Les Bêtes
"LES BÊTES"
Produced, Directed & Animated by Michael Granberry
Original Score Composed by Lito Velasco
Synopsis:
A mysterious rabbit with a set of magic keys summons a host of strange creatures to entertain a wicked king and his decadent court in this dark stop-motion animated fantasy inspired by the works of Ladislas Starevich.
About the production:
A four-year labor of love begun in 2020 as a "pandemic lockdown project" and completed in 2024, "Les Bêtes" was conceived to be a zero-budget, entirely recycled film in the style of a 1930's Ladislas Starevich animation. Even the stop-motion characters, all of which were originally constructed for other projects that never materialized, were repurposed after rotting away in storage for almost two decades.
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Michael GranberryDirectorGuillermo del Toro's Pinocchio; Wendell & Wild; Anomalisa; Tumble Leaf; Robot Chicken
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Michael GranberryProducerGuillermo del Toro's Pinocchio; Wendell & Wild; Anomalisa; Tumble Leaf; Robot Chicken
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Project Type:Animation, Short
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Genres:Fantasy, Horror
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Runtime:11 minutes 38 seconds
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Completion Date:March 29, 2024
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Production Budget:0 USD
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Country of Origin:United States
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Country of Filming:United States
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Language:No Dialogue
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Black & White
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First-time Filmmaker:No
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Student Project:No
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Animation Studio FestivalParis
France
April 30, 2024
WINNER - Best Stop Motion Film -
Jersey Devil Film FestivalAsbury Park, NJ
United States
May 3, 2024
US Premiere
WINNER - Best of the Festival -
Paracinema Cult Film FestivalDerby
United Kingdom
May 6, 2024
UK Premiere
WINNER - Best Short Film -
Caligari. Festival Internacional de Cine de TerrorValencia
Spain
May 12, 2024
Spanish Premiere
WINNER - Best Animated Short Film -
FantaSci Short Film FestivalOrlando, FL
United States
May 18, 2024
WINNER - Best Stop Motion Film, William Shatner Indie Auteur Award, Judy Lawrence Memorial Award
Michael Granberry is a 3-time Emmy award-winning director and stop-motion animator whose work can be seen in such films as the Oscar-winning "Guillermo del Toro's Pinocchio", Henry Selick's "Wendell & Wild", Charlie Kaufman's Oscar-nominated "Anomalisa", "Tales of Halloween", "Never Sleep Again: The Elm Street Legacy" and numerous other feature films, documentaries, TV shows, web series and music videos.
His independent work, which he describes as "queer, garage-punk stop-motion slam poetry" uses recycled and repurposed materials to create strikingly unique visual stories. In addition to filmmaking, Michael enjoys giving stop-motion and puppetry-related lectures and workshops, and being an advocate for women, minorities and fellow members of the LGBTQ+ community within the animation industry.
Over the years working in stop-motion animation I've constructed dozens of puppets for projects that, for various reasons, were never filmed. These puppets lingered in storage for almost 2 decades, slowly deteriorating with the passage of time. Finally, in January of 2020, I realized it was time to use them or throw them away, so I decided to put them all in a movie together and see what would happen.
There was no script and no storyboards; the puppets were simply laid out on a table and inspiration allowed to flow. The garish color palette of the assembled characters inspired the decision to proceed in black & white, which looked reminiscent of a 1930's Ladislas Starevich animation. Following this germ of an idea, shots would be set up and animated, trying as much as possible to use filming techniques that mimicked those from the '30s and '40s.
As the coronavirus pandemic took hold in March of 2020, "Les Bêtes" went from a spare-time project to my full-time occupation. Since I was relying upon my "actors" (the puppets in the film) to tell me what to do, I never knew what the next shot would be until a few days beforehand. However, every shot was coming into view with the chaotic events of 2020 as a vivid backdrop. I have no doubt the horrors of that year played a powerful subconscious role in the evolution of the story.
The irony of "Les Bêtes" to me, is that it turned out to be a much more interesting film than any of the story ideas for which these characters were originally created. It's clear to me now that they were made for THIS film, proving that there's a place for all of our "misfit toys" in the creative space if we remain open to it.