Organ Stops - Saving The King of Instruments
A filmic elegy to a disappearing world. Martin's spent his life playing and building pipe organs; nowadays he spends all his time rescuing them – “It’s a real crisis. There are at around fifty churches closing every year and half the organs in them are worth saving.” Beautifully made and historically important pipe organs are being scrapped in their hundreds. Once at the centre of British culture pipe organs are now neglected and unloved.
Often just one step ahead of the bulldozers, Martin and a small band of organ “anoraks” travel the country on rescue missions. In one ex-mining village in the north of England he discovers a fine rare organ who’s salvage and “rebirth” becomes the redemptive story at the heart of the film.
Along with their pipe organs the working-class Christianity at the centre of life in so many small towns and villages in the UK is disappearing. Congregations are dwindling fast because they're dying off without being replaced. One stalwart is sprightly 95-year-old Blanche Beer, who played the organ at her local Chapel for 80 years. We tell her story as she faces the loss of her church and her precious instrument. Her vivid description of life as a pit-village organist is a wonderful insight into a musical world that is being lost.
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James DawsonDirector
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James DawsonProducer
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Genres:music, documentary, arts, observational documentary, cultural history
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Runtime:1 hour 9 minutes
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Completion Date:February 1, 2021
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Production Budget:20,000 GBP
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Country of Origin:United Kingdom
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Language:English
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Student Project:No
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Brooklyn Film FestivalBrooklyn, New York
United States
June 5, 2021
North American Premier -
New Haven Documentary Film FestivalNew Haven
United States
August 13, 2021
I've been making documentaries for over twenty years, mainly for the BBC and Channel Four in the UK. I've made films (some winning awards) about all sorts of things: from the crazy world of mega-basement building in London where vast labyrinths are dug out to house gyms, car parks, servants quarters and pools all for London's multi-millionaire's, to a film about Drag Queens, a series of films about a hospital prosthetics lab that makes faces for people scarred by disease or road accidents; a documentary about end of life decisions on a hospital stroke ward, through to film's probing the secrets of Cadbury's chocolate and life at sea for the fishermen of the North Sea.
Alongside my professional work I have also pursued personal film projects that inspire me, 'Organ Stops' is such a film.
I wanted to use the pipe organ as a lens to look at an aspect of British society that is radically changing. The loss of pipe organs heralds the end of an era when the life of provincial towns and villages revolved around the church. In this sense the film is as much about the demise of a particular kind of working class culture as it is about the destruction of the pipe organs.
As I hope the film shows all is not doom and gloom for this extraordinary instrument. Though hundreds are being destroyed a few are being saved and rehomed, and its unique acoustic properties mean that a new avant-garde generation of musicians are using it to create a different type of music. What hope an audience will take from this film is that where there is enough passion and energy, instruments can be saved and a heritage passed on.