Lost Bird (Zintkála Nuni)
Short film portrays the troubled life of a Lakota infant who survived the 1890 massacre at Wounded Knee, only to struggle with identity and acceptance in white high society along with the loss of her own cultural heritage and people.
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Scott FeldmannDirectorManzanar (Yuki)
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Brad ColerickDirectorManzanar (Yuki)
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Brad ColerickWriterManzanar (Yuki)
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Scott FeldmannProducerManzanar (Yuki)
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Brad ColerickProducerManzanar (Yuki)
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Project Type:Animation, Documentary, Experimental, Music Video, Short
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Genres:Historical, Animontage
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Runtime:6 minutes
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Completion Date:October 15, 2023
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Production Budget:1,500 USD
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Country of Origin:United States
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Language:English
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Digital Cinema Package:Unavailable
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Sedona Film FestivalSedona, Arizona
United States
February 25, 2024
Official Selection -
Ross Theatre - University of NebraskaLincoln, Nebraska
United States
September 8, 2023
World Premiere
Paired with Riley Keough and Gina Gammell's War Pony
Scott Feldmann is an artist and animator who recently returned to his craft after a 35-year detour. A Disney artist after college at R.I.T., he co-founded the creative agency Magic Pencil and helmed the South Pasadena Chamber of Commerce before returning to his roots as an animator. Feldmann and singer-songwriter Brad Colerick collaborate regularly, having formed the Deep Magic Song & Drawing Co. Feldmann lives in Pasadena, California in a 100-year old experimental housing concept with quirks and endless untold stories.
Brad Colerick is a singer-songwriter with a solid fan base and a huge talent, as well as being a producer/composer of music for commercials. He has earned an Emmy Award and worked with a long list of legendary artists including icons Johnny Cash and BB King. Cash signed Colerick’s guitar, and Colerick once played Lucille — King’s guitar. He has released six solo albums. His latest, Hope Street, came out in 2021. His next album, Emerging Artist, will include the song "Little Bird - Lost Bird of Wounded Knee" for which this music video was created. A partnership with Feldmann was formed as the Deep Magic Song & Drawing Co. Colerick is music director for the South Pasadena Eclectic Music Festival and can be heard performing live every Wednesday evening in South Pasadena at Wine & Song, along with an amazing array of artists he curates and presents.
Giving voice to one whose own was taken from her was our vision. The song “Little Bird" (Lost Bird of Wounded Knee) was written and recorded with a Lakota drum and Native American flute to capture her bold spirit as well as her struggles. Visually, we referenced Lakota ledger art, a genre introduced by imprisoned American Indians and known for child-like simplicity of line and color. We used historic Lakota, Oglala, and Ioway illustrations on top of actual military records, reactionary telegraphs and broken treaties as the canvas for the characters at Wounded Knee.
When Zintka’s experience in white high-society was depicted, the ledgers were switched to newspaper stories and headlines that were about her. The characters and actual photos of Zintka became cut-outs, like the paper dolls she was reported to have enjoyed making.
Vintage silent movie film of her was discovered and digitized — seen here for perhaps the first time in a century. She was an extra, not a lead, so the moments are few and fleeting. Wherever possible, we utilized real-life photographic references, for instance; Zintka traveled the world with Buffalo Bill Cody’s Wild West Show, and tried to get a break in Vaudeville.
The baby called Zintkála Nuni was taken from her people (after her parents were killed, before she was even verbal.) The little girl Zintka was raised by a wealthy and powerful couple in Nebraska and Washington D.C., all the while tokenized as a trophy in the conquest of one ambitious culture over another. The young woman that emerged was conflicted, caught between two worlds, attempting acceptance in both, succeeding in neither. Splitting was used as a constant visual reference. Healing by referencing her in a constellation of ancestors while turning the flight of a lost bird into a prayerful pair of hands was our way of showing, as well as saying “You’re not alone.”
The song and film are a posthumous acknowledgement of a terrible tragedy — not just for one life, but for many. Our hope is that people will learn more about “Lost Bird” and the Native American Adoption Law recently upheld by the Supreme Court, and find a place in their hearts for Zintka.