On The Line
Two working class best friends skip school to enjoy a day of luxury at a rich classmate's villa and end up facing life-changing choices between loyalty and ambition.
“With exceptional cinematography, sound design, and a well-executed narrative, ‘On The Line’ stands out as a bold, engaging exploration of the complexities of youth, loyalty, and class. Unmissable.” – Special Handpicked selection by Short Films Matter
Winner of Best Director award & Judges' Choice award - White Rose International Festival; Best Edited Short award - London Women Festival; Nominee at the Cinematography and Photography award.
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Emilia TegliaDirector#Hater
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Emilia TegliaWriter#Haters
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Andreea TudoseProducer
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Emilia TegliaProducer#Haters
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Moses AlexanderKey Cast"Kai"Sister Boniface mysteries; Casualty; Rave; All the same; Sliced; Rite of Passage; Jamal
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Annie TaylorKey Cast"Tia"
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Kai-Yan LaiDirector of PhotographyBeautiful Meadow; Skeleton; Wish you were gone; Re Teu: behind the music; Repeter
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Emilia TegliaEditor
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Project Type:Short
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Runtime:29 minutes 48 seconds
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Completion Date:January 3, 2025
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Production Budget:30 GBP
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Country of Origin:United Kingdom
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Country of Filming:United Kingdom
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Language:English
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Shooting Format:Digital
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
On The Line is Emilia's second short, still on the festival circuit and winner of Best Director & Judges' Choice award (the White rose International Festival) and Best edited film award (London Women Festival), nominated at the Cinematography and Photography award. Her third short, 900 Feet Up has just been completed. Her work is inspired by magical realism, owning to directors from her native Italy such as Lina Wertmuller and Roberto Benigni, and from her adoptive country, UK, Andreea Arnold, Ken Loach, as well as from the classic American cinema of Frank Capra and Spielberg. Since 2010, she has been Artistic Director of Odd Eyes Theatre, the company she founded after her experience of homelessness. Her ‘rag to riches’ experience as a young homeless woman informs her writing. Emilia’s coming-of-age stories explore, from a very female point of view, adventure, vulnerability, and the extraordinary encounters between parallel realities brushing past each other daily in our cities, unearthing the hidden thread that connects us all and the possibility of change sparked when ideas circulate. The Big Issue featured an article on her journey and named her in the Top 100 changemakers for her positive contribution to a better society through the arts. Emilia's work has built a strong following, especially in London, where her first short, #Haters, has been seen by over 10,000 people across non-traditional cinema venues since 2019. Her stage productions have featured at Camden People’s Theatre, the Pleasance Theatre, and New Diorama Theatre, regularly playing to sold-out audiences.
On The Line was born from the real experiences of a group of young people from Camden, London, in particular two young women, Cheyanne Thompson and Emily Johnstone, and their friends from Action Youth Boxing Intervention. After watching my first short, #Haters (also based on real events), they devised scenes and shared experiences of growing up bright but poor, with the painful awareness of starting life on the backfoot. The dialogue is taken verbatim from their slang, bursts with their humour, their insecurities, their cultural and musical references. It brings you intimately into their world, uncovering the real individuals behind the statistics, with their complexities and deep believe in the vital role of friendship, their conflicted relationship with their families and the pull between loyalty and aspiration.
Adapting the play for screen was a very long process. I knew a film longer than 15 minutes would prove hard to sell on the festival circuit. For nearly one year I drafted and redrafted, yet the re-shapes would inevitably compromise the original ending, which was essential to honour the young storytellers. In the end, I had to settle for truth over product marketability. Their fun yet challenging tale needed to be told as it was—full of naivety, tenderness, and resilience—to deliver a message of hope to us all.