Lost in times

Lost in Time is an AI-generated short film that explores the idea of a past life resurfacing through a child’s dream. In a sleepwalking state, a young boy unconsciously experiences fragments of another existence—an ancient Roman legionary wandering through modern-day Rome.
Lost in Time follows a Roman legionary who mysteriously finds himself walking through contemporary Rome. Disoriented but calm, he moves through the modern city as if guided by something deeper than awareness.

As he wanders the streets, fragments of memory begin to surface—soft, fragmented impressions of ancient Rome: the texture of stone under his fingers, the sound of distant voices, the warmth of sunlit courtyards, the feeling of places that no longer exist as they once did. These memories arrive not as clear visions, but as emotional echoes layered onto the present.

When he touches the ancient walls scattered throughout the city, time briefly dissolves. The boundaries between what is remembered and what is real begin to blur, as if the city itself is quietly remembering him in return.

In the final moment, reality gently fractures. The legionary fades, and in his place a young boy appears—sleepwalking through the same streets. He awakens softly, confused but safe, as his mother rushes to him. It becomes unclear whether the journey was a passage through time, a shared memory, or a dream carried across generations.

On the quiet street, a small toy Roman soldier stands motionless—silent and out of place—like a fragment of history left behind in the present.

Lost in Time is a quiet meditation on memory, place, and the emotional continuity of time—where the past does not disappear, but lingers beneath the surface of the present.

  • Volodymyr Shpak
    Director
  • Volodymyr Shpak
    Writer
  • Volodymyr Shpak
    Producer
  • Project Type:
    Animation, Experimental, Short, Web / New Media, Other
  • Runtime:
    1 minute 40 seconds
  • Completion Date:
    April 13, 2026
  • Country of Origin:
    Italy
  • Country of Filming:
    Italy
  • Language:
    English
  • Shooting Format:
    Digital / AI-generated / Virtual
  • Aspect Ratio:
    2.39:1
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Digital Cinema Package:
    Unavailable
Distribution Information
  • Independent / Self-distributed AI experimental short film distributed through online festivals and digital platforms
    Country: Worldwide
    Rights: All Rights, Internet, Theatrical, Free TV
Director Biography - Volodymyr Shpak

I am an award-winning film director originally from Kyiv, Ukraine, with over 18 years of experience in the film and television industry. My work spans across advertising, music videos, feature films, TV series, documentaries, and international audiovisual projects of varying scale and complexity.

Throughout my career, I have worked as a film director, cinematographer, editor, and post-production supervisor, developing a strong visual storytelling approach that blends narrative depth with modern cinematic language.

I am highly experienced in editing and post-production workflows, working with industry-standard tools such as Adobe Premiere Pro, DaVinci Resolve, Final Cut Pro, Adobe After Effects, and Cinema 4D. My expertise also extends to motion graphics, creative development, and full-cycle production management.

In addition to my creative practice, I have a strong background in project management, team leadership, and client relations, allowing me to successfully deliver complex audiovisual projects for both local and international markets.

Currently, I work as a content creator and filmmaker based in Rome, Italy, focusing on cinematic storytelling, AI-generated films, and innovative visual narratives for modern digital platforms and brands.

My creative approach is driven by experimentation, emotional depth, and conceptual storytelling, often exploring themes of identity, memory, time, and human perception.

Add Director Biography
Director Statement

My work explores memory, identity, and the fluid nature of time and perception. I am interested in cinema as an emotional and psychological space where reality blends with imagination, and where the past can exist not as history, but as living resonance within the present. My intention is to create films that are not only watched, but felt as lingering emotional experiences beyond the screen.