Mirrors
An experimental short film that portrays a destructive relationship for those that have been hurt. A memory of love, and things that come with being in love – trust, obsession, regret, emptiness and its repetition
“Until I finally look back and see myself in you”
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Kylie ParkDirector
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Kylie ParkWriter
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Chaerin KimProducer
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Doah KimAssistant Directors
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Chaerin KimAssistant Directors
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Sunah ShimKey Cast
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Trey NohKey Cast
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Kylie ParkCinematographer
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Hyunjoon LeeAssistant Camera
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Hyungbin KimDrone Operator
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Yunha Park (Yohna)Composer
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Yeram YoonBoom Operator
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Seung Young KangCostume Designer / Stylist
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River KimProduction Assistants
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Sung Eun leeProduction Assistants
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Kylie ParkEditor
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Sunah ShimNarrator
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Trey NohChoreographers
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Sunah ShimChoreographers
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Sangmin YuSpecial Thanks to
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Chris HanSpecial Thanks to
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Sang A KimSpecial Thanks to
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Geunsup ParkProduction Support
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Sang A KimProduction Support
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Project Type:Experimental, Short, Student, Other
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Genres:Experimental, Essay, Romance, Short, Performance
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Runtime:8 minutes 45 seconds
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Completion Date:January 11, 2021
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Production Budget:2,000 USD
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Country of Origin:South Korea
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Country of Filming:South Korea
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Language:English
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Shooting Format:Digital
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Aspect Ratio:16:9, 2.35:1
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Film Color:Color
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First-time Filmmaker:No
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Student Project:Yes - SAIC
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Digital Cinema Package:Unavailable
Kylie Heewon Park (b. 1996, Seoul) is a filmmaker and multimedia artist based in Seoul and Chicago. She has explored herself through a wide range of media including painting, photography, video, installation, writing, performance, and sculpture. Currently, Park is most interested in non-linear experimental narratives, and video art.
I never felt comfortable articulating my thoughts with words. Film has been another language and an exit that speak my mind.
Some moments are beyond description. Film is a powerful medium because it stimulates all of our senses. A lot of elements can be incorporated into a film: space, movement, time, sound, texture, and etc. Film certainly has helped me to understand better about myself and the people, and the world around me. When I create a film, I don’t consider the medium merely as the medium itself, but rather a light, a space, a movement, a touch, a sight, and a sound.
I observe the thoughts and emotions which are often contradictory to each other that constantly collide between the past and present. I'm most inspired by the feelings and afterimages derived from the discrepancy in human desire.