Long's Long Lost & Mini Mart
In the seedy back rooms of a Little Saigon convenience store, a young customer reanimates his dead father for one last conversation... awakening phantoms of unspoken grief.
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Julian DoanDirectorRaspberry
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Julian DoanWriterRaspberry
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Doménica CastroProducer
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Constanza CastroProducer
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Alex NystromProducerFour Nights and a Fire
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Jenni Trang LêProducerThe Stringer
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Hồng ĐàoKey Cast"The Clerk"
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Jacki TranKey Cast"The Customer"
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Hoài TâmKey Cast"The Monk"
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Long NguyenKey Cast"Hành"
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Jay SwuenDirector of Photography
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Mochii Mengqing YuanProduction Designer
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Brianna B. MurphyCostume DesignerDìdi
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Project Type:Short
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Genres:Drama, Supernatural, Dark Comedy
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Runtime:17 minutes 53 seconds
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Completion Date:May 16, 2025
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Country of Origin:United States
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Country of Filming:United States
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Language:English, Vietnamese
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Shooting Format:Digital
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Aspect Ratio:1.85:1
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Tribeca FestivalNew York City, NY
June 11, 2025
World Premiere -
HollyshortsLos Angeles, CA
August 13, 2025
Los Angeles Premiere -
Viet Film FestSanta Ana, CA
October 11, 2025
Orange County Premiere
Grand Jury Award & Audience Award - Best Short Film -
Hawaii International Film FestivalHonolulu, HI
October 18, 2025
Hawai'i Premiere -
Cucalorus Film FestivalWilmington, NC
November 21, 2025
North Carolina Premiere -
Nitehawk ShortsNew York City, NY
April 12, 2026
Grand Jury Prize, Audience Award (Closing Nite)
Julian Doan is a writer/director obsessed with the mundane, ironic, and absurd.
His short films RASPBERRY (Sundance 2021) and LONG'S LONG LOST & MINI MART (Tribeca 2025), are the first 2 of his "dead dad trilogy", to be completed with his 1st feature HALF SWEET (Gotham Project Market 2021) - a Tati-esque satirical tragicomedy about a family keeping a dying father alive against his will. Together, these films all explore the commodification of grief.
He's also an editor and assistant editor with credits such as THE SYMPATHIZER, IN TREATMENT, MAINSTREAM, and WILD WILD COUNTRY.
He’s a recently converted cat daddy.
The setting was inspired by my visit to a convenience store in Little Saigon, CA, where I saw patrons drinking, smoking, and gambling while an inebriated Buddhist Monk flirted with the store owner. Separately, my father's death in hospice care left me pondering how we've commodified our most intimate experiences (caregiving, massage, therapy, sex work).
Somehow I combined these two inspirations, and my fantasy of reviving my dead dad was suddenly set in the back of a seedy liquor store. Through this surreal yet mundane environment where reunions with the dead are sold alongside booze and cigarettes, I discovered the exciting potential to depict grief as a vice: an addictive pursuit of closure and catharsis; set in a purgatory where, like lotto tickets, the outcome you seek may always be beyond your grasp.