Experiencing Interruptions?


‘Sound effects and the atmospherics are great’

‘I love how this builds and surprises you. I think the rhyming works really well in this way, part of the game. I like imagining Rufus with a gun, wearing a balaclava, parking, etc. And the mixture of humour, darkness, and tension’

‘This is brilliant to listen to, I chuckled my way through it and really related to the tension in the 3-way marriage’

‘Darkness and comic light touch – that space in between the light and the shade in the piece was wonderful’

‘Dogs have two faces- one is a chilled look and the other wants to intimidate, has a whole different face. You have to be careful with dogs even little dogs, they are two characters.’

'When poetry first started just thought you were narrating your life then the dog comes in and doing something quite funny but quite scary - and the visual make it more eerie, that contrast, showing the drawings first which paint a picture and then the dog all of a sudden starts killing people - everything gets torn apart - it starts off all casual and chilled out - is the dog you, we don’t know! - in Rufus’s pupils could be skulls! '

‘Horror has always been queer...it’s just not how it’s been positioned or marketed necessarily’ Anna Bogutskaya

‘So gruesome!”

‘Brilliantly creepy!


‘Well and truly horrific!

‘Glad my dog isn’t in the room to overhear any ideas!

‘So sickly nice but really horrible!!’

‘This has everything written into it; A dog, a bit of Hitchcock's Psycho, a lot of blood, some witnesses, traces of hair and the print of a paw.’

‘Obsessive, funny, and wacky’

‘That was just magical. Dark, and magical’

‘Spoken word nightmare fuel!’

‘Hilarious! My dog loved it. He had his notebook out.’

‘Rufus drawings engulfing you’

‘Love the fantasy element albeit very unnerving when you place yourself as the criminal’

‘The lo fi makes it more disturbing to me …really goes with suburban psychodrama element’

‘The idea of being strangled with a dog lead’

‘Wearing the costume makes the crime more real, you become anonymous and able to act out your fantasies’

‘Having a script but not always sticking to it says a lot about our attempts to jump into prescriptive identities/narratives’

SUMMARY: Imagine Alfred Hitchcock’s Psycho meets Roald Dahl’s Revolting Rhymes. This film is about me almost sharing my partner Alex with Rufus the dog we often dog-sit whenever Rufus is around with him dominating and me battling Rufus by me becoming him by me dressing up in a dog costume!

In 2021, I released a short film in the vein of a horror which explores control in gay male relationships called Mugged: Revenge Served Cold. Through its playfulness and dark humour, the film provokes the audience to ask: Who controls who and who is the killer? Rufus the dog? This previous work about me, my partner Alex and Rufus, the dog we dog-sit, Rufus intrudes somehow in our relationship but was light-hearted.

Imagine Alfred Hitchcock’s Psycho meets Roald Dahl’s Revolting Rhymes... The Perfect Crime: Queering the Queer Whodunnit is a lo-fi suburban psychodrama that develops the narrative of ‘Mugged’ into something much more sinister with a new set of imagery. And when performed via Zoom appearing projected on my body - an embodiment of the crime! This imagery appears like artefacts, or evidence from a court case. It relays my experience of me almost sharing Alex with Rufus whenever he is around with Rufus dominating and me battling this creature by me becoming him by me dressing up in a dog costume, ultimately leading to a crescendo that is totally captivating. The poem starts with me and Alex and Rufus on a day out (I’m a bit jealous of the dog because Alex loves him) and then I morph, I become Rufus, I become my enemy! The viewer can’t see my eyes when I perform the poem live via Zoom as I crop the shot just under my eyes but you see my eyes throughout hovering over the centre of the screen – spine-chillingly creepy!

In its current work-in-progress form, the poem is humorous in tone and uses end of sentence rhyming couplets for poise and wit and dramatic effect when performed are their sugariness becomes increasingly demonic… the idea of being strangled with a dog lead. The poem is indeed written for performance; the listeners gets a whole extra dimension hearing me read it, somehow both more soothing and more unsettling as the story veers bit by bit into more ominous and surreal territory as an examination of the uptightness of suburbia and the dark underbelly of suburban life. On the one hand the story feels inspired by BDSM puppy play with the leather fetish kink scene then on the other has the feel of a childhood story book.
It includes me writing in the first person where its listener gets a sense of my emotions and personal feelings around a particular situation that I have with Alex and Rufus interlaced with references in TV soaps, TV murder mysteries and old well-known films; nothing too highbrow but the listener gets an insight into the psychological aspect of a murderer.

At times, the poem adopts a style of writing akin to a factual police report written in the past tense to provide narration to a series of events where the listener is unsure who is the criminal protagonist. Me being influenced by how artist Chris Burden often recalled his very dangerous live performances using a police report style of writing, this writing-up style in the poem extends how I wrote up my own performance artworks as police reports as part of my PhD dissertation in 2016. Parts of the poem are based on actual happenings. It is the audience’s job to untangle fiction from fact. Could it really be possible that, quoting a section of my poem-in-progress, ‘11:02PM On CCTV, a car was caught speeding down the A23. A witness told police, although seen from afar, they spotted a dog at the wheel of the car’?

  • Lee Campbell
  • Project Type:
    Experimental, Short
  • Runtime:
    14 minutes
  • Completion Date:
    October 1, 2022
  • Country of Origin:
    United Kingdom
  • Film Color:
  • First-time Filmmaker:
  • Student Project:
  • LATEST VISIONS: Northern Visions and Latest TV

    October 31, 2021
  • The Good Dog! International Film Festival, Australia

    February 20, 2022
    Honorable Mention
    United States
    June 26, 2022
  • Absurd Art House Film Festival 2022

    United Kingdom
    July 9, 2022

    United Kingdom
    October 28, 2022
    Official Selection
  • Lynchian: A Walk With Me Productions Online Festival

    February 24, 2023
    Official selection
Director Biography - Lee Campbell

Dr Lee Campbell is an artist, performance poet, experimental filmmaker, writer, Senior Lecturer at University of the Arts London (UAL) and curator/founder of Homo Humour, the first of its kind project on contemporary queer male film and moving image practices that explore humour and LGBTQ+ storytelling and has screened all over the world since 2020. His experimental performance poetry films have been selected for many international film festivals since 2019. 
Recent selected film accolades in 2024 include ‘Periscope’, ‘Proper Shave’ and ‘Press Eject’ nominated for Best Experimental Film for ‘Periscope’, Fisheye Film Festival, Bucks, U.K. In 2023, ‘ Michael in the Mountains’ was Nominee for Best Experimental Short at Appalachian Queer Film Festival, Huntington, West Virginia, USA, ‘Rufus’ and ‘Slang Bang’ were selected as Finalists at the Iris Prize LGBTQ+ Film Festival, Cardiff, Wales.,‘Bears with Bananas and Bubbles in Their Boxers’ was a Finalist in The Artists Spoken Word Competition, NYC, USA and 'Rufus' won Best Animated Short at The Rooster Film Festival, Portland, USA. His film SEE ME: A Walk Through London’s Gay Soho 1994 and 2020 (2021) has won numerous accolades including winning Best Experimental Film at Ealing Film Festival, London 2022, shortlisted for BEST POETRY FILM at the Out-Spoken Poetry Prize 2023, Southbank Centre, London and receiving Honorable Mentions at Los Angeles Underground Film Forum and Experimental Forum, Los Angeles both in 2023. Other film accolades include his films ‘Periscope’ and ‘Apple of my Eye’ (2022 version) as finalist in the Deanna Tulley Multimedia Prize 2022 and 2023 and an Honorable Mention for 'Let Rip: Teenage Scrapbook' at REELPOETRY INTERNATIONAL FESTIVAL 2023, Houston, Texas, USA and for 'Juniper Park' at Experimental Forum, Los Angeles in 2023.
Lee had his first solo exhibition in North America of his poetry films, See Me: Performance Poetry Films at Fountain Street, Boston, Massachusetts, U.S.A in July 2022 and a solo exhibition of poetry film, Bona Polari! at The Margate School, Margate and Wimbledon College of Arts Library, UAL in February 2022. In September 2023, a solo retrospective of Lee’s recent film work SEE ME: Lee Campbell Recent Poetry Film Works was held at Raum für Kunst, Paderborn, Germany.
Forthcoming and recent screenings include Cauldron International Film and Video Festival, Salt Lake City, USA, Festival ECRÃ, Rio de Janeiro, Brazil, MicroActs 18, London, Queer Visions, Vienna, Post Pxrn Film Festival, Warsaw, Porn sur Mars, Marseilles, France, Brecon Beacons Film Festival, Brecon, Wales, Fisheye Film Festival, High Wycombe, PFF Vienna 2024, Austria, Terrible Fest Toronto, Toronto, Canada, Kino Short Film Open Mic, London, FetFilms, Stockholm, Deanna Tulley Multimedia Prize 2023, NSFW Film Festival, Los Angeles, USA, Iris Prize LGBTQ+ Film Festival, Cardiff, Wales, Queer Shorts Vienna, PORN Film Festival, Barcelona, Persian Experimental Film Festival, Gay Binge Film Festival, Gay Binge TV, Homography/Homografia, Brussels, Festival Fotogenia, Mexico, Kinoclub Goes Sompasauna, Helsinki, Finland, Wal Goch Football Film Festival, Cardiff, Wales , Failed Films Festival, Media Pollution, Los Angeles, USA, The Artists Spoken Word Competition, NYC, USA, Appalachian Queer Film Festival, Huntington, West Virginia, USA, Filmfest Paderborn, Paderborn, Germany,  Squish Movie Camp, Rotterdam, Post Pxrn Film Festival, Warsaw, The West Virginia Mountaineer Short Film Festival, Morgantown, USA, Hacker Porn Film Festival, Italy, Brighton Rocks International Film Festival, Brighton, Hastings Rocks International Film Festival, Printworks, Hastings, New York City Independent Film Festival  New York, TEASR Film Festival, Tucson, USA, The Rooster Film Festival, Portland, Oregon, USA, Lynchian Film Festival, Global Fest, Kino Club Helsinki with global Impro ensemble from The Sibelius Academy, University of the Arts Helsinki, Musiikkitalo Finland, Deanna Tulley Multimedia Prize 2022,Down East Flick Fest, North Carolina, USA, PFFB Porn Film Festival Berlin, Berlin, WIPE Film Festival, Berlin, Iris Prize LGBTQ+ Film Festival, Cardiff, Wales, Ealing Film Festival, London, Monologues and Poetry International Film Festival, CINEM’aMOSTr, Teatro Municipal de Vila do Conde, Porto, Portugal, VIDEOAKTION #3, Raum für drastische Maßnahmenm, Berlin, SECS FEST, Seattle, USA, Hombres Video Poetry Award (Finalist) for ‘SEE ME’, SlamContemporary, Italy, (de)construction,, Kino Club Helsinki, Finland, SF Queer Film Festival, San Francisco, CA, USA, Failed Films Season 5,Los Angeles, U.S.A, Feminist Border Arts Film Festival, New Mexico State University, U.S.A,TRANÅS AT THE FRINGE - International Screening of Experimental Films and Videopoems, Sweden, Post Pxrn Film Festival, Warsaw, Living with Buildings II, Coventry, REELpoetry/HoustonTX 2022 International Poetry Film Festival, The Football Art Prize, UK-touring exhibition to Touchstones Rochdale, Millennium Gallery, Sheffield and Sunderland Museum & Winter Gardens,NFSW Film Festival, Los Angeles, USA,Miami Performance International Festival, EdgeZones, Miami, FilmPride Brighton & Hove Pride's official LGBTQ+ film festival, Brighton, UK, Festival ECRÃ Edition 5, Rio de Janeiro, Brazil, Wicked Queer Film Festival, Boston, USA, Fisheye Film Festival, UK, Southampton Film Week, UK, The Gateway Film Festival, UK, STATES OF DESIRE: Tom of Finland in the Queer Imagination, Casa de Duende, Philadelphia, USA. Darkroom Film Festival, Deptford Cinema, London, The Gilbert Baker Film Festival, USA, HOMOGRAFÍA/HOMOGRAPHY, Brussels. Visions 2020 selected by Hetain Patel, The Nunnery, Bow Arts Trust, London, Porn Film Festival Vienna, Satyrs and Maenads: the Athens Porn Film Festival, SPLICE Film Festival, OUTStream Film Festival and Queerbee LGBT Film Festival. 

Lee has been interviewed numerously about his current film/performance work including interviews on BBC Radio Ulster with WIlliam Crawley, BBC Radio Sussex and Surrey with Kathy Caton for Out with Kathy, KMTV (local Kent-based TV station) interview feature about Bona Polari! solo exhibition, interview with Jane Glennie, Moving Poems Magazine in July 2022, Daniel Hess for To Tony Productions, Tim Kirk, Matt Skallerud for I Love Gay Today/PinkMedia LGBT, Hamish Downie’s Five Questions With – Lee Campbell (March 2021) BBC Radio Kent- Interview with Dominic King for The Dominic King Show January 2021. His film work has received critical acclaim with recent review features of his film work by Francesca de Luca in Cut Frame Magazine and James Clark in Lost Creatives. In 2008, he was interviewed by Libby Purves for BBC Radio 4 where he discussed his solo performance for Whitstable Biennale that year. 
Lee’s poetry has received critical acclaim and was mentioned in a Summer 2022 edition of London’s Islington Tribune. His poem ‘Clever at Seeing without being Seen’ was recorded for Sometimes, The Revolution is Small, Disarm Hate x Poetry project by Nymphs & Thugs Recording Co. UK.Publications of his poetry include Hakara: A Bi-Lingual Journal of Creative Expression, The Atticus Review, Ink, Sweat and Tears, Untitled. Voices, Gob Jaw Anthology 2019-2022, Issue Two: Wasteland, Powders Press, Issue One: First Times, Powders Press, Otherwise, You Are Here - The Journal of Creative Geography, Queerlings – A Literary Magazine for Queer Writing, New Note Poetry, Streetcake Experimental Writing Magazine, The New Normal and Step Away Magazine. is first chapbook ‘Slang Bang’ will be published by Back Room Poetry in November 2024 and debut poetry collection ’See Me: An (Almost) Autobiography’ is forthcoming with London Poetry Books.


2024 Nominee for Best Experimental Film for ‘Periscope’, Fisheye Film Festival, Bucks, U.K
2024 Nominee for Best Experimental Film for ‘Proper Shave’, Fisheye Film Festival, Bucks, U.K
2024 Nominee for Best Experimental Film for ‘Press Eject’, Fisheye Film Festival, Bucks, U.K
2023 Finalist for ‘Periscope’, Deanna Tulley Multimedia Prize 2023
2023 Nominee for Best Experimental Short for Michael in the Mountains’, Appalachian Queer Film Festival, Huntington, West Virginia, USA
2023 Finalist for ‘Slang Bang’ and ‘Rufus’, Iris Prize LGBTQ+ Film Festival, Cardiff, Wales
2023 Finalist for ‘Bears with Bananas and Bubbles in Their Boxers’ The Artists Spoken Word Competition, NYC, USA
2023 WINNER of Best Micro Short for 'The Colour of His Eyes', Under Appreciated Film Festival 2023
2023 Semi-Finalist for 'Head Boy', Neum Underwater Film Festival, Neum, Bosnia
2023 Honorable Mention for 'SEE ME', Los Angeles Underground Film Forum, Los Angeles, USA  
2023 Honorable Mention for 'SEE ME' and 'Juniper Park', Experimental Forum, Los Angeles
2023 Shortlisted for BEST POETRY FILM for ‘SEE ME’, Out-Spoken Poetry Prize 2023, Southbank Centre, London
2023 WINNER of BEST ANIMATED SHORT for ‘Rufus’ at The Rooster Film Festival, Portland, USA
2023 Honorable Mention for 'Let Rip: Teenage Scrapbook' at REELPOETRY INTERNATIONAL FESTIVAL 2023 Houston, Texas, USA
2022 WINNER of BEST EXPERIMENTAL FILM for ‘SEE ME’, Ealing Film Festival, London
2022 Finalist for ‘Apple of My Eye’, Deanna Tulley Multimedia Prize 2022
2022 Finalist for ‘See Shells’, Drumshanbo Written Word Weekend Poetry Film Competition, Drumshanbo, Ireland
2022 Juan Downey International Contest (Finalist), Chile 
2022 Hombres Video Poetry Award (Finalist) for ‘SEE ME’, SlamContemporary, Italy  
2022 Finalist for ‘Rufus’, MicroMania Film Festival 2022, Buffalo, NY, USA
2022 Finalist for ‘The Perfect Crime: A Doggy Whodunnit’, Absurd Art House Film Festival 2022
2022 Finalist for ‘Reclaiming my Voice’, Vesuvius International Film Festival
2022 Honorable Special Mention Award, Athens International Monthly Art Film Festival
2021 Best Psychedelic Fantasy film winner for 'See Me' (2020), Retro Avant Garde Film Festival NYC 
2021 Semi-Finalist, Serbest International Film Festival 2021
2021 Honorable Mention, Splice Film Festival, New York
2021 Nominee for Best Original Concept and Best Atmosphere Independent Horror Movie Awards 2021
2021 Honorable Mention Award for 'See Me' (2020), Screener Short Films  
2021 Best Kent Film nominee for ‘Peer’ (2020), Margate Bookie Film Festival
2021 Honorable Special Mention Award, Athens International Monthly Art Film Festival
2020 Semi-Finalist (3rd place winner), Splice Film Festival, New York
2019 Special Mention Award, London-Worldwide Comedy Short Film Festival

Add Director Biography
Director Statement

‘Campbell’s work oscillates between memory and everyday life, as well as between private, public and pop-cultural history.’ Curator Alexander Schultz speaking about my exhibition SEE ME, Raum fur Kunst ,Paderborn, September 2023

My work broadly explores vision, visuality, and the politics of seeing and not seeing and has a long historied body of practice since 2000. As both the writer, director and performer within the experimental films and poetry performances I create, I view my practice as me performing an autoethnography; using these media forms and the chosen themes within their narratives to help me self-reflect and (better) understand myself in relation to acts of looking, seeing and being seen and the difficulty in terms of not seeing/not being seen and my own subjectivity and experiences as British, working class, male, and gay. Themes of masculinity and desire underpin many aspects of my work.
Comedy historically comes from a queer identity defence, when it was harder to be gay in public, to be funny like Kenneth Williams who used gay slang known as Polari to communicate with other gay men covertly. Extending these ideas, underpinning my work are the mechanisms of comedy and humour to create a form of autoethnographic storytelling that subverts and challenges through a sophisticated usage of camp, innuendo and double-entendres to speak of personal narratives often raw, often painful but always generous and authentic.
Applied humour as a tactic to subvert and challenge a issues of homosexual identity and representation in relation to themes addressing seeing/not seeing etc. My practice presents a personal archaeology and revolves around my own autobiographical perspective, using the mechanisms of comedy and humour to engage, disarm, and highlight the gay male subcultural milieu which needs critique as it creates such stereotypes.
With a background in Painting and then Performance Art, my current artist moving image film practice brings together personal drawing, painting, photography and performance. Collage has become a major tool in this recent film practice, reinvigorating paintings and drawings that I produced nearly twenty years ago which are juxtaposed throughout my films with current photographic and performance for camera work. These films are often made with reusing / repurposing personal archival material and sound and moving image recordings. Things insist, in a spiral, nothing’s wasted. In my current practice, I use all my capacities, from theatre to drawing to painting to language to the comic to the affective to the relational, to painting and performance and film. Excavating (fine art) work I made long ago and resuscitating it, I bring it back to life through the medium of film and moving image. Integrating my fine artwork into my film work, my films create an arresting palimpsest effect by recycling pieces from previous bodies of work and placing them within my current context to see how their meanings may now differ from when they were first conceived. Whilst what is presented through my films can be read as one person’s (my) narrative, so too can it easily be read as lots of different voices layered to talk about wider levels of experience with various references to cultural context that (any)one can relate to.