Los Sandy’s
Julia, a Mexican immigrant and widow with seven children, must leave her family home of 18 years. Despite the uncertainty ahead, her children offer hope with their unique musical talent.
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Jaime PuertaDirectorGrab Twist Pull, Smile With Teeth, small letters
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Jaime PuertaWriterGrab Twist Pull, Smile With Teeth, small letters
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Jaime PuertaProducerGrab Twist Pull, Smile With Teeth, small letters
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Alan ThompsonProducerThis Land, The Resettled,
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Borja CampilloProducer
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Jaime PuertaCinematographerGrab Twist Pull, Smile With Teeth, small letters
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Jaime PuertaEditorGrab Twist Pull, Smile With Teeth, small letters
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Project Type:Documentary, Short
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Runtime:27 minutes 42 seconds
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Completion Date:January 15, 2024
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Production Budget:20,000 USD
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Country of Origin:United States
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Country of Filming:United States
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Language:English, Spanish
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Shooting Format:Digital 4K
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Aspect Ratio:2.40:1
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:No
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AmDocsPalm Springs
United States
March 21, 2024
World Premiere
Official selection -
Dances With Films LALos Angeles
United States
June 21, 2024
West Coast
Official Selection -
Guanajuato Film FestivalGuanajuato
Mexico
July 23, 2024
Mexico
Official Selection -
HollyShortsLos Angeles
United States
August 15, 2024
Official Selection -
Beyond BordersKastellorizo
Greece
August 28, 2024
European Premiere
Official Selection -
Immigration Film FestivalWashington DC
United States
Washington DC Premiere
Official Selection
Jaime is a creative director, producer, and founder of the New York-based production company A FILMS. His portfolio includes works with brands such as Vogue, Carolina Herrera, Marriott, Desigual, Sorel, and TAG-Heuer, including the award-winning commercial “TAG-morphosis.” He has directed music videos for Husbandry (USA), Jean-Paul (Spain), and Nung Nung (Taiwan).
Currently, Jaime is showcasing his latest project, “Los Sandy’s,” a poignant short documentary exploring the sacrifice and creative resilience of a Mexican immigrant family in the US. Additionally, Jaime served as the creative assistant to the director for the Ecuadorian film “A Son of Man,” which represented Ecuador at the 91st Oscar Academy Awards for Best Foreign Language Film and received six nominations for the Platino Awards of Ibero-American Cinema.
With nearly a decade of experience in humanitarian and natural disaster documentaries, Jaime is the head of documentary production at Tzu Chi USA. In this role, he oversees 150+ documentary projects annually, from conceptualization to delivery.
We cross deserts, glaciers, continents
The whole world from end to end
Stubborn, survivors
Eyes on the wind and on the currents
Hands firm on the oar
We carry our wars
our lullabies
our path made of verses
of migrations, of famines
And that’s how it has always been, since eternity
We were the drop of water, traveling in the meteorite
Crossing galaxies, the void, millennia
We sought oxygen, we found dreams
Movimiento, Jorge Drexler
There is a force that makes us look for safety, for protection. There is a drive to dream and chase something better. In this journey, we build a shelter and find a home, share stories, and find complicity, joy, an also despair until that force puts us in motion again. Fear, famine, rare curiosity, or nonconformism make us cut our roots with a goodbye, bidding farewell to those who named things for us for the first time, those who gave us our name. We leave them with an absence that whispers don’t worry, I will be fine, I will be back, and depart with bags and luggage though we really leave with a promise, a question, and our memory.
My 18 years old me left Granada (Spain), my hometown, looking to become an actor and a filmmaker. Today, seventeen homes later, I live in New York, a city of immigrants that opened the world for me and made me aware of migrations more than ever. I listened to stories of incredible resilience, bravery, and sacrifice from its protagonists. I looked back then to my history. For instance, how the Spanish Civil War impacted my family. I asked my family and learned, for example, about how my grandfather Jaime and his family escaped in the middle of a winter night from being assassinated by the Republican army. I learned how my other grandfather, Paco, traumatically became the head of a family of 6 when he was 16 and migrated with all of them to Granada, looking for opportunities to feed them all. Or before the war, I learned how my great-grandma María left her little town in the mountains as a single mum looking for opportunities for her and her baby, my grandmother, and survived by breastfeeding the baby of a wealthy family. Also, how some of my family migrated and settled in Sinaloa, Mexico, and left behind their beloved ones and the hard work in the charcoal mines of Sierra Nevada. And then, here it’s me, conveying all their history, their stories, their dreams, their struggles, fears, and suffering, their sacrifice for a better future, and their love to provide something better for the next generation.
On Feb. 2017, producer Alan Thompson and I visited Fresno to shoot a documentary piece for a non-profit working in the area. Being on the ground, we needed to find and document the stories of families needing medical help. We met many families, and among them was the Garcia, a family of undocumented Mexican immigrants living and working in the hardest conditions but possessing the most precious treasure: the talent for music. Inspired and helped by their parents, six of the seven children, Ivan (17), Luis (16), Willy (14), Freddy (11), Santiago (9), and Melina (7), formed Los Sandy’s, a Mexican folk music band that performs in the Central Valley of California. They did perform for our video, and in awe, Alan and I decided to go back to tell their whole story.
One year later, Trump tried to illegalize the Dreamers by ending DACA. We thought that that was the right time to film Los Garcia. In the field, we discovered that the family was not affected by this, but their circumstances were still heartbreaking and got even worse. Enrique, the father, had died from an aneurysm months after his 7th son was born, repeating the cycle for Julia. Her dad passed when she was a little kid. In addition, he said they had to move from the place they called home for 18 years because the landlord wanted to sell the property. Powerless, with nothing to negotiate or money to purchase the land, they had to cut their roots and move elsewhere.
Impressed by the strength and resilience of Julia to move forward as a family, I wondered what she had to sacrifice. What did she want to be when she was little? How many dreams she had to leave behind? What moved her to leave everything behind to enter a land of uncertainty and danger? Why did her husband pass as her dad did? I saw my family mirrored in her. Like Julia, how many dreams, desires, and beloved ones they had to leave behind? How about their grandparents? And their ancestors? How many of them migrated? Where did they come from? Why did they migrate? Why did yours? Where did they come from? Ultimately, from the same place as mine. We share the same past. We are descendants of the same migrants who wanted the best for us.