One Way to Paris
Meike was supposed to go to Paris.
Instead, she’s stuck in the Ardennes, forced into team-building games and "learning moments." When she fails to write a love letter to herself — an assignment meant to build confidence — she makes a deal with her best friend: let’s write them for each other. Meike opens her heart. Jill doesn’t write back.
The next morning, Meike is gone.
Now Jill must find her — before it’s too late.
"One Way to Paris" is a tense, tender coming-of-age story about the fear of rejection, the courage to be seen, and the wild, quiet love between friends.
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Kees-Jan MulderDirectorNUDES, Silent Tears, Dos Santos, Gods Lam
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Kees-Jan MulderWriterNUDES, SIlent Tears, Gods Lam
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Wicher SchuurmanWriterThe Devil's Avocado
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Robert PruisProducerNUDES
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Benjamin de VriesKey Cast
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David FavierKey Cast
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Davita BorgerKey Cast
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Elena MerkusKey Cast
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Elise van KolthoornKey Cast
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Julia FraanjeKey Cast
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Kirsten LoomanKey Cast
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Annemarie KoopmanKey Cast
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Victor LöwKey CastOscar winning films Antonia (1995), Karakter (1997)
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Anton de BiesKey CastDos Santos, Black Lotus, Rampvlucht
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Jeroen van ArkelKey CastOdysseus: Odysseus
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Jennifer PruisKey CastNUDES
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Gerbert FloorDirector of PhotographyNudes, The Devil's Avocado
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Gerrit Jan Ten HoveEditor
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Remco den HollanderMusicThe Devil's Avocado, Nudes, Silent Tears
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Wietse VeenSFX Artist
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Project Title (Original Language):Enkeltje Parijs
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Project Type:Short
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Genres:Teen drama, coming of age, LHBTQI, Road Movie
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Runtime:33 minutes 42 seconds
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Completion Date:May 13, 2025
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Production Budget:130,000 EUR
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Country of Origin:Netherlands
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Country of Filming:Belgium, France, Netherlands
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Language:Dutch
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Shooting Format:Digital 4K
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Digital Cinema Package:Unavailable
Kees-Jan Mulder studied Theology in Utrecht and Amsterdam before earning a cum laude distinction in Directing Fiction at the Utrecht Art Academy.
His graduation film, “Gods Lam” (2013), received the HKU Award, won the Youth Award at the ZUBROFFKA Film Festival, gained international recognition at various film festivals, and was exhibited in museums, including the MAXXI National Museum of 21st Century Arts in Rome.
With “Dos Santos” (2015), selected by the Dutch Academy for Film, Mulder once again explored the profound cost of complete surrender.
“Nudes” (2022) competed at the International Children's Film Festival in Chicago, premiered at Cinekid Amsterdam and was nominated for Best Film there, as well as for Best Director at Shortcutz. The film, which follows the disappearance of a group of boys, has been translated into four languages and is currently used in secondary schools across the Netherlands, Germany, Greece, the U.S., and Russia to spark discussions about sexting and online bullying.
In the satirical short “The Devil’s Avocado” (2023), featuring Ilse Warringa and Jan Terlouw, he played with absurdism and social themes, earning multiple festival awards.
Throughout his career, Mulder has created numerous films in Africa and Asia, seamlessly shifting between documentary-style filmmaking, fiction, and participatory video while experimenting with hybrid cinematic forms. Several of his found-footage video essays for Dag6 and Nieuwlicht gained significant popularity in the Netherlands.
With “Het Wonder van Oirsbeek” (2023, Thessaloniki Int. Doc Fest, winner of Best Film at LFF, co-directed with Jaap van Heusden) and the upcoming “Enkeltje Parijs” (2025), Mulder continues to push the boundaries of hybrid filmmaking. His work blends improvisation, found footage, and a sharp eye for social dynamics with fast and inventive editing.
One Way to Paris was created to confront the quiet, often invisible struggle of teenagers who measure their worth against others, and lose themselves in the process.
The film uses mystery as an emotional engine to draw young audiences into a deeper reflection on self-esteem, friendship, and the pressures that shape them.
At its core, it aims to give teenagers (and the adults around them) language for experiences they rarely articulate but deeply feel.