No Vernacular!
Step into the fascinating world of education in Ghana, where people speak an incredible 84 languages! How do African teachers manage to teach with so many languages? Let's dive into how Ghana ended up with two language policies and why we switched back and forth. Join me on a journey to explore the lives of amazing teachers in the past and the present who play big roles in Ghana's language adventure.
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Mama Adobea Nii-OwooDirector
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Mama Adobea Nii-OwooWriter
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Mama Adobea Nii-OwooProducer
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Mama Adobea Nii-OwooKey Cast
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Janet AffulKey Cast
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Richard AttohKey Cast
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Sheila NarteyKey Cast
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Beatrice SapporKey Cast
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Louisa OkangKey Cast
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Kwesi PrahKey Cast
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Project Title (Original Language):English
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Project Type:Documentary, Short, Student, Web / New Media
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Genres:Educational, Historical, Research, Multilingual
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Runtime:30 minutes 29 seconds
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Completion Date:October 30, 2024
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Production Budget:5,000 USD
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Country of Origin:Canada
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Country of Filming:Ghana
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Language:English
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:Yes - University of Toronto- Ontario Institute of Studies in Education
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Digital Cinema Package:Unavailable
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International Black and Diversity Film Festival, TorontoAjax, Ontario
Canada
March 31, 2025
North American Premiere
Official Selection -
Toronto International Women's Film FestivalToronto
Canada
January 26, 2025
Seasonal Competiton
Nominee -
Lift off Global Sessions
Mama Adobea Nii Owoo is a Postdoctoral Researcher at McGill University and a budding filmmaker. No Vernacular is her first research film, born out of her work with Ghanaian teachers during her PhD journey at the University of Toronto’s Ontario Institute for Studies in Education. In it, she showcases her commitment to making the unique sociolinguistic challenges of Global South people and education systems known and understood. A self-taught filmmaker, Mama draws deep inspiration from her father's work in film and her innate curiosity about the untold stories that people carry with them every day. Mama uses film as a way of weaving narratives that resonate outside of academic circles in order to provoke critical thought about how to make education transformational