Lucy Palustris: The Dinner Party
“I love him who works and invents to build a house for the Overhuman and prepare for it earth and animal and plant." "Thus Spoke Zarathustra" Friedrich Nietzsche
The film creeps into issues of the Anthropocene while moving deeper into the psychological landscape of Lucy Palustris, the artist’s alter-ego. A solitary woman in the wetlands of southern Ontario, Lucy is a manifestation of our human psyche and our animal selves. Her role is ambiguous: Is she an agency of care, a psychologically (de)-stabilizing force or an intrusive presence? Illogical associations convey the strangeness and intensity of a dream. Disjuncture and incongruity colour the protagonist’s actions and costume within her surroundings, revealing the beauty and brutality of a degraded landscape and our transient existence within it. The film attempts to uncover something about who we are and how we have come to a tipping point of crisis. Fecundity, violence and death interweave. A call for restitution plays out like a Sisyphean gesture where tenacity and futility reign.
A subplot speaks to notions of gender, race and class. Costume performance plays to the stereotype of the middle-class white woman, while simultaneously subverting it. Trying to make sense of Hollywood film stereotypes embodied by her mother’s generation, the character both subverts and holds to ‘norms’ of a seemingly bygone era, lingering in her consciousness and, more generally, remaining pervasive today.
Writer/Director/Performance - Patricia Coates
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Patricia CoatesDirector
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Patricia CoatesWriter
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Patricia CoatesProducer
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Patricia CoatesKey Cast"Lucy Palustris"
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Sung Min BaeCinematographerReset, Stillwater, Situation, Off Sync, Where are we, Two Islands,
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Project Type:Experimental
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Runtime:29 minutes 45 seconds
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Completion Date:February 1, 2018
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Production Budget:8,000 USD
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Country of Origin:Canada
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Country of Filming:Canada
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Language:Other
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Shooting Format:4K Digital ScreeningFormat:2KDCP
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Aspect Ratio:2.39:1
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:No
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Künstlerhaus Bethanien: Solo exhibition, "The Madness and the Mess"Berlin
Germany
February 28, 2019
European Premiere -
Art Gallery of Windsor, "The Living River Project, Exhibition"Windsor
Canada
October 18, 2019
North American Premiere -
Druk International Film Festival (DIFF)Paro
Bhutan
October 19, 2019
Outstanding Achievement -
South Film and Arts Academy FestivalRancagua
Chile
January 19, 2020
South American
Official Selection -
South Film and Arts Academy FestivalRancagua
Chile
January 16, 2020
Sound Design; Honorable Mention in a Short Film -
Best Art Video, South Film and Arts Academy FestivalRancagua
Chile
January 16, 2020
Best Art Video -
YouFilmFestKennedy Center for the Performing Arts, Washington, D.C.
United States
April 2, 2022
Official Selection -
YouFilmFestKennedy Center for the Performing Arts, Washington, D.C.
United States
April 2, 2022
Best Experimental Film -
Masters of CinemaRome
Italy
May 7, 2022
Best Eco Work -
Art Stream International Film FestivalAmsterdam
Netherlands
June 11, 2022
Best Eco Work -
Fox International Film FestivalRome
Italy
June 28, 2022
Honourable Mention: Best Eco Work; Official Selection -
Stockholm Gold Awards International Film Festival SGAIFFStockholm
Sweden
August 21, 2022 -
8 & HalFilm AwardsRome
Italy
July 11, 2022
Best Inspirational Film; Official Selection -
Golden Lemur International Film Festival GlIFFLisbon
Portugal
July 4, 2022
Best ECO Work; Official Selection -
Golden Lemur International Film Festival GlIFFLisbon
Portugal
July 4, 2022
Best Symbolic Film; Official Selection -
New York Neorealism Film Awards.Rome
Italy
August 12, 2022
Official Selection -
Florence Film AwardsFlorence
Italy
August 5, 2022
Official Selection -
Sweet Democracy Film AwardsCannes
France
August 10, 2022
Official Selection -
Your Way International Film FestivalValletta
Malta
August 12, 2022
Official Selection -
Snow Leopard International Film FestivalMadrid
Spain
August 10, 2022
Official Selection -
Florence Film AwardsFlorence
Italy
August 5, 2022
Honourable Mention; Experimental Film -
Your Way International Film FestivalValletta
Malta
August 17, 2022
Honourable Mention; Best ECO Film -
Arrow International Film FestivalParis
France
September 12, 2022
Official Selection -
Grand New York Film AwardsNew York City
United States
September 10, 2022
Best ECO Work -
Zagreb International Film FestivalZagreb
Croatia
November 30, 2022
Honourable Mention; Experimental Film Category. -
Tokyo International Short Film FestivalTokyo
Japan
December 3, 2022
Honourable Mention; Women Empowerment Category. -
New York Tri-State International Film FestivalNew York
United States
December 25, 2022
Honourable Mention; Female Empowerment Category. -
Madrid International Short Film FestivalMadrid
Spain
January 9, 2023
Honourable Mention: Experimental Films; Official Selection -
Toronto Indie Filmmakers FestivalToronto
Canada
January 27, 2023
Best Actress; Official Selection -
Japan International Film FestivalTokyo
Japan
February 3, 2023
Women Empowerment; Official Selection -
8 & Halfilm Awards: WINNERS SPECIAL EVENT IN DUBAI FOURTH EDITIONDubai
United Arab Emirates
February 10, 2023
Best Inspirational Film; Official Selection -
kalakari film festIdore
India
March 25, 2023
Official Selection -
Golden Giraffe International Film FestivalNice
France
March 1, 2023
Official Selection
Distribution Information
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Patricia CoatesCountry: WorldwideRights: All Rights
Patricia Coates is a multi-disciplinary artist working in film, installation and performance who explores the beauty and brutality of a degraded landscape and our transient existence within it. A call for restitution plays out like a Sisyphean gesture. Fecundity and death, care and violence are set against each other to create a psychic tension within the character Lucy Palustris, the artist’s alter-ego. The work probes issues of the Anthropocene while creeping into the physiological landscape of the persona. Lucy, a solitary woman in the landscape or built environment, manifests a conflicted relationship with the living world. Is she an agency of care, a de-stabilizing force, or a menacing presence? Ultimately, the artist attempts to uncover something about who we are as she addresses the question: How have we come to this tipping point of crisis? Lucy’s efforts are deliberate, tenacious though perhaps quixotic. Is her role (or the role of art itself) a necessary resistance or a futile intervention? There is a bit of Lucy in all of us: our complicity and our resilience. A tragic-comedic tone permeates her actions and her costume: A subplot speaks to notions of gender, race and class. Costume performance and the film medium itself pokes fun at the stereotype of the middle-class white woman; more specifically, Hollywood film stereotypes embodied by the artist’s mother’s generation. Lucy simultaneously clings to and subverts constructed notions of ‘norms’ that linger in her consciousness and, more generally, remain pervasive in today’ s society.
Coates has been awarded numerous Canada Council and Ontario Arts Council grants supporting her international practice.
To try to know or understand the world is futile. The writing of Camus is central: “That universal reason, practical or ethical, that determinism, those categories that explain everything are enough to make a decent man laugh.” Like Sisyphus, Lucy carries on.