Néo Kósmo - The New World
Next future. People no longer communicate, except within a virtual reality called Néo Kósmo. This 'parallel' world can only be accessed by connecting through virtual reality helmets. In a bourgeois family composed of father, mother and two teenage children, a real process of dissociation from reality is taking place. Parents and children they spend whole days on the New World: they work, study, meet up. Absolute silence reigns in the house. Alésia, the family's android-atmosphere, realizing that the process of social drift is irreversible, is intent on protecting the family's youngest child, not yet initiated into the new dimension.
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Adelmo ToglianiDirectorThe Flying Man, The Human Machine, Dagli Occhi Dell'Amore
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Adelmo ToglianiWriterThe Flying Man, The Human Machine, Dagli Occhi Dell'Amore
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Laura BerettaProducerThe Flying Man, The Human Machine, The Hobby
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Giorgia SurinaKey Cast"Alésia"Una talpa al bioparco, Somewhere, Lezioni di cioccolato 2
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Giorgio ConsoliKey Cast"Chris"La sabbia negli occhi, Classe Z, Rudy Valentino
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Kateryna KorchynskaKey Cast"Tea"Die In One Day, The Wicked Gift, The Reaping
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Stefano TramacereDirector of PhotographyL'Hobby, Natale a Roccaraso, Boogey-woogie
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Enrico MorezziMusic composerThe Human Machine
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Simonetta AntonucciCostume designerL'Uomo Volante, Interno giorno, Oggi gira così, Ferrari
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Project Title (Original Language):Néo Kósmo - Nuovo Mondo
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Project Type:Short
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Genres:Sci-fi, Drama
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Runtime:19 minutes
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Production Budget:80,000 EUR
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Country of Origin:Italy
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Country of Filming:Italy
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Language:Italian
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Shooting Format:Digital
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Aspect Ratio:2.39
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Alice Nella Città - Festa del Cinema di RomaRome
Italy
October 20, 2020
World Premiere -
Trieste Science+Fiction FestivalTrieste
Italy
October 29, 2020
Official Selection -
CRoFFIRome
Italy
October 26, 2020
Best Short film Prize Award -
Visioni Corte International Short Film FestivalGaeta
Italy
December 10, 2020
Jury Prize Award
Distribution Information
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Prem1ere FilmDistributorCountry: WorldwideRights: All Rights
Italian actor, director and screenwriter, he participates as an actor in many successful dramas such as Un Medico in Famiglia, Marcinelle, Il Signore della Truffa and the series for RaiUno Un Matrimonio directed by Pupi Avati, and films for the cinema such as Naja, Boris and Casanova by Oscar-winning Lasse Hallstrom. As a director he trained in theatre and later in the audiovisual field at IED, thanks to a scholarship in video design. He collaborates as director with UNICEF Italia, RCS Mediagroup, RAI and Publispei. He is the author of Sweet India, the first multi-ethnic sit-com for Rai2. His first book, "Io, Clarence" from which the homonymous theatrical comedy is derived, was published in 2012. In 2014, thanks to the contribution of MiBACT, he produced L'Uomo Volante and won numerous national and international awards, including the Audience Award at the Beijing Film Academy's ISFVF. The short film is presented at the Venice Film Festival 72. Since 2015 he has staged an adaptation in the form of a reading from the book Ready Player One by Ernst Cline. In 2016 he and Simone Siragusano directed the short film La Macchina Umana with Valentina Corti as the protagonist, presented at the XII Rome Film Festival in the section Risonanze and in the official selection of the Trieste Science+Fiction Festival. In 2017 he is the male protagonist of the film La Sabbia negli Occhi always next to Valentina Corti and returns again behind the camera with the short film Ciao, Nina, directing the American actress Katherine Kelly Lang. Both films are presented at the 74th Venice Film Festival.
In 2018, the preparation of "I'm Achille Togliani and I wanted to be an actor", the documentary about the famous Italian actor and singer, begins. Néo Kósmo is his latest work. Retrogamer employee calls himself asynchronous and naive but certainly 'nerd'.
In a dystopic future, Néo Kósmo is the virtual reality to which an ordinary family connects every day. In the future that I have imagined is where we will all consume our lives made of work, study and free time.
The generation of smartphones totally involute in just twenty years will certainly not physically inhabit Mars, but will have been able to create in VR that fantasy world and make it accessible to everyone.
In a planet made up of people who even inside the house no longer communicate, living a parallel life wearing a VR helmet, it will be a nanny-bot that will make us understand what remains of human empathy. Man is so taken by the virtualization of himself that he has forgotten what his role in the world is, and robots are the first judges aware that a world without 'contact' has nothing to do with a humanity made of flesh and bones.
The film, however, does not talk about rebellious robots that destroy everything in sight, here there is no project of conquest, but only the prodromes of a silent revolution. Where the spaces in the real world are freed, the machines fit in: the replacement robots raise children, take care of the elderly, social and welfare services, drive public transport, are at the counter of banks and offices.
Despite this, robots have no intention to replace man, they simply want to be an instrument in his hands, but as the scientist Frank Fenner said "The human being as we know him is destined to become extinct". In this scenario men and machines are at a crossroad...