Private Project

Llyong Topa

There is a little known history behind Wanshan temple, a ghost shrine located at the Dabao river basin in Sanxia District. Hundreds of skeletons that belonged to the Atayal tribe of Dabao rest beneath the temple. According to historical records, the tribe was “annihilated” by an operation known as “the advancement of defense frontier” carried by the Japanese colonial government throughout forests in Northern Taiwan. Director Kao Jun-Honn uncovered this segment of history by chance and was led on a puzzle-solving course spanning 3 to 4 years. The first massacre carried by the Japanese army against aboriginal people– far prior to the Seediq Incident– was surprisingly little known to the public. By tracing with his own two feet, Kao decided to uncover the remains of the “defense frontier” set by the Japanese to gain woodland territory and resources. He would locate the remnants via GPS to trace capitalization of land properties, and along the way, unexpectedly meet descents of the “wiped out” Atayal tribe. Aside from turning over to an essentially blank page in Taiwanese history, he would find himself almost become half an Atayal himself.

  • Kao Jun-Honn
    Director
  • Kao Jun-Honn
    Writer
  • Luo Yuan-Cheng
    Photography
  • Wu Wen-Qi
    Photography
  • Lin Yan-Xiang
    Photography
  • Jiang Bing-Xian
    Photography
  • Chen Yan-Liang
    Editting
  • Chen Yi-Ru
    Editting
  • Yannick (Peng Ye-Sheng)
    Sound mixer
  • Project Type:
    Documentary
  • Genres:
    Cultral, History, Asia, Aboriginal
  • Runtime:
    1 hour 30 minutes 50 seconds
  • Completion Date:
    December 31, 2019
  • Country of Origin:
    Taiwan
  • Country of Filming:
    Taiwan
  • Language:
    Chinese, Japanese
  • Shooting Format:
    HDCam NTSC
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Digital Cinema Package:
    Unavailable
Director Biography - Kao Jun-Honn

Born in 1973 in Taiwan, he graduated in 1998 from Taipei National University of the Arts with a BA in Fine Arts, and graduated in 2017 from Tainan National University of the Arts with a PhD in Art Creation and Theory. Currently he is an Adjunct Assistant Professor at Taipei National University of the Arts. His artistic practice involves mediums including the human body, video, active projects, and writing. His works frequently examine issues surrounding history, space, bio-politics, neoliberalism, East Asia, and indigeneity. He has participated in numerous solo exhibitions, group shows, and biennials at home and abroad since 1995. He has worked in Hong Kong, France, and the United Kingdom through art residency programs. His works had been nominated and won numerous Taishin Arts Awards. His written publications include Bubble Love, The Home Project, Archives of Aesthetics of Existence in Taipei, The Archipelagic Trifold Mirror of Art trilogy, and IIyong Topa. He had won Best Book of the Year Award at the Golden Tripod Awards for Publications in 2016.

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Director Statement

The Atayal term “IIyong Topa”, stands for “the Dabao river commonwealth” in Chinese. A hundred years ago, by the Dabao river in Sanxia District, New Taipei City, there lived an Atayal tribe named Dabao. In the years between 1903 and 1907, Japan, via its power as an empire, invaded IIyong Topa by strategic advancement of the “defense frontier”. Historical records marked Dabao tribe as “wiped out”.
This film is shot through semiautobiographical lens containing my personal research over countless trips deep into the mountains of the Dabao river region, attempting to locate the remains of Dabao Incident’s over 100 km “defense frontier”. On my quest to locate the remnants, I unexpectedly found the descents of the survivors of Dabao Incident, and made a visit to their tribe far into the mountains. In the end, upon revisiting the river under modern development towards amusement parks and recreation, we witness ongoing deforestation and chaos.