Private Project

Life Begins

The Protagonist is a war veteran who struggles to readjust to civilian life after participating in fierce battles. He finds it difficult to find his place, even at home. After a fight in a pub, he is imprisoned in a military facility and then sent back home, where memories, physical and emotional trauma, and the sounds of war haunt him.

A peaceful home seems alien to him, and people who have not experienced war cause misunderstanding and alienation. The Protagonist attempts to adapt by working on a military video script, but even this work provides no solace. His friends and acquaintances only exacerbate his internal conflict by portraying the war as remote.

A phone conversation with a combat friend, memories of the fallen, constant body pain and anxiety all serve to reveal how difficult it is for a veteran to exist in a peaceful life. In the finale, the Protagonist meets his family at the railway station, but even this meeting leaves a bitter aftertaste. All his emotions are cut short by a scream on the phone as he talks to his wounded friend.

The film ends abruptly, emphasising the incompleteness and difficulty of veterans' return to normal life, which is full of shadows of war.

  • Oleksii Taranenko
    Director
  • Pavlo Beliianskyi
    Writer
  • Andrii Korniienko
    Producer
  • Volodymyr Kravchuk
    Key Cast
  • Project Title (Original Language):
    Життя починається
  • Project Type:
    Feature, Short
  • Genres:
    PTSD-drama
  • Runtime:
    27 minutes 30 seconds
  • Completion Date:
    February 28, 2025
  • Production Budget:
    45,000 USD
  • Country of Origin:
    Ukraine
  • Country of Filming:
    Ukraine
  • Language:
    Ukrainian
  • Shooting Format:
    Digital
  • Aspect Ratio:
    2,35:1
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Kyiv International Short Film Festival
    Kyiv
    Ukraine
    September 7, 2025
    National Premiere
    Special award from the Ukrainian Film Critics Association
  • Kanazawa Film Festival
    Kanazawa
    Japan
    October 10, 2025
    International Premiere
    Best Short Film
  • Miami Short Film Festival
    Miami
    United States
    November 16, 2025
    North American Premiere
    Official Selection
  • Ukrainian Film Festival Berlin
    Berlin
    Germany
    October 24, 2025
    German Premiere
    Oficial Selection
  • 10th UKRAINE! Film Festival
    Warsaw
    Poland
    November 3, 2025
    Poland Premiere
    Best Short Film
  • National Film Critics Award “Kinokolo”
    Kyiv
    Ukraine
    November 29, 2025
    Best Short Fiction Film
  • Damah International Film Festival
    Tokyo
    Japan
    April 10, 2026
    Tokyo Premier
    Official Selection
  • GI Film Festival
    San Diego
    United States
    May 6, 2026
    West Coast Premiere
    Official Selection
  • Cine-Maniacs Filmfest
    Bavaria
    Germany
    Honorable Mention
  • Positively Different Short Film Festival
    Athens
    Greece
    March 18, 2026
    Greece Premier
    Official Selection
  • Clermont-Ferrand Short Film Festival
    Clermont-Ferrand
    France
    February 4, 2026
    Market Screening
    Short Film Market Picks
Director Biography - Oleksii Taranenko

A Ukrainian film director and screenwriter, born in 1976 in Dnipro, Ukraine. Since 2017, he has been working as a director of commercials and films. In 2013, his documentary Stylization of Aftertaste received a Special Mention at The Film Skillet Documentary Film Contest (USA). He is the author of several scripts, commercials, and feature projects. His feature debut as a director, I Work at the Cemetery (2022), was selected for and awarded at numerous national and international film festivals, including the Warsaw Film Festival, Molodist Kyiv International Film Festival, and the British Independent Film Festival.

Filmography
2025 – It Will Happen (documentary) Editor
2025 – The Dam (feature film, fiction) Director, Screenwriter 2025 – The Artist (TV series, fiction) Director, Screenwriter 2025 – Life Begins (short film, fiction) Director, Screenwriter  2024 – Family Album (documentary) Editor  2022 – I Work at the Cemetery (feature film, fiction) Director, Screenwriter, Editor  2018 – Showtime (short film, fiction) Director, Screenwriter, Editor 2013 – Stylization of Aftertaste (short film, documentary) Director, Camera operator, Editor

Awards and Nominations
2025 – Life Begins – Nomination for Best Short Film at the Kanazawa Film Festival (Japan).
2025 – Life Begins – Nomination in The Ukrainian Competition at the Kyiv International Short Film Festival (Ukraine).
2022 – I Work at the Cemetery – Nomination for Best Film in the Competition 1-2 Award at the Warsaw Film Festival (Poland).
2021 – I Work at the Cemetery – Nomination for Discovery of the Year at the Ukrainian Film Critics Awards Kinokolo (Ukraine).
2021 – I Work at the Cemetery – Nomination for Best Feature Film at the Molodist Kyiv International Film Festival (Ukraine).
2021 – I Work at the Cemetery – Nomination for Best Feature Film at the British Independent Film Festival (UK).
2021 – I Work at the Cemetery – Nomination for Best Feature Film (World Competition) at the Ferrara Film Festival (Italy).
2019 – Showtime – Nomination for Best Film (Jury Award) at the Bardak Film Fest (Ukraine).
2015 – The Random Passenger – Special Mention in the Coronation of the Word competition at the Screenplay Festival (Ukraine).
2013 – Stylization of Aftertaste – Special Mention at The Film Skillet Documentary Competition (USA).

Add Director Biography
Director Statement

When I started working on this film, it seemed to me that it was a story solely about PTSD and the adaptation of a soldier who urgently returns to civilian life. It is a very attentive and calm, almost therapeutic reflection on the military experience of writer Pavlo Belyansky (the screenplay is based on the final chapter of his book "Fight not Retreat"). However, the more we worked on the script, the clearer it became that this is a broader, larger, and very significant story about the world around us, a world that has changed forever, about war and its consequences, and most intriguingly, about the uncertainty of the time we are all living in, about the traumas our society has endured, and the uncertainty of what lies ahead for us.