Private Project

Opera as Lifeforce - Norbu Tsering, tibetan operamaster in exile

SYNOPS - OPERA AS LIFE FORCE
- Norbu Tsering, Tibetan opera master in exile

Opera is the heart of Tibetan culture
H.H. Dalai Lama

Opera as life force is a story about an unknown opera culture, the Tibetan one, and about art's ability to heal and develop in exile. 62 minutes.
In 1959, Tibet was occupied. H.H Dalai Lama was forced to flee incognito with government and family members across the inaccessible Himalayan mountain range. Thousands of
people followed, also many opera artists. What happened?
I hear there is a Tibetan exile opera high up in the Himalayan mountain range, in India. I decide to go there to meet the opera-theatre collective with over 160 members. It is both a
school and an opera. Meet the aging opera master Norbu Tsering and the young artist Sonam Phuntsok, and many, many other artists. The latter have never been to Tibet.

Incredibly, after only six months in exile, the Dalai Lama had begun to rebuild the Tibetan Opera, the Tibetan Institute of Performing Arts, also known as TIPA. Why? "Culture develops
empathy and strengthens self-esteem," he replies. The Dalai Lama becomes the opera's patron.
But it is through the aging opera master Norbu Tsering that we get to follow developments in exile - as well as a series of conversations with H.H. Dalai Lama, we are approaching both an unknown but also universal landscape, interspersed with archival footage from inside Tibet

When I arrive, the time has come, according to Tibetan tradition, to choose a replacement. The choice has fallen on the young, talented artist Sonam Phuntsok, who hesitates. Unsure if
he will be able to cope with the great responsibility, and so he carries other dreams, too.
H.H. The Dalai Lama opens up that new subjects should also be included in the 600-year-old
Tibetan opera canon. It is important to both preserve and renew.
Gunilla Palo Nordlund
Director Biography - Gunilla Palo Nordlund

CV Gunilla Nordlund, born 1950-09-24
Director, educator, filmmaker, artistic director, please see more
on my website: www. gunillapalonordlund.se

Worked with Tibetan artists since 1995 in different various rounds (as performance, concerts, films, lectures) in Sweden, Norway, India and Tibet.

Opera as lifeforce has been screening at:

European, Cultural Midnight Festival, Korpilombolo 2025
Tibet House, Stockholm, 2025
Faluns Existeniella Film festival, 2025
Göteborgs Buddhist Center, 2025
Balinali, The International Film Festival in Bali, 2025
Zita, cinema in Stockholm, 2025 during the celebrating H. H. the Dalai Lama 90 years birthday ans The Year of Compassion
DIFF, Dharamsala International Film festival, screen at Tibetan Institute of Performing Arts (TIPA) 2025

  • Gunilla Palo Nordlund
    Director
  • Gunilla Palo Nordlund
    Writer
  • Gunilla Palo Nordlund
    Producer
  • His Holiness Dalai Lama XIV
    Key Cast
  • Norbu Tsering old operamaster
    Key Cast
  • Sonam Phuntsok younger operamaster
    Key Cast
  • Project Title (Original Language):
    Opera som livskraft - Norbu Tsering, tibetansk operamästare i exil
  • Project Type:
    Documentary
  • Runtime:
    1 hour 1 minute 21 seconds
  • Completion Date:
    January 8, 2025
  • Production Budget:
    1,950,000 SEK
  • Country of Origin:
    Sweden
  • Country of Filming:
    India
  • Language:
    English
  • Shooting Format:
    DV HDV
  • Aspect Ratio:
    16:9
  • Film Color:
    Black & White and Color
  • First-time Filmmaker:
    Yes
  • Student Project:
    No
  • Night Culture-Film Festival
    Korpilombolo, village - Sweden
    Sweden
    north Sweden, 5.12 -24
    Official
  • Falun Existentiella FilmFestival
    Falun
    December 8, 2025
  • Balinali, International Filmfestival, Bali
    Sanur
    June 5, 2025
    Indonesien - internationell premiär
    utnämnd som en av de fem bästa dokumentärfilmerna
  • Dharamsala, Himalaya, Indien
    Dharamsala
    November 3, 2025
    Indien premiär
    Hedrad på den tibetanska opera TIPA
  • Stockholm, Sverige
    Stockholm
    September 6, 2025
    premiär i The Year of Compassion
    ingår i H.H. Dalai Lamas 90-års firande under året The Year of Compassion
  • Göteborg, Sverige
    Göteborg
    Sverige
    March 15, 2025
    Buddhistisk premiär
Distribution Information
  • Pema Thang - Media
    Distributor
    Country: Sweden
    Rights: All Rights
Director Biography - Gunilla Palo Nordlund

Presentation, Gunilla Palo Nordlund, 500924.

Utbildad skådespelerska och teaterpedagog - samt regissör i teater och film (under olika perioder) på Dramatiska Institutet och Sveriges Regissörer i Stockholm, Sverige.

Utöver det, studerat och filmat, sedan 2000-talet, i omgångar, både i Lhasa, Tibet och på Tibetan Institute of Performing Arts (TIPA) i Dharamsala, norra Indien.

Som teaterpedagog arbetade jag på Konst-Film- och fotoskolor, mottog det Stora Kulturstipendiet redan 1972 av Sundsvalls Stad för ett banbrytande teaterarbete inom missbruksvården. Sedan 1984 frilansat som teaterregissör och dramatiker i Sverige, Norge, Indien.

Tidigt intresserad av den samiska- och tibetanska kulturen, sammanfört artister från båda kulturerna i olika uppsättningar, event och konserter, bl.a på den samiska National Teatern Beavvias i Kautokeino, Nordnorge - och under kultur-huvudstadsåret 1998 i Stockholm, mfl.
Grundade mångfaldsensemblen Vox Pacis – Fredens Röst 2006 med artister från alla stora världsreligioner och några mindre, (bl.a. samiska och tibetanska) Vox har ett kontaktnät i 15 länder och på fyra kontinenter. Vi har turnerat i Asien, Afrika och Norden.
Innehar en fil.kand på Stockholms Universitet.
www.gunillapalonordlund.se

Add Director Biography
Director Statement

I made this film because I have always felt me very close to Tibet and Tibetan culture. I come from the North of Sweden, with a Sami culture, "Sami people and Tibetans are relatives", H.H. Dalai Lama has said.
It has been important for me to understand the situation of Tibet, and the situation to bee in exile. Whats happen with people who living in exile? Can opera help people to survive?
It has been important to learn more about the Tibetan Opera, because it was a period in my life when I was very tired of Western culture. I was looking for something else, and found in Tibetan culture elements which touched me deeply and gave me new energy. Hope it can give new energy, even to others