls of a room, layer by layer, shrinking it over time, as a coping mechanism. The central idea of this film has been with me for years, and now I have had the opportunity to make it. There is a universal quality to this metaphor. While here it is used to directly explore the grief of losing a life partner, anyone who watches this film will be able to relate it to some instance where it would have been better to leave something behind as a fond memory, rather than wallow in it with regret. This is one of the strengths of surrealism. While the content might seem otherworldly, the kernel of feeling that exists in the film can be impressed upon by the viewer, allowing for a diversity of audience and interpretations. The most lasting stories always contain this universality, a mythic quality of symbolism, and this is what I strive for in my work. Visually arresting pieces with memorable imagery and a tight, clear plotline to drive us forward. I am delighted to have the opportunity to bring this vision to life, and I can't wait to share the finished piece with audiences at festivals around the world.