Leaves Return to the Roots
Set in eastern China, the film follows the only licensed non-emergency medical transport service in the city of Huai’an. Moving patients and bodies across long distances, the company operates at the intersection of care, bureaucracy, and family obligation. Through everyday journeys and quiet labor, the film observes how death is managed, distance negotiated, and kinship reconfigured under contemporary systems.
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Suhao ZhangDirector
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Huxinya WangDirector
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Yuheng ZhongFirst Assistant Director
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Huxinya WangProducer
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Jiayi XuLine Producer
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Zhou SuCraft Service
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Xinyi LiCraft Service
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Suhao ZhangCinematographyer
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Qian BuCinematographyer
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Yuheng ZhongCinematographyer
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Huxinya WangCinematographyer
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Jiayi GuoCinematographyer
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Suhao ZhangEditor
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Yuheng ZhongAssistant editor
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Huxinya WangAssistant editor
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Suhao ZhangColor Grading
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Suhao ZhangSound Designer
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Project Title (Original Language):时来运转
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Project Type:Documentary, Experimental, Short, Student
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Runtime:23 minutes 59 seconds
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Completion Date:May 31, 2025
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Production Budget:500 USD
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Country of Origin:China
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Country of Filming:China
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Language:Chinese
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Shooting Format:Digital, 2470, SONY
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:Yes - Nanjing University of the Arts
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Digital Cinema Package:Unavailable
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Toronto International Nollywood Film Festival
Not affecting premiere status
Finalist -
NanoCon International Film Festival
Not affecting premiere status
Finalist -
Northwest International Film Festival (NIFF)
Not affecting premiere status
Nominee
Suhao Zhang(b. 2003), a Jiangsu-born filmmaker and musician, has earned acclaim across film festivals: his solo-directed Tico Tico Life(hybrid docu-fiction) screened at the 19th FIRST International Film Festival’s FIRST PIONEER section, while Frozen Moments, Fading Echoes(Machinima) premiered at FIRST FANTASTIC Film Festival. Earlier, as a sophomore, he co-directed Crossing the Yangtze River, shortlisted for China’s 14th Documentary Academy Awards. His practice dissects body, identity, and societal dynamics through fragmented visuals and ambient sound—eschewing rigid interpretation, he prioritizes raw, sensory immersion to provoke visceral engagement with lived realities.
Wang Huxinya (b. 2004) is a filmmaker and producer currently studying at Nanjing University of the Arts. Her works have screened at the 19th FIRST International Film Festival’s FIRST PIONEER section and the FIRST FANTASTIC Film Festival, including Quality Life and the experimental documentary Frozen, Flowing. She works primarily with narrative forms, drawing on experimental methods, archival materials, and body-centered storytelling. Her films explore subtle emotional bonds between women and everyday gestures as sites of self-reconstruction.
A casual hospital conversation and a late-night accident led us to document the survival landscape of this peculiar industry, squeezed between policy constraints. Today, as China's urbanization rate exceeds 65%, the poetic notion of "fallen leaves returning to their roots" has transformed into a meticulously orchestrated procedure involving policy, capital, and ethics. When we discovered that Huaian has only one legally authorized non-emergency transport company, we realized how rapidly traditional kinship and ethical bonds are dissolving in modern China. Our co-director and producer embodies the duality of Huaian's Grand Canal and these transport vehicles-both an observer outside the system and a participant bound by blood. Every "fixed-price journey home" accelerates the erosion of China's last vestiges of kinship and communal ties.