Experiencing Interruptions?

Nobody for everyone

When Eduardo tells Irma that Juan does not exist, it all seems like a simple misunderstanding. But then Juan insists that Irma is not real, and Irma claims that Eduardo does not exist either. In this psychological thriller, each character calls another’s existence into question, pulling the story into a fractured reality where no one can be sure who is telling the truth.

  • José Luis Elvira Valenzuela
    Director
  • José Luis Elvira Valenzuela
    Writer
  • José Luis Elvira Valenzuela
    Producer
  • Eva Adriana Silva
    Key Cast
    "Irma"
  • Jaime González Briones
    Key Cast
    "Juan"
  • José Luis Elvira Valenzuela
    Key Cast
    "Eduardo"
  • Project Title (Original Language):
    Nadie para todos
  • Project Type:
    Short
  • Runtime:
    6 minutes 19 seconds
  • Completion Date:
    April 7, 2026
  • Country of Origin:
    Mexico
  • Country of Filming:
    Mexico
  • Language:
    Spanish
  • Shooting Format:
    Digital
  • Aspect Ratio:
    2.35:1
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Digital Cinema Package:
    Unavailable
Director Biography - José Luis Elvira Valenzuela

José Luis Elvira is a university professor and technology communicator based in Guadalajara, Mexico. He teaches computer science and engineering courses at ITESO, specializing in operating systems, cloud architecture and programming. In addition to his academic work, he creates weekly technology segments for Quiero TV and hosts the podcast Click para Escuchar, where he shares insights on innovation, digital culture, and emerging tech.

He is known for his practical teaching style, his ability to explain complex concepts clearly, and his passion for helping students build real-world skills. Outside the classroom and studio, José Luis is currently exploring the art of filmmaking and enjoys learning how to shoot and produce short films.

Add Director Biography
Director Statement

Nobody for Everyone was born from my interest in uncertainty, memory, and the fragile way we define the people around us. I wanted to tell a story in which reality does not break all at once, but slowly, through conversation, contradiction, and emotional tension.

What interested me most was the idea that each character could deny the existence of another, creating a chain of doubt in which no one feels completely real or completely safe. In that sense, the film is not only about mystery, but also about absence, loneliness, and the need to be recognized by someone else in order to feel that we exist.

My intention was to create a psychological thriller that feels intimate and unsettling, where the conflict is built less through action and more through perception, silence, and the instability of human connection. Rather than offering clear answers, I wanted the film to leave the audience with a lingering question: if reality depends on who sees us, what happens when no one agrees on who is truly there?