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Marigold: The Tale of God's Flower

Marigold: The Tale of God's Flower
In a quiet village, an aging, impoverished farmer nurtures marigolds on a small patch of his land, hoping the harvest will sustain him for months to come. With sacks full of vibrant blooms, he ventures into the local market—only to face rejection. The marigold, he’s told, is a flower of death, tied to ancient Tamil customs. As buyers turn him away, he is left heartbroken and desperate, trying to sell his flowers for next to nothing. Eventually, defeated, he abandons the sacks near a market waste bin and walks away.

But the marigold’s journey doesn’t end there. The discarded flowers are picked up, dried, and transformed into incense sticks—rising later as sacred smoke in prayer rituals, reaching the very God he once hoped to serve.

Moral: If a flower is destined to reach God, even when discarded, it will find its way.
Soul: No matter our color, caste, or circumstance—we are all human, and destined to be only that: human.

  • Vivek G
    Director
  • Vivek G
    Writer
  • Vivek G
    Producer
  • Palanivel K
    Key Cast
    "Palanivel"
  • Sabarish Selvaraj
    Key Cast
    Mani
  • Kalaiselvi D
    supporting actors
    Kalaiselvi
  • Nagaraj GT
    Supporrting Actors
    Nagu
  • Vivek G
    Cinematography
  • Jones Rupert MS
    Music Director
  • Prathap s
    Edit
  • Rajupaul
    Sound Effects
  • Kalakad
    Sound Effects
  • Basheer A
    Dubbing Engineer
  • Rajkumar N.V
    Foley Recordist & Editor
  • Arun Pandian A
    Foley Recordist
  • Sulthan Ibrahim
    Foley Artist
  • Jagadeesh
    Foley Artist
  • Kadar Basha
    Foley Assistant
  • Vinoth I Raja
    Co-Cinematography
  • Jones Rupert M S
    Sound Mix
  • Akash Antony A
    Poster Design
  • Pandiyarajan R
    Title Design
  • Vinothees A
    Subtitles
  • Vivek G
    Story
  • Vivek G
    Screenplay
  • Vivek G
    Dialouges
  • Project Type:
    Short
  • Genres:
    Emotional, Drama
  • Runtime:
    15 minutes 32 seconds
  • Completion Date:
    May 9, 2025
  • Production Budget:
    650 USD
  • Country of Origin:
    India
  • Country of Filming:
    India
  • Language:
    Tamil
  • Shooting Format:
    Digital
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Digital Cinema Package:
    Unavailable
  • Daddy Deshmukh Film Festival,Akola, Maharashtra
    India
    December 28, 2025
    North Indian Premiere
    Best Short Film
  • Wilmington International Film Festival 1007 N. Orange Street Wilmington, DE 19801
    United States
    October 10, 2025
    World Premiere
    Official Selection
  • Hyderabad International Short Film Festival(HISFF),Hyderabad, Telangana
    India
    December 20, 2025
    Indian Premiere
    Official Selection
  • Ooty Short Film Festival,Ooty, The Nilgiris, TN
    India
    December 28, 2025
    South Indian Premiere
    Official Selection
Director Biography - Vivek G

Vivek – Filmmaker
Vivek is an emerging filmmaker and experienced first assistant director with a career spanning over six years in the Tamil film industry. He has played a key role in the creation of the feature film Mayan.

Beyond his work as an assistant director, Vivek has established himself as a director of award-winning short films. His short Pen Parkum Padalam received accolades for Best Short Film and Best Cinematography at multiple film festivals.

Continuing his creative journey, Vivek recently directed Marigold: The Tale of God's Flower, marking a significant milestone in his filmmaking career.

Add Director Biography
Director Statement

Marigold: The Tale of God's Flower is a story about transformation—both literal and symbolic. At its surface, it follows the quiet struggle of a poor farmer whose livelihood is dismissed by the weight of cultural perceptions. Beneath that, it is an exploration of how objects—and by extension, people—carry meanings imposed by society, meanings that can shift in unexpected ways.

I want to capture the raw textures of rural life, the stillness of a man’s hope, and the silent violence of rejection. The marigold, considered here as a "flower of death," becomes a powerful metaphor: what the world discards as unwanted can still find purpose and sanctity. The transition from the bustling market streets to the meditative image of incense smoke rising in prayer is not just a narrative arc but an emotional one—from despair to unintended grace.

This film is not about loud heroics. It’s about the invisible lives on the margins, the cultural layers that shape our choices, and the beauty that can emerge from neglect. I want the audience to leave questioning how value is defined and where redemption can be found—even in what we throw away.