Experiencing Interruptions?

Orders

April 2004. It's Friday, peak time. Somewhere in America, a phone rings. A voice on the other side of the line speaks: someone has reported a theft.

  • Aleix Pitarch
    Director
  • Aleix Pitarch
    Writer
  • Sílvia Torrent
    Producer
  • Rusty Birdwell
    Key Cast
  • Stephanie Figueira
    Key Cast
  • Benjamin Nathan-Serio
    Key Cast
  • Ella Galt
    Key Cast
  • Robert Paterson
    Key Cast
  • James Phillips
    Key Cast
  • Paloma Guridi
    Key Cast
  • Project Type:
    Animation, Short
  • Runtime:
    29 minutes 46 seconds
  • Production Budget:
    0 EUR
  • Country of Origin:
    Spain
  • Country of Filming:
    Spain
  • Language:
    English
  • Shooting Format:
    Digital
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • D’A Film Festival Barcelona
    Barcelona
    Spain
    May 1, 2021
    World Premiere
    Un impulso colectivo - Curts
  • Animafest Zagreb 2021
    Zagreb
    Croatia
    June 8, 2021
    International Premiere
    Grand Competition - Short Film
  • Kyiv International Short Film Festival
    Kyiv
    Ukraine
    August 7, 2021
    Grand Prix
Director Biography - Aleix Pitarch

After graduating from ESCAC in 2002, Aleix began directing music videos and short fiction. He's also worked as an editor, animator and film composer. Orders is his latest project.

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Director Statement

This short film has taken me a long time: I wrote it back in 2010 and I've finally completed it in 2020. Now it's time to release the beast into the wild.
Why did I make this film? I wrote "Orders" to get the audience to ask themselves the same questions I asked myself when I read about the real events it relates. Questions like "How can things like this happen?", for which there is no clear answer.
I made this film on my own, except for the voice acting. I don’t consider myself an animator, but the only alternative to undertaking this project on my own was not to do it at all. I'm absolutely useless when it comes to seeking funding, so the budget for this project was zero. I could neither afford to hire anyone nor did I want to: I would have hated to have a team working for free, propagating the vicious circle of precariousness. I hope to be able to fund future projects where people can get paid what they deserve, and I look forward to being able to work with a team of people who are good at their jobs instead of having to do everything myself slowly and badly. But, as I said before, if there was one thing I was sure of from the beginning it was that any alternative was better than abandoning the project altogether. I've stubbornly forced this film into existence.